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    LIST OF WORKS

    2022

    BALLHAUS for orchestra and props
    24′

    OFELIA for large ensemble, motorised piano and four loudspeakers
    22′

    REMEMORY for 12 voices and baroque ensemble
    14′

    MATRIOSHKA for Paetzold, Pump, Melodica and Egg Slicer
    8′

     

    2021

    NEROLI for violin and orchestra
    18′

    JUBELHEMD for quartet and orchestra
    18′

    HIMMEL for large ensemble
    15′

     

    2020

    FLÜGEL for orchestra
    13′

    FALTER for violin solo
    8′

    STERNENSTILL for string quartet
    15′

    PEONY’S SONG for 16 voices, whips and ensemble
    (4444) 1.1.1.1 – 1.1.1.0 – timp.3perc – hp.cem – 1.1.1.1.1
    20′

    PERIPHERY for small orchestra
    2′ 30”

     

    2019

    CRÈCHE for piano solo
    2′ 30”

    HÄNDEKÜSSEN for baroque orchestra
    12′

    PRIMA for turning flutist and light
    10′

    LASTER for motorised piano and orchestra
    20′

    FRANCESCA for ensemble
    (fl. ob. cl. perc. pno. vln. vla. vlc.)
    25′

     

    2018

    CIVIL SONG for 32 voices
    14′

    MANTEL for string orchestra
    20’

    PIETÀ for solo motorised violoncello and motorized installation of piano, violoncello, violin & guitar
    8′

    MINERVA for baroque cello
    8′

    PREDELLA for 4 choirs and ensemble
    13′

    LAUB for violin, guitar and choir
    15’

     

    2017

    SAFRAN for violin and motorised piano
    14′

    STABAT for 32 voices in 4 choirs
    27′

    SEGEL for orchestra
    13′

    FLEISCH solo cello for 1 – 3 cellists
    11′

     

    2016

    ARK for wind orchestra, 5 percussionists and double bass
    12′

    ZUCKER for motorized ensemble
    (fl. cl. perc. pno. gtr. vln. vlc.)
    15′

    PIETÀ for motorised violoncello and ensemble
    (solo vlc. fl. cl. perc. pno. vln. vla.)
    7’

    FIKONTRÄDET for counter tenor and baroque ensemble
    (recorder, baroque violin, viola da gamba, theorbo, countertenor)
    15′

     

    2015

    AUGENLIDER for prepared guitar and orchestra
    20′

    NEBENSONNEN for clarinet and string trio
    (vln. vla. vlc. cl. in Bb)
    11′

    SAI BALLARE?  for piano trio
    (vln. vlc. pno.)
    8′

    VOGEL. MEHR VOGEL (ALS ENGEL).
    for string quartet
    10′

    (ENGEL, … ) NOCH TASTEND
    for string quartet
    20′

     

    2014

    MARIA CALLAS for ensemble
    (fl. ob. cl. perc. pno. vln. vla. vlc.)
    3′

    MJÖLK for ensemble and ferris wheel
    (fl. ob. cl. cbsn. Hn. Tr. Trb. perc. I perc. II hp. pno. vln. I vln. II vla. vlc. cb.)
    20′

    RUE CUVIER ou LES YEUX AU CIEL for violoncello and accordion
    15′

    “DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT”
    performance installation for percussion quartet
    14′

     

    2013

    SERAPH  for violoncello and organ
    15′

    PAPIROSN  for ensemble
    (fl. sax. trb. perc. baroque gtr. pno. vln. vlc.)
    14′

    AGNEL  for 12-voiced choir, objects, choirboy und electronics
    13′

    SAI BALLARE? for violin, piano and motorised violoncello or piano trio
    8′

    ALV  for orchestra
    8′

     

    2012

    ASCHE  for violoncello and clarinet
    15′

    MADONNA DEL PRATO  for saxophone quartet
    9′

    ÄLV ALV ALVA  for ensemble
    (fl. ob/eng.hn. cl. bass cl. cbsn. hn. tr. trb. perc. pno. vln. I vln. II vla. vlc. cb.)
    20′

    PLAY TIME  for bicyle and percussion trio
    10′

    PIETÀ for ensemble and pictures
    (fl. cl. perc. pno. vln. I vln. II vla. vlc. cb.)
    9′

    PIETÀ for violoncello, motors and electronics
    7′ 20”

     

    2011

    GRATA  for violoncello and ensemble
    (solo vlc. 5 trbs. org.  2 hps. vln. 2 vlas. cb.)
    15′

    ASKARGOT  for string quartet
    8′

    …MIT BRENNENDEM ÖLE  pocketopera for 12 instruments, 5 women’s voices and 5 children’s voices
    12′

    JOIE  for Lauscher and Lauscher
    7′

     

    2010

    HALBWERTZEITEN UND HONIG  for soprano, piano and piano-loudspeakers
    12′

    WALLPAPERS  for baritone and electronics
    5′ 30”

    ASKAR  for string quartet and electronics
    9′ 30”

     

    2009

    ÄNGEN DANSAR  for womens choir and electronics
    10′

    LAKALLES  for ensemble and electronics
    (fl. cl. trb. acc. perc. vln. vla. vlc. cb.)
    9′

    EXISTENSER  for piano and electronics
    10′

     

    2008

    DER ZITRONENGELBE KLANG  for baritone, soprano and tuba
    8′

    NÄCKEN  for violin and electronics
    10′ 23”

    VON DEN SIEBEN PLAGEN  for electronics
    7′

     

    2007

    PLAYNG BERLIN  for electronics
    2′ 30”

Biography

Lisa Streich was born in 1985 in Norra Rada, Sweden. She studied composition and organ in Berlin, Stockholm, Salzburg, Paris, and Cologne with Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza, and Margareta Hürholz among others. Topping off her musical education were masterclasses with Chaya Czernowin, Steven Takasugi, Hanspeter Kyburz, and Daniel Roth. She currently holds a scholarship at the NMH Oslo, where Helmut Lachenmann is her mentor.

She likes to work with motorised instruments of her own creation in her music. She is fascinated by the de-subjectivization of sound, which for her becomes universal, speaking of and for everyone. She is also interested in the incongruent contrasts that can arise on both visual and auditory levels at the same time. Likewise, she pursues a keen interest in imperfect, well-known chords from recordings which she decidedly takes apart and weaves – sometimes with 40 voices – throughout an orchestral movement.

“Lisa Streich has her own voice,” says Alan Gilbert. “The musicians immediately recognized the quality of her music and found her work special.” (Elbphilharmonie Blog)

Streich has received commissions from the Lucerne Festival, the Kölner Philharmonie, the Swedish Radio Choir, the Gothenburg Symphony Orchestra, and the Shizuoka Concert Hall. Her music has seen performances from the Deutsches Symphonie-Orchester Berlin, the Gothenburg Symphony Orchestra, Swedish Radio Orchestra, Norrköping Symphony Orchestra, and Malmö Symphony Orchestra on the occasion of the 250th anniversary of the Royal Swedish Academy of Music with a commission for a Concerto Grosso, Quatuor Diotima, ensemble recherche, the Eric Ericson Kammerchor, Nouvel Ensemble Moderne Montréal, Ensemble Musikfabrik, the Munich Chamber Orchestra, and many others.

She has written theater music for the Salzburg Pocket Opera Festival, on the seven senses of man, as well as a closing scene for Henze’s “Wundertheater” for the Bavarian State Opera.

Awards and fellowships include the Cité des Arts Paris, the Anne-Sophie Mutter Foundation Orchestra Prize, the Akademie der Künste Berlin’s Busoni Composition Prize, the Bernd Alois Zimmermann Fellowship, a fellowship at the Villa Massimo in Rome, a Roche Young Commission at the Lucerne Festival, and the Ernst von Siemens Composers’ Prize. In 2020, she was the first recipient of the Claussen Simon Composition Prize, in 2021, she was honored with the Lilla Christ Johnson Composer’s Prize of the Royal Swedish Academy of Music for her work AUGENLIDER, and in 2022 she received the Heidelberg Women Artists’ Prize. In 2019, Lisa Streich was chosen to be a ricordilab laureate, an international program from publisher Ricordi Berlin that promotes young composers.

Portrait CDs were released in 2018 on WERGO/Zeitgenössische Musik and in 2019 on KARIOS.

Lectures on her music have taken place at the Royal College of Music Stockholm, the Colombia University New York, the Sibelius Academy Helsinki, and at the CRR de Paris. Dialog about music, art, and their possibilities is a subject close to Streich’s heart.

Future performances and commissions include an orchestral work for the NDR Elbphilharmonie Orchestra and Alan Gilbert, a violin concerto for the Munich Chamber Orchestra and Carolin Widmann. There is also a new orchestral work for the Staatstheater Hannover, a string quartet for Quatuor Diotima, and a cantata for the Klangforum Heidelberg and the Heidelberger Spring Music Festival. She also composes a new work for Ensemble Intercontemporain and Collegium Novum Zürich as well as a new work for orchestra for the Berlin Philharmonic.

Lisa Streich lives on Gotland, Sweden.

(Current as of Mar 2022)

press contact: jascha.zube@umusic.com

Lisa Streich, geboren 1985 in Norra Råda Schweden, studierte Komposition und Orgel in Berlin, Stockholm, Salzburg, Paris und Köln bei u. a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza and Margareta Hürholz.

Meisterkurse bei u.a. Chaya Czernowin, Steven Takasugi und Beat Furrer runden ihre musikalische Ausbildung ab.

Ihre Musik wurde u.a. in Schweden, Deutschland, Israel, Frankreich, Österreich, Großbritannien, Japan, Kanada und in den USA  gespielt. Vorgeführt u. a. vom Deutschen Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammerchor und Schwedens Radiochor u.a. beim MATA Festival New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien Modern und in dem Kölner Dom.

Preise und Stipendien beinhalten u.a. Cité des Arts Paris, Orchesterpreis des Anne-Sophie Mutter Fonds, Busoni Förderpreis der Akademie der Künste Berlin, Bernd Alois Zimmermann Stipendium, Rom-Preis der Villa Massimo, Roche Young Commission des Lucerne Festivals und den Ernst von Siemens Komponistenpreis.

Eine Porträt CD wird April 2018 beim Label WERGO/Edition zeitgenössische Musik erschienen.

Sie lebt auf Gotland, Schweden.

press contact: jascha.zube@umusic.com

Lisa Streich, född 1985 i Norra Råda har studerat komposition och orgel i Berlin, Stockholm, Salzburg, Paris och Köln för bl.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza, Margareta Hürholz och Ralph Gustafsson.

Master classes med bl.a. Chaya Czernowin, Steven Takasugi och Beat Furrer kompleterar hennes musikaliska utbildning.

Hennes verk har blivit framförda i Sverige, Tyskland, Israel, Frankrike, Österrike, England, Japan, Kanada och USA. Hennes musik har blivit spelad av bl.a. Deutsches Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammarkör och Sveriges Radiokör vid bl. a. MATA New York, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien modern och i Domkyrkan i Köln.

Priser och Stipendier innehåller bl.a. Cité des Arts, Paris, Orchesterpriset från Anne-Sophie Mutter fonden, Busoni priset av Akademie der Künste Berlin, Bernd Alois Zimmermann priset, Rom priset Villa Massimo, Roche Young Commissions av Lucerne Festivalen, och Tonsättarpriset av Ernst von Siemens Stiftelsen.

En porträtt skiva kommer ut hos WERGO i April 2018.

Hon lever på Gotland.

press contact: jascha.zube@umusic.com

Lisa Streich, née en 1985 à Norra Råda (Suède), a étudié la composition et l’orgue à Berlin, Stockholm, Salzburg, Paris et Cologne avec e.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza et Margareta Hürholz.
Elle a eu l’occasion d’enrichir ses études musicales en suivant des cours avec e.a. Chaya Czernowin, Steven Takasugi et Beat Furrer.

Sa musique est jouée en Suède, Allemagne, Israël, France, Autriche, Grande-Bretagne, Japon, Canada et aux USA par des ensembles comme le Deutsche Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, l’OENM, l’ Eric Ericsson choeur de chambre et le choeur de la radio suédoise qui ont interprété sa musique à l’occasion de festivals et de lieux comme le MATA New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, l’Ircam Paris, Wien modern et la Cathédrale de Cologne.

Lisa Streich est lauréate de prix et de bourses d’exceptions tels que la bourse de la Cité des Arts de Paris, le prix d’orchestre du fonds d’Anne-Sophie Mutter, le Busoni Förderpreis de l’Académie des arts de Berlin, le prix Bernd Alois Zimmermann, le prix de rome – Villa Massimo, la Roche Young Commission pour le Festival de Lucerne et le prix de composition de la fondation Ernst von Siemens.

Un disque portrait existe sur le label WERGO.

Elle vit aujourd’hui sur l’ile de Gotland en Suède.

press contact: jascha.zube@umusic.com

→ Download CV

Commissions

Commissions Upcoming

  • Berliner Philharmoniker – piece for orchestra
  • Elbphilharmonie Orchestra / Claussen Simon Stiftung – piece for orchestra
  • Ensemble Intercontemporain / Ircam / Collegium Novum Zürich – piece for large ensemble, motorised piano and 4 loudspeakers
  • Staatstheater Hannover – piece for orchestra and costumes – collaboration with Markus Schinwald
  • Yarn & Wire New York – piece for 2 pianos 2 percussion
  • Jacob Kellermann – piece for solo guitar

Commissions Written

  • Gothenburg Symphony Orchestra / Swedish Radio Orchestra / Norrköping Symphony Orchestra /
    Malmö Symphony Orchestra / Kungliga Musikaliska Akademien – concerto grosso for orchestra
  • Klangforum Heidelberg / Heidelberger Frühling – piece for 12 voices and baroque ensemble
  • Münchener Kammerorchester / Swedish Chamber Orchestra / Orchestre de Picardie – piece for violin and orchestra
  • Anna Petrini – piece for Pätzold, Pump, Melodica and Egg Slicer
  • Quatuor Diotima / Shizuoka Concert Hall Japan – piece for string quartet
  • ARD International Music Competition / Bayerischer Rundfunk – piece for solo violin
  • Collegium Novum Zürich – piece for large ensemble
  • Lucerne Festival / Roche Young Commission – piece for orchestra
  • Philharmonie Cologne / Hofkapelle München – piece for Baroque orchestra
  • Daniel Agi – piece for solo flute
  • Eric Ericson Kammarkör & Sveriges Radiokör – piece for 32 voices
  • Münchner Kammerorchester / Musica femina e.v. – piece for string orchestra
  • WDR Symphonieorchester / Wittener Tage für Neue Kammermusik – concerto for motorised piano and orchestra
  • Bayerische Staatsoper – staged piece for ensemble whips and choir
  • Villa Massimo project / Ernst von Siemens Musikstiftung – piece for 4 choirs
  • Cologne Cathedral / Gürzenich Orchester – piece for 4 choirs and ensemble
  • ensemble recherche / Swedish Arts Grants Committee – piece for ensemble
  • Karin Hellqvist / Swedish Arts Grants Committee – solo piece for motorized violin
  • Nadar ensemble / Transit Festival – PIETÀ for motorised installation
  • Swedish Radio / Arméns Musikkår – piece for wind orchestra and 5 percussionists
  • Bludenzer Tage zeitgemäßer Musik / Swedish Arts Grants Committee – piece for motorized ensemble
  • Asasello Quartet / Kunststiftung NRW – piece for string quartet
  • Acht Brücken / Ernst von Siemens Stiftung / Cologne Cathedrale – piece for 12-voiced choir, objects, choirboy und electronics
  • Harbour front Center’s Summer Music in the Garden Toronto – piece for baroque cello
  • Norrköpings Symfoniorkester – piece for guitar and orchestra
  • Ensemble Lipparella / Kulturrådet – piece for countertenor and baroque ensemble
  • Musik der Jahrhunderte / SWR / ensemble Recherche – piece for clarinet and string trio
  • Kalv Festivalen / choir piece with soloists
  • Norrbotten NEO – piece for ensmeble and electronics
  • Ensemble Recherche / Ultraschall Berlin – piece for ensemble
  • KammarensembleN / Statens Kulturråd – concerto grosso for string quartet and ensemble
  • Kroumata / Statens Kulturråd – piece for percussion quartet
  • Ensemble LUX:NM / Ernst von Siemens Stiftung – piece for ensemble
  • Duo Yngvild Vivja Haaland Ruud, Aino Juutilainen / Konstnärsnämnden / swedish/danish associationpiece for accordion and violoncello
  • Duo Christina Meißner, Poul Skjølstrup Larsen – piece for organ and violoncello
  • Ensemble Either I Or, Ensemble Son / Statens Kulturråd / Musik i Syd – piece for double quartet
  • Acht Brücken / radical translation – piece for piano trio (violin, piano and motorized violoncello)
  • Ensemble Recherche – piece for violoncello and clarinet
  • Stockholm saxophone quartet / Statens Kulturråd – piece for Saxophone Quartet
  • Hidden Mother – piece for percussion trio
  • Ensemble Sonanza – piece for ensemble and pictures
  • Ensemble 20/21 / Deutschlandfunk – piece for violoncello and ensemble
  • Taschenopernfestival Salzburg / Klang 21 / ARGEkultur – pocket opera
  • Lisa Fornhammar / Musik i Syd – piece for soprano, piano and piano loudspeakers
  • SIGNAL! Festival – orchestral brass

Records

  • AUGENLIDER

    Portrait CD
    AUGENLIDER for guitar & orchestra
    SAI BALLARE? piano, violin & motorised violoncello
    ÄLV ALV ALVA for ensemble
    >>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<< performance installation for percussion quartet
    ZUCKER for motorised ensemble
    Deutsches Symphonie-Orchester Berlin/Manuel Nawri, Ensemble Musikfabrik/Elena Schwarz, Ensemble Links, Ensemble Mosaik/Enno Poppe
    Label: KAIROS, Vienna, April 2019.

    Details

  • PIETÀ

    Portrait CD
    SEGEL for orchestra
    PIETÀ for motorised violoncello and ensemble
    AGNEL for 12-voices choir, objects, choirboy and electronics
    ASCHE for violoncello and clarinet
    STABAT for 32 voices in 4 choirs
    Lucerne Festival Academy Orchestra / Gregor Mayrhofer, hand werk / Niklas Seidl, Vokalensemble Kölner Dom / Eberhard Metternich, ensemble recherche, UT insieme vocale-consonante / Lorenzo Donati
    Label: WERGO / edition zeitgenössische musik
    06.04.2018

    Details

  • INSIGHTS TO-MORROW

    Asasello Quartet
    pieces by Lisa Streich, Márton Illés, Viera Janárceková
    Label: GENUIN
    GEN 20639
    03.01.2020

    Details

  • GUIDED BY VOICES

    New Music for Baroque Cello
    Baroque Cello: Elinor Frey
    pieces by: Godin, Streich, McKinley, Ceccarelli, Smith, Ueno
    Label: ANALEKTA, AN 2 9162
    08.03.2019

    Details

  • ISPARIZ. EINE VISION

    Gesänge der Hildegard und neue Kompositionen
    cello: Christina Meißner
    pieces by: von Bingen, Gubaidulina, Järnegaard,
    Rane Bauck, Lake, Streich
    Label: Querstand
    15.05.2020

    Details

  • WITTENER TAGE FÜR NEUE KAMMERMUSIK 2019

    WDR Sinfonieorchester
    LASTER for motorised piano and orchestra
    piano: Claudia Chan
    conductor: Michael Wendeberg
    pieces by Urquiza, Iannotta, Adamek, Was, Glojnaric, Mochizuki, Streich, Blondeau, Barden
    WDR3

    Details

  • BACK TO THE FUTURE

    10 Years of ensemble 20/21 & David Smeyers at the Forum neuer Musik
    pieces by Seidl, Park, Streich, Katzer, Silva, Matsuzawa, Cueto, Pagh-Paan, Odeh-Tamimi, Scholl
    Label: NEOS
    18.05.2018

    Details

  • AKSIOM

    Ensemble Aksiom conductor: Kai Grinde Myrann pieces by Svensson, Mæland, Streich, Bauck Label: LAWO LWC1115 2016

    Details

  • SERAPH

    Christina Meißner & Poul Skjolstrup Larsen pieces by Czernowin, Paagh-Paan, Mense, Streich Label: Querstand DDD, 2013 31.10.2014

    Details

Press

  • Sternenstill, pour quatuor, de la Suédoise Lisa Streich, offre ainsi un rare moment de calme, voire d’introspection. Sur des accents têtus, des coups d’archets rêches répondent à une série d’accords sous forme de choral miniature; et bientôt des mélodies lointaines aux contours improvisés apparaissent en contrepoint, voilées, sans efforts.
    Le développement dénote par sa liberté; l’usage de la voix bouche fermée, à peine audible, en juxtaposition avec les sons joués de manière ténue, esquisse l’acte créatif même, une rêverie de compositrice confinée. Au gré d’une pulsation qui va et vient, et d’une harmonie apparaissant de manière subreptice, Streich nous emmène sur un terrain mouvant, entre tradition et modernité. L’acoustique sèche est idéale pour ne rien perdre de cette délicatesse.

    Christian Wolff, Diotima et Coppey, un sublime art des contrastes, Dernières Nouvelles d'Alsace, November 4th 2022

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  • La jeune compositrice Lisa Streich (née en 1985) ouvre le concert par la création de son œuvre Ofelia inspirée par le personnage shakespearien. Pour cette pièce, la compositrice a voulu explorer le son de l’extérieur mais aussi de l’intérieur de l’instrument. À cette fin, elle a doté un des pianos d’un moteur, fabriqué par l’Ircam, qui actionne de fines bandes de papier venant pincer les cordes, créant ainsi une version électrifiée du piano préparé de John Cage. Soulignons la bonne idée d’avoir également placé des caméras à l’intérieur du piano, permettant ainsi au spectateur de voir en même temps sur écran le mécanisme en action. Lisa Streich privilégie la brillance et la rondeur des timbres des instruments. L’ensemble est harmonieux, sans chercher l’esbroufe. Malgré quelques petites longueurs, la pièce est agréable et s’écoute avec plaisir, notamment grâce à un beau travail d’orchestration. L’Ensemble intercontemporain souligne avec finesse la construction de l’œuvre que l’on souhaite voir reprise lors d’une saison prochaine.

    Maya Prynda, Voyage sonore avec l’Ensemble intercontemporain, ResMusica, 19th of September 2022

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  • Le contraste règne en maître dans OFELIA, page de la jeune compositrice suédoise Lisa Streich, commande de l’Ensemble intercontemporain, de l’Ircam-Centre-Pompidou et du Collegium Novum Zürich. Entre deux pianos, l’un « normal », l’autre « motorisé » et doté de microphones : ajoutés à la mécanique de l’instrument, des moteurs actionnent des bandes de papier qui pincent les cordes lorsque le pianiste active – silencieusement – les touches. L’objectif est de donner l’illusion à l’auditeur qu’il se trouve à l’intérieur de l’instrument, illusion renforcée par le film projetant le phénomène en temps réel. Entre l’électronique livesubtile et les instruments acoustiques. Entre la microtonalité de la harpe et le matériau tonal environnant. Des passages quasi-statiques, opérant des glissements imperceptibles de matières et de tempos, alternent avec des sections aux éclats résonants ; une cellule mélodique de cinq notes permutables à l’envi évoque fugacement un langage à la fois proche et lointain, la surprise surgissant des modes d’attaque d’une extrême variété, mettant en jeu le son mais aussi, du propre aveu de la compositrice, ses « imperfections ».

    À la Cité de la Anne Ibos-Augé, Musique, classique rime avec création, DIAPASON, 15th of September 2022

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  • ”SEGEL” ist zwischen Gegensätzen aufgespannt: Harte perkussive Momente schlagen, angeführt von Peitschenklängen, Schneisen in leise, schwebende Streicherklänge. Rhythmische Kante reibt sich an zarten Saitentönen, die etwas Traumhaftes haben, aber auch Sehnsucht un Wehmut. Zwischendurch meint man, Atem zu hören, mal auch Körper, die im Nebel tanzen. Im Programmheft liest man, dass Streich ihr musikalisches Material sakralen Vokalwerken entnahm. Das hat man tatsächlich auch hören können. Diese Musik hat nicht nur Idee und folgt einem klaren inneren Kompass, sondern greift den transzendierenden Charakter der Tonkunst auf, nimmt Kurs auf das Jenseits.”

    Susanne Benda, Kurs auf das Jenseits, Stuttgarter Zeitung, June 27th 2022

  • “Das uraufgeführte „Rememory“ der Schwedin ist genau auf die Besetzung dieses Abends zugeschnitten, Chor und Barockensemble. Als Textvorlage und Inspiration dient ihr eine Passage aus dem Roman „Menschenkind (Beloved)“ der afroamerikanischen Literaturnobelpreisträgerin Toni Morrison, in dem die Grausamkeit der Sklaverei als verdrängtes Trauma thematisiert wird – eine Mutter tötet ihr eigenes Kind, um es vor der Versklavung zu retten. Streichs Exzerpt ist ein Wiegenlied, in dem die Blutströme von Natur- und Märchenbildern überlagert sind. Sie vertont es als sehr langsames, aber unerbittliches Anwachsen von Spannung durch klangliche Verdichtung und dynamische Intensivierung, bis schließlich eine Wolke von unerträglichem, an der Grenze des Schreiens angesiedeltem Leiden den gesamten Raum bis zum Bersten füllt, um wie durch Zauberhand doch in so etwas wie skeptische Sanftmut überzugehen. Schon in einigen anderen Werken hat Lisa Streich der Idee des Schmerzes mit geradezu physischer Härte Ausdruck verliehen, als existenzielle menschliche Erfahrung ohne jede Schutzhülle, ähnlich wie bei Galina Ustwolskaja. Ihr Stück bildete den ergreifenden Höhepunkt des Konzertes, und es war in der Mitte von Bachs Kantate „Ihr werdet weinen und heulen“ perfekt platziert, wuchs aus dieser heraus.”

    Christoph Flamm, Zwingende Dramaturgie, unerbittliche Spannung, nmz 5/2022

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  • “Nella lingua svedese la parola älv serba in sé una serie di significati che sono in grado di costruire una semantica perfettamente specchiata in una memoria operativa dell’immaginazione: con essa posso indicare ciò che è amabile, prezioso, tendenzialmente piccolo in senso figurativo, che rileva un sottosuolo o acqua che scorre al di sotto, può affiancarsi al suffisso di fiume, fino ad arrivare a tradurre ciò che normalmente inquadra il minuscolo dato da elfi o folletti. Questa premessa è di un’utilità straordinaria per introdursi nel mondo musicale creato dalla compositrice svedese Lisa Streich (1985) ed ottenere le prime informazioni dal cd appena pubblicato su Kairos, intitolato Augenlider, frutto del premio vinto attraverso la Ernst Von Siemens Musikstiftung: particolarmente apprezzata negli ambienti contemporanei nonostante la giovane età, la Streich è un esempio di come l’ispirazione possa trovare stimoli efficienti nell’incontro tra stile di vita, pensiero poetico ed approfondimento artistico su basi che si riconducono comunque alla pratica musicale contemporanea.”

    Ettore Garcia, Lisa Streich: Augenlider, Percorsi Musicali, May 17 2019

    Read article

  • “Die junge Schwedin, eine sympathisch zurückhaltende Erscheinung, pflegt eine persönliche Musiksprache der harten Kontraste und sensiblen Innenstrukturen. Die Streicher produzieren introvertierte Geräuschklänge an der Hörgrenze, und über ihre Köpfe hinweg spielen die beiden links und rechts außen platzierten Perkussionisten Pingpong mit Paukenschlag und Peitschenknall. Das ist intelligent konzipiert und wirkungsvoll obendrein.”

    Max Nyffeler, François Leleux und Clemens Schuldt im Prinzregententheater, Abendzeitung München, December 14, 2018

    Read article

  • “The first sounds of Lisa Streich’s portrait disc in Wergo’s “edition zeitgenössische Musik” series are striking. In the opening pages of the orchestral work SEGEL, five percussionists arrayed in a wide semicircle around the stage take turns producing loud whip cracks, synchronized with brief, ethereal microtonal chords in the strings: both composed resonance and the profoundly muffled screams of some unfortunate victim.
        Striking images are Streich’s stock of trade. Not “striking” as in aggressive or assertive – much of her work is quiet, timbrally fragile and temperamentally reticent – but as in singular, wonderfully imaginative, tightly bounded and strongly characterized, immediately compelling to the ear and more or less immediately graspable, with a musical significance that lies less in development or elaboration than in inherent properties and eventual juxtapositions. Streich makes beautiful small worlds, with their own small, violent rhetorics.”

    Johnson, E. (2019). Lisa Streich - Lisa Streich: Pietà. Wergo WER64252. Tempo, 73(287), 116-117. doi:10.1017/S0040298218000840, Cambridge University Press

    Read article

  • “Die Musik von Lisa Streich (geboren 1985) auf CD zu veröffentlichen, ist eigentlich ein Ding der Unmöglich­keit. Zu sehr ist sie räumlich gedacht, sind die Klänge und ihre Räume in einem unlösbaren, komplex struktu­rierten Gewebe miteinander verfloch­ten, das man unbedingt im Konzert erleben muss, um es in seiner vollen Bandbreite erahnen zu können. Mehrere Dimensionen, von denen die akustische und die metaphysische nur die naheliegendsten zu sein scheinen, überkreuzen sich hier und finden in den Werken zu einem Ausdruck, der gleichermaßen von kreatürlicher Ver­letzlichkeit, verheißungsvoller Trans­zendenz und der endlosen Gleichgül­tigkeit des Kosmos kündet…der CD gelingt mit einer Kompilation von Werken der vergangenen fünf Jahre eine vielfaltige und abwechslungsreiche Werkschau der jungen schwedischen Kompo­nistin, die sich durch eine exzeptio­nelle musikalische Sprachvielfalt aus­zeichnet…Die CD hinterlässt den Hörer mit dem dringenden Wunsch, die Musik im Konzert hören zu wollen – als Qualitätsmerkmal letztlich das Non­ plus ultra.”

    Patrick Klingenschmitt, Lisa Streich Pietà, Neue Zeitschrift für Musik #4 2018, S. 70

    Read article

  • “È una musica sensoriale e sensuale, dotata di un delicato spettro di colori, ma capace di una potenza espressiva lancinante. Lo dimostra il gioco di risonanze, dissonanze, rumori e soffi di Agnel (2013) per coro, voci bianche, oggetti e elettronica; o l’uso del violoncello motorizzato (insieme all’ensemble) in Pietà (2012): delle strisce di carta, fatte ruotare da piccoli motori posti sul violoncello, colpiscono lo strumento (questo suono è amplificato da piccoli microfoni) trasformandolo in un corpo martirizzato, torturato. Questa simbiosi tra elementi meccanici, all’apparenza giocosi, e l’idea cristologica del sacrificio ha l’intensità di una preghiera rapinosa.”

    Gianluigi Mattietti, Nuovi volti della musica contemporanea: Lisa Streich, Amadeus May 5, 2018

    Read article

  • “Die Interpreten dieser Portrait-CD sind allesamt großartig, seien es Solisten aus dem ensemble recherche, das Vokalensemble des Kölner Doms oder das Orchester der Lucerne Festival Academy: Alle bringen die nötige Sensibilität für diese Musik mit, ohne an ihr zu zerbrechen. Immer hat das man das Gefühl, mitten im Energiefluss zu schweben. Dafür nimmt man sich doch gerne eine gute Stunde Zeit!”

    Johann Jahn, Bayerischer Rundfunk, Der CD-Tipp zum anhören, April 12, 2018

    Read article

  • “Steve Reich zählte übrigens, wie John Cage, György Ligeti, Karlheinz Stockhausen oder Christian Wolff, zu den renommierten Composers in Residence in der dreißigjährigen Geschichte des Osterfestivals. Diesmal beeindruckten vor allem Kompositionen wie Lisa Streichs „Fleisch“ oder Milica Djordjevićs „Rdja“, und die Konfrontationen mit alter Musik.”

    Reinhard Kager, Von fremden Menschen und Ländern, FAZ April 4, 2018

    Read article

  • Xenakis, Metastaseis A, Terretektorh, Nomos Gamma; Arturo Tamayo conducting the Orchestra Sinfonica RAI and the Residentie Orkest The Hague (Mode)

    Lisa Streich, Pietà and other works; Vokalensemble Kölner Dom, Niklas Seidl, ensemble recherche, UT insieme vocale-consonante, Gregor Mayrhofer conducting the Lucerne Festival Orchestra (Wergo)

    Wang Lu, Urban Inventory and other works; Third Sound Ensemble, Holland Symfonia, Alarm Will Sound, Le Nouvel Ensemble Moderne, ICE, Ensemble Intercontemporain (New Focus)

    Michael Pisaro, Shades of Eternal Night; Pisaro, Reinier van Houdt (Gravity Wave)

    Paganini, Caprices; Augustin Hadelich (Warner)

    Bach, Goldberg Variations; Peter Hill (Delphian)

    Samir Odeh-Tamimi; Lámed and other works; Zafraan Ensemble, Salome Kammer, Manuel Nawri (Kairos)

    Messiaen, Catalogue d’oiseaux; Pierre-Laurent Aimard (Pentatone)

    Joan La Barbara, as lightning comes, in flashes, Autumn Signal, CYCLONE; La Barbara, Bruce Ditmas (Mode)

    Jürg Frey, Late Silence, Magnus Granberg, How Vain Are All Our Frail Delights; Ensemble Grizzana (another timbre)

    Michael Hersch, cortex and ankle, Black Untitled; Ensemble Klang (Ensemble Klang Records)
    March 27, 2018 | Permalink

    Alex Ross: The Rest is Noise: A Nightafternight playlist, March 27, 2018

    Read article

  • “Die Violoncellistin Åsa Åkerberg legt mit Lisa Streichs “Fleisch” ein kleines Solo-Bravourstück hin; ruhig verinnerlicht und stetig aufbauend kehrt sie eine ganze Gefühls- und Klangwelt nach außen.”

    Auf der Suche nach Stille und Zeit, Kronen Zeitung, March 23, 2018

  • “Ein gut gedachtes und gemachtes Stück. Für das eindrucksvollste indes hat an diesem Abend Lisa Streich gesorgt: In „Zucker“ sorgen elektronisch gesteuerte Rädchen an den Instrumenten der Musiker für einen (fast altmodisch-)mechanischen Klang, der sich in eine permanente und reizvolle Reibung zu den menschlich erzeugten Tönen begibt. Streichs Stück ist nicht nur sehr spielerisch und poetisch, sondern verfügt über eine in neuerer Musik nicht eben häufig anzutreffende Kongruenz von Länge und Inhalt.”

    Susanne Benda, “Geschüttelt, nicht gerührt”, Auftakt des Stuttgarter ECLAT-Festivals, Stuttgarter Nachrichten February 01, 2018

    Read article

  • “Älv Alv Alva de Lisa Streich donnée en création française est le troisième triptyque de la soirée. Les trois mots du titre, nous dit la compositrice Suédoise, «n’ont de sens que pour celui qui franchit le 60° parallèle nord». De fait, l’œuvre nous convie à une expérience d’étrangeté, avec ses trouées de silence, ses surgissements musclés convoquant les cuivres, et ses sonorités elfiques, celle des coupes-œufs mis entre les doigts des mêmes instrumentistes à vent qui les font délicatement sonner, à main nue ou avec des archets. Ce montage serré de séquences très hétérogènes et non dénuées d’humour – marche, air populaire et autres refrains – par son étrangeté même nous envoûte et laisse in fine affleurer l’émotion.”

    Michèle Tosi, ResMusica, January 28, 2017

    Read article

  • “Lisa Streich beschwört die “Nebensonnen” als Metapher für ganz anders geartete Parallelen zu Lachenmann: ein fragiles Stück, im schier Schubertschen Amalgam von Geige und Viola durchaus auratisch.”

    Gerhard R. Koch, “Wer lärmt, ist einverstanden mit dem großen Sohn”, FAZ, November 19, 2015

    Read article

  • “For Swedish composer Lisa Streich’s Play Time (2012), members of Mantra Percussion sat at an inverted bicycle, one at each wheel and one between them at the frame. A set of crotales waited nearby. Making sounds on “found” objects is nothing new, and the bar for Streich was high. In Mantra’s nuanced performance, Play Time cleared every hurdle with room to spare. Mallet-on-frame tapping gave the work a rhythmic anchor that allowed Mantra to spin music out of sound. Delicate bowing set spokes humming, a tap on spokes became a quiet gong, spinning wheels fizzed and buzzed, pedals cranked a ratcheting chain, and here and there a fulsome, singing note emerged.”

    Susan Scheid, “Of Circles and Motions of the Others”, The Brooklyn Rail, June 5, 2014

  • “Lisa Streich has a very personal and innovative musical language, with which she uses orchestral instruments in new ways that create unique sounds and timbres, combined with a strong sense of form. Chief conductor Michael Francis says about Lisa Streich’s piece Alv that “it’s one of the most original pieces I’ve ever conducted, she has developed a sound world unlike anything I have encountered before”.
    With limited means, intrinsic aesthetics, and great ingenuity while posing technical challenges, she creates a fascinating spectrum of colours that can be called unique.”

    Tim Södergren, “Här är vinnarna i Mutter-fonden”, Folkbladet, Mai 23, 2014

  • “…så utgjorde det nyskrivna verket ”Alv for Orchestra” av unga Lisa Streich en mera anti-symfonisk komposition. Här fick vi i ett annorlunda klanglandskap lära oss att lyssna fram det finstilta, naturen och det mystiska samt ge tystnaden en egen bärande funktion. Sällan har jag spetsat mina öron så mycket i De Geerhallen denna vår. Suveränt!

    Michael Bruze, “Klangfrossa med SON”, Norrköpings Tidningar, April 29, 2014

  • “Ich könnte mich hier darin verlieren, für die Musik von Lisa Streich Worte zu finden. Reichhaltig sind die Zugänge, die sie ermöglicht, und das liegt nicht zuletzt an ihrer großen strukturellen Präzision und Differenzierung. Jedoch ist diese Präzision in keinem Moment einem leeren Spiel mit Virtuosität verpflichtet. Vielmehr scheint es immer um etwas Wesentliches zu gehen. Man könnte hierfür den Begriff des Ausdrucks wählen, denn die Musik lässt es zu, in ihr etwas zu erkennen, was sich vernetzt mit der Wahrnehmung im Allgemeinen. Sie kann taktil sein, schwebend, hart, melancholisch oder auch schmerzhaft, wenn sich z.B. alles zu einem scheinbaren Schrei verdichtet. Solche Begriffe oder Gefühle können sich beim Hören von Lisa Streichs Musik einstellen, doch sie stellt sie nicht aus. Vielmehr ermöglicht sie ledeglich ein solches Wahrnehmen, weil sie auch selbst der Wahrnehmung verpflichtet ist. Alles in ihrer Musik scheint aus ihr hervorzugehen, also ebenso ihre Tiefenschärfe, wie ihre große Weite.“

    Isabel Mundry, excerpt from “Laudatio” Busoni Förderpreis, Berlin, November 30, 2013

  • “Och så välkomnad man också kan bli, som av Lisa Streichs oerhört tysta men inbjudande ”PAPIROSN for ensemble”. Knäpp och vinanden skapade en kontinuitet som bröts av enstaka starkare toner och minimala utbrott av skönhet. Glesa pling och gnissel påminde om hur mycket som finns att upptäcka när man rör sig mot tystnaden. Här överskreds faktiskt gränser, och det helt utan dynamit.”

    Tobias Lund, “Tystnadens gränsland”, Sydsvenskan, October 26, 2013

  • “…other notable new scores: George Benjamin’s “Written on Skin,” Steven Stucky’s “Silent Spring,” Lisa Streich’s “PIETÀ,” David Lang’s “love fail,” Missy Mazzoli’s “Song from the Uproar,” Tristan Perich’s “Dual Synthesis.”

    Alex Ross, “ten memorable classical performances of 2012”, The New Yorker, December 20, 2012

    Read article

  • “I found Streich’s PIETÀ especially riveting. A Swede with a predilection for religious and philosophical subjectmatter, Streich here makes use of a cello outfitted with small motors on the outside of its body and microphones on the inside. One of the motors has strips of paper attached to it, which quietly strike the strings below the bridge as the wheel turns. The cello part — executed beautifully by Michael Bialobroda — leans on isolated phrases, sustained tones, and trills, rarely rising above a low dynamic and creating a mood of prayerful intensity. I was reminded of some of Sofia Gubaidulina’s more experimental work, but the vision seems thoroughly original.”

    Alex Ross, The Rest is Noise, Books, articles, and a blog by the music critic of The New Yorker "Parisian footnotes", April 25, 2012

    Read article

  • “…and works for solo instruments and electronics by student composers at IRCAM, the avant-garde music bunker beneath the Centre Pompidou. (Lisa Streich’s “PIETÀ,” a rapt meditation for mechanically modified cello, was the standout there.)”

    Alex Ross, "Opera on the Barricades", The New Yorker, 30 April 2012, p. 75.

    Read article

  • “Ihrer bislang minimalistischen Sprache treu bleibend, wählte Streich kleine Materialpartikel als Ausgangspunkt, die sich in widerstreitenden Konstellationen begegnen, auf höherer Ebene aber zu einer göttlichen Einheit verschmelzen. Auch in der Besetzung zeichnen sich die Gegensätze ab, etwa wenn fünf Posaunen in ihrer Rolle als Störfaktor von zwei flankierenden Harfen besänftigt werden. GRATA ist keinem strengen Formschema unterworfen und markiert in Streichs jungem Schaffen, im Kontext ihrer eigenen Spiritualität, eine Loslösung von äußeren Regeln und Vorgaben. Die ungebundene Kraftentfaltung, aus der sich ein eigenes individuelles Formgerüst herausbildet, korrespondiert mit dem Bekenntnischarakter des Werks.”

    Egbert Hiller, Forum neuer Musik, Deutschlandfunk, April 2012

Calendar

Upcoming and current events

  • 14/04/2023

    at: 9:00 pm

    ONLY CONNECT FESTIVAL


    FLÜGEL for orchestra
    Trondheim Symfoniorkester & Opera
    conductor: Bas Wiegers
    Nidarosdomen, Trondheim, Norway

  • 02/05/2023

    at: 6:00 pm

    ACHT BRÜCKEN


    NEW PIECE
    for two e-guitars
    Duo Santorsa-Pereyra
    Senftöpfchen-Theater, Cologne, Germany

  • 05/05/2023

    at: 8:30 pm

    ZYKLUS VII HIMMEL


    HIMMEL for ensemble
    Klangforum Wien
    condcutor: Tim Anderson
    Wiener Konzerthaus, Mozart-Saal, Wien, Austria

  • 07/05/2023

    at: 5:00 pm

    MORE THAN MUSIC


    BALLHAUS for orchestra and requisites
    Niedersächsisches Staatsorchester Hannover
    conductor: Stephan Zilias
    requisites: Markus Schinwald
    Staatsoper Hannover, Germany

  • 08/05/2023

    at: 7:30 pm

    MORE THAN MUSIC

    BALLHAUS for orchestra and requisites
    Niedersächsisches Staatsorchester Hannover
    conductor: Stephan Zilias
    requisites: Markus Schinwald
    Staatsoper Hannover, Germany

  • 25/05/2023

    MASTER CLASS

    CHORDS
    Lecture/Master Class
    Malmö Academy of Music, Sweden

  • 28/05/2023

    at: 8:00 pm

    ENSEMBLE RESONANZ


    HÄNDEKÜSSEN for small orchestra
    Ensemble Resonanz
    Laeiszhalle Hamburg, Germany

  • 08/06/2023

    at: 8:00 pm

    BERLINER PHILHARMONIKER


    NEW PIECE for orchestra (premiere)
    Berliner Philharmoniker
    conductor: Kirill Petrenko
    Berliner Philharmonie, Berlin, Germany

  • 09/06/2023

    at: 8:00 pm

    KIRILL PETRENKO


    NEW PIECE for orchestra (premiere)
    Berliner Philharmoniker
    conductor: Kirill Petrenko
    Berliner Philharmonie, Berlin, Germany

  • 23/06/2023 to 02/07/2023

    SUMMER COURSE TICINO


    IYCA Ticino
    apply: https://composersacademy.org

Past events

  • 23/03/2023

    at: 5:30 pm

    Nouvelles Aventures


    STERNENSTILL for string quartet
    Quatuor Diotima
    Mozartsaal Wiener Konzerthaus, Vienna, Austria

  • 04/03/2023

    at: 2:00 pm

    50 YEARS ERNST VON SIEMENS MUSIKSTIFTUNG

    DAUMENKINO
    Pierre Boulez Saal, Berlin, Germany

  • 03/03/2023

    at: 5:00 pm

    50 years Ernst von Siemens Musikstiftung


    DAUMENKINO
    Pierre Boulez Saal, Berlin, Germany

  • 27/02/2023

    ESPLANADE

    STERNENSTILL for string quartet
    Quatuor Diotima
    Salle d’esplanade, Arsenal de Metz, France

  • 25/02/2023

    at: 11:00 am

    PEACE IN CONCERT


    FALTER for violin solo
    violin: Marie Schreer
    online concert@
    https://www.peaceinconcert.org

  • 01/02/2023

    at: 6:00 pm

    Elbphilharmonie Visions/Claussen-Simon-Composition Prize


    FLÜGEL for orchestra (premiere)
    NDR Elbphilharmonie Orchester
    conductor: Alan Gilbert
    Elbphilharmonie, Hamburg, Germany

  • 13/01/2023

    at: 1:00 pm

    JAPAN


    STERNENSTILL for string quartet
    Quatuor Diotima
    Shizuoka Concert Hall, Shizuoka, Japan

  • 08/01/2023

    at: 6:00 pm

    Montagskonzert

    FALTER for violin
    violin: Hannah Weirich
    Studio Ensemble Musikfabrik, Cologne, Germany

  • 06/12/2022 to 08/12/2022

    NMH Oslo


    COMPOSITION MASTERCLASS
    Norwegian Academy of Music, Oslo, Norway

  • 01/12/2022

    at: 5:30 pm

    SLEEPING PATTERNS


    ÄLV ALV ALVA for large ensemble
    London Sinfonietta
    conductor: Jack Sheen
    Southbank Centre’s Queen Elizabeth Hall, London, UK

  • 24/11/2022

    at: 6:00 pm

    Über Menschen und 1913


    HIMMEL for large ensemble
    Konzerthausorchester Berlin
    conductor: Peter Rundel
    Konzerthaus Berlin, Germany

  • 22/11/2022

    at: 3:00 pm

    HCMF COMPOSER IN RESIDENCE


    STERNENSTILL for string quartet
    (ENGEL, . . .) NOCH TASTEND for string quartet
    Quatuor Diotima
    St. Paul’s Hall, Huddersfield, UK

  • 21/11/2022

    at: 6:00 pm

    HCMF COMPOSER IN RESIDENCE


    MINERVA for violoncello solo
    SAFRAN for motorised piano and violin
    SAI BALLARE? for motorised violoncello, violin and piano
    CADENZA for motorised piano
    FALTER for violin solo

  • 19/11/2022

    at: 2:00 pm

    HCMF COMPOSER IN RESIDENCE


    FRANCESCA for ensemble
    Riot Ensemble
    conductor: Aaron Holloway-Nahum
    St Paul’s Hall, Huddersfield, UK

  • 19/11/2022

    at: 5:30 pm

    HCMF COMPOSER IN RESIDENCE


    ÄLV ALV ALVA for large ensemble
    London Sinfonietta
    conductor: Jack Sheen
    Huddersfield Town Hall, Huddersfield UK

  • 18/11/2022

    at: 6:00 pm

    HCMF COMPOSER IN RESIDENCE


    OFELIA for large ensemble, motorised piano and 4 loudspeakers
    HIMMEL for large ensemble
    Ensemble Intercontemporain
    conductor: François López-Ferrer
    Huddersfield Townhall, Huddersfield, UK

  • 18/11/2022

    Curious Chamber Players


    FALTER for violin solo
    violin: Sofie Thorsbro Dan
    Kvarnbyns Handpappersbruk, Gothenburg, Sweden

  • 10/11/2022

    Carolin Widman


    NEROLI for violin and orchestra
    Swedish Chamber Orchestra
    violin: Carolin Widmann
    conductor: Clemens Schuldt
    Örebro Konserthus, Sweden

  • 02/11/2022

    at: 6:00 pm

    Opéra National du Rhin


    STERNENSTILL for string quartet (world premiere)
    quatuor diotima
    Opéra National du Rhin, Strasbourg, France

  • 26/10/2022

    at: 4:00 pm

    250TH ANNIVERSARY KUNGLIGA MUSIKALISKA AKADEMIEN

    JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra
    Swedish Radio Symphony Orchestra
    conductor: Fredrik Burstedt
    Berwaldhallen, Stockholm, Sweden

  • 25/10/2022

    at: 4:00 pm

    250th Anniversary Kungliga Musikaliska Akademien


    JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra
    Swedish Radio Symphony Orchestra
    conductor: Fredrik Burstedt
    Berwaldhallen, Stockholm, Sweden

  • 12/10/2022

    at: 5:30 pm

    NORDIC MUSIC DAYS


    SEGEL for orchestra
    Iceland Symphony Orchestra
    conductor: Anna-Maria Helsing
    Harpa Concert Hall, Reykjavík, Iceland

  • 11/10/2022

    at: 6:00 pm

    BROADCASTING


    RADIO PORTRAIT by Annelis Berger
    Lisa Streich
    SRF, Switzerland
    https://www.srf.ch/audio/musik-unserer-zeit/im-innern-der-orgel-lisa-streich-komponistin-und-organistin?id=12250885

  • 07/10/2022

    at: 5:30 pm

    COLLEGIUM NOVUM ZÜRICH


    OFELIA for large ensemble, motorised piano and 4 loudspeakers (swiss premiere)
    conductor: Tito Ceccherini
    Collegium Novum Zürich
    Tonhalle, Zürich, Switzerland

  • 30/09/2022

    at: 8:00 am

    BROADCASTING


    “je mehr desto besser”
    RADIO PORTRAIT by Andreas Müller Crépon
    SRF Switzerland
    https://www.srf.ch/audio/musikmagazin/lisa-streich-mag-orchester-je-mehr-desto-besser?id=11944219

  • 16/09/2022

    OPENING CONCERT

    SEGEL for large orchestra
    Royal Stockholm Philharmonic Orchestra
    conductor: Ryan Bancroft
    Stockholm Concert Hall, Sweden

  • 14/09/2022

    OPENING CONCERT


    SEGEL for large orchestra
    Royal Stockholm Philharmonic Orchestra
    conductor: Ryan Bancroft
    Stockholm Concert Hall, Sweden

  • 13/09/2022

    PARIS


    OFELIA for large ensemble, motorised piano and 4 loudspeakers (premiere)
    Ensemble Intercontemporain
    conductor: Matthias Pintscher
    Philharmonie de Paris, France

  • 03/09/2022

    at: 1:30 pm

    INK STILL WET


    MANTEL for string orchestra and 2 percussion
    Tonkünstler-Orchester
    conductor: Lisa Streich
    Auditorium, Grafenegg, Austria

  • 02/09/2022

    at: 5:30 pm

    BEETHOVENFEST BONN


    HÄNDEKÜSSEN for chamber orchestra
    Ensemble Resonanz
    conductor: Riccardo Minasi
    Aula, University Bonn, Germany

  • 27/08/2022

    at: 10:00 pm

    NY MUSIK I SÖRMLAND


    MATRIOSHKA for paetzold recorder, melodica, foot pump and egg slicer
    Anna Petrini
    Gula Industrihuset, Stallarholme, Sweden

  • 26/08/2022

    at: 9:00 am

    LUCERNE FESTIVAL

    NEBENSONNEN for violin, viola, violoncello and clarinet
    ensemble recherche
    Hochschule Luzern – Music, Salquin Hall, Lucerne, Switzerland

  • 10/08/2022

    KALV FESTIVALEN


    FLEISCH for solo violoncello
    KOLON for solo violoncello
    violoncello: Christina Meissner
    Kalv Church, Sweden

  • 15/07/2022

    at: 7:30 pm

    LEBENSRÄUME @ SOMMER IN STUTTGART

    NEBENSONNEN for clarinet, violin and viola
    ensemble recherche
    Liederhalle Stuttgart, Germany

  • 03/07/2022

    DANISH NEW MUSIC ACACDEMY


    SAI BALLARE? for piano trio
    violin: Sofie Dan
    motorised violoncello: Ragnar Jónsson
    piano: Lis Marti

  • 26/06/2022

    COMPOSER IN FOCUS

    SEGEL for orchestra
    Staatsorchester Stuttgart
    conductor: Duncan Ward
    Liederhalle Stuttgart, Germany

  • 25/06/2022

    Composer in Focus


    SEGEL for orchestra (NP)
    Staatsorchester Stuttgart
    conductor: Duncan Ward
    Liederhalle Stuttgart, Germany

  • 12/06/2022 to 15/06/2022

    TEACHING

    MASTER CLASS
    Hochschule für Musik Freiburg, Germany

  • 12/06/2022

    at: 6:05 am

    BROADCASTING

    SWR Abendkonzert
    REMEMORY for 12 voices and baroque ensemble
    conductor: Walter Nussbaum
    Schola Heidelberg & ensemble aisthesi
    SWR2 Germany

  • 06/06/2022

    PERFORMING PRECARITY


    FRANCESCA for ensemble
    Studio for New Music, Ellen Ugelvik, Jennifer Torrence
    conductor: Vladimir Tarnopolsky
    Moscow Tchaikovsky Conservatory, Moscow, Russia
    cancelled

  • 09/05/2022

    at: 6:05 pm

    BROADCASTING

    NEROLI for violin and orchestra (premiere)
    violin: Carolin Widmann
    conductor: Enrico Onofri
    Münchener Kammerorchester
    BR Klassik

  • 07/05/2022

    at: 6:30 pm

    31° Festival Milano Musica


    FRANCESCA for ensemble
    mdi ensemble
    Fabbrica del Vapore, Milano, Italy

  • 05/05/2022

    COMPOSER IN FOCUS


    DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT performance installation for percussion quartet
    Staatsorchester Stuttgart
    Stuttgart, Germany

  • 30/04/2022

    at: 3:00 pm

    SPOR FESTIVAL


    “(ENGEL, …) NOCH TASTEND” for string quartet
    Quatuor Diotima
    Bora Bora, Århus, Danmark

  • 27/04/2022

    at: 6:00 pm

    CAROLIN WIDMANN


    NEROLI for violin and orchestra (premiere)
    Münchener Kammerorchester
    violin: Carolin Widmann
    conductor: Enrico Onofri
    Prinzregententheater, Munich, Germany

  • 23/04/2022

    at: 7:05 pm

    BROADCAST

    KONZERTDOKUMENT DER WOCHE
    HIMMEL for large ensemble
    conductor: Felix Mildenberger
    Philharmonisches Orchester Heidelberg
    Deutschlandfunk Kultur, Germany

  • 22/04/2022

    at: 5:30 pm

    Guest Recital: Marco Fusi

    FALTER for solo violin
    violin: Marco Fusi
    WQED Studio B, 4802 Fifth Ave
    Pittsburgh, USA

  • 02/04/2022

    at: 5:00 pm

    ARCHIPEL


    MATRIOSHKA for paetzold recorder, melodica, foot pump and egg slicer (premiere)
    Anna Petrini
    Maison Communale de Plainpalais, Geneva, Switzerland

  • 02/04/2022

    at: 6:00 pm

    OSTERFESTIVAL

    REMEMORY for 12 voices and baroque ensemble
    Schola Heidelberg & ensemble aisthesis
    conductor: Walter Nussbaum
    Innsbruck, AUSTRIA

  • 01/04/2022

    BIT20


    FRANCESCA for ensemble
    BIT20 Ensemble
    conductor: Christian Karlsen
    Bergen, Norway

  • 31/03/2022

    at: 5:30 pm

    HEIDELBERGER FRÜHLING


    REMEMORY for 12 voices and baroque ensemble (premiere)
    Schola Heidelberg & ensemble aisthesis
    conductor: Walter Nussbaum
    Peterskirche Heidelberg, Germany

  • 22/03/2022 to 24/03/2022

    TEACHING

    MASTER CLASS
    Norwegian Academy of Music, Oslo, Norway

  • 26/02/2022

    at: 9:00 am

    PHILHARMONISCHES KONZERT

    HIMMEL for large ensemble
    Philharmonisches Orchester Heidelberg
    conductor: Felix Mildenberger
    Heidelberg, Germany

  • 23/02/2022

    at: 6:00 pm

    PHILHARMONISCHES KONZERT


    HIMMEL for large ensemble
    Philharmonisches Orchester Heidelberg
    conductor: Felix Mildenberger
    Heidelberg, Germany

  • 22/02/2022

    HEIDELBERGER KÜNSTLERINNENPREIS


    HIMMEL for large ensemble
    Philharmonisches Orchester Heidelberg
    conductor: Felix Mildenberger
    Heidelberg, Germany

     

  • 16/02/2022

    at: 9:00 am

    UNIVERSITY HEIDELBERG


    Lecture: CHORDS
    Heidelberg University, Germany

  • 10/02/2022

    at: 3:00 pm

    ON THE PODIUM: JOHANNES GUSTAVSSON

    JUBELHEMD concerto grosso for quartet and orchestra
    Gothenburg Symphony Orchestra
    conductor: Johannes Gustavsson
    Göteborgs Konserthus, Gothenburg, Sweden

  • 09/02/2022

    at: 5:30 pm

    ON THE PODIUM: JOHANNES GUSTAVSSON


    JUBELHEMD concerto grosso for quartet and orchestra
    Gothenburg Symphony Orchestra
    conductor: Johannes Gustavsson
    Göteborgs Konserthus, Gothenburg, Sweden

  • 02/02/2022

    at: 4:30 pm

    ECLAT


    CADENZA for motorised piano and assistant
    Performing Precarity
    Ellen Ugelvik
    Jennifer Torrence
    Theaterhaus Stuttgart, Germany

  • 14/01/2022

    at: 3:00 pm

    FRAKZIONEN

    RUE CUVIER ou LES YEUX AU CIEL
    for accordion and violoncello
    accordion: Claudia Buder
    violoncello: Christina Meißner
    Kantorei Bethel, Bielefeld, Germany

  • 14/01/2022

    at: 6:00 pm

    MUSIK DER ZEIT


    MANTEL for string orchestra and 2 percussion
    WDR Symphony Orchestra
    conductor: Elena Schwarz
    Funkhaus Wallrafplatz, Cologne, Germany

  • 08/01/2022

    at: 9:04 pm

    BROADCASTING

    MY FAVORITE CHOICE – ELENA SCHWARZ
    SEGEL for large orchestra
    Lucerne Festival Academy Orchestra
    conductor: Gregor Mayrhofer
    WDR 3 Germany

  • 08/12/2021

    at: 5:00 pm

    PERFORMING PRECARITY

    CADENZA for motorised piano
    (from LASTER for motorised piano and orchestra)
    piano: Ellen Ugelvik
    motor player: Jennifer Torrence
    NMH Oslo, Norway

  • 28/11/2021

    at: 3:00 pm


    Kungliga Musikaliska Högtidssammankomst 2021
    Prize Ceremony Christ Johnson Prize
    Kungliga Musikaliska Akademien Stockholm, Sweden

  • 11/11/2021

    at: 7:00 pm

    sister

    SAI BALLARE? for string trio
    ensemble resonanz
    resonanzraum, Hamburg, Germany

  • 13/10/2021

    250TH ANNIVERSARY KUNGLIGA MUSIKALISKA AKADEMIEN


    JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra (premiere)
    Malmö Symphony Orchestra
    conductor: Gemma New
    Malmö Live Konserthus, Malmö, Sweden

  • 06/10/2021

    Philharmonisches Konzert

    HÄNDEKÜSSEN for small orchestra
    Philharmonisches Orchester Heidelberg
    conductor: Elias Grandy
    Heidelberg, Germany

  • 05/10/2021

    Philharmonisches Konzert


    HÄNDEKÜSSEN for small orchestra
    Philharmonisches Orchester Heidelberg
    conductor: Elias Grandy
    Heidelberg, Germany

  • 29/09/2021

    at: 6:00 pm

    EKKI MINNA Duo: Re-Act


    RUE CUVIER for accordion and violoncello
    EKKI MINNA Duo
    Musikhuset København, Danmark

  • 25/09/2021

    at: 9:00 am

    musica festival Strasbourg


    (ENGEL,…) NOCH TASTEND for string quartet (miniatures)
    1) ENGEL, NOCH TASTEND
    2) VERGESSLICHER ENGEL
    3) HÖRENDER ENGEL
    Quatuor Diotima
    Stadthalle Kehl, Germany

  • 19/09/2021

    at: 6:00 pm

    Berliner Festspiele


    HIMMEL for ensemble
    Karajan Akademie
    conductor: Matthias Pintscher
    Philharmonie, Berlin, Germany

  • 09/09/2021

    at: 2:00 pm

    ARD-Musikwettbewerb 2021


    FALTER for violin solo (premiere)
    participants of the ARD-Musikwettbewerb
    Munich, Germany

  • 05/09/2021

    at: 6:00 pm

    OPENING CONCERT ENSEMBLE-AKADEMIE

    NEBENSONNEN for violin, viola, violoncello & clarinet
    ensemble recherche
    Christuskirche, Freiburg, Germany

  • 28/08/2021

    at: 4:00 pm

    Sofia Gubaidulina 90 years

    Kunstfest Weimar
    SERAPH for violoncello and organ
    violoncello: Christina Meissner
    organ: Martin Sturm
    Herderkirche Weimar, Germany

  • 27/08/2021

    at: 3:00 pm

    Christina Meissner

    SERAPH for violoncello and organ
    violoncello: Christina Meissner
    organ: Martin Sturm
    Martinskirche, Sindelfingen, Germany

  • 19/07/2021

    at: 6:00 pm

    SOG


    PRIMA for turning flutist and light
    flute: Daniel Agi
    staging: Lea Letzel
    MusikZentrum Hannover, Germany

  • 09/07/2021

    at: 8:00 pm

    BROADCASTING BBC RADIO 3

    NEW MUSIC SHOW BBC RADIO 3
    MANTEL for string orchestra and 2 Percussion
    Tapiola Sinfonietta
    conductor: Roland Kluttig
    https://www.bbc.co.uk/programmes/m000xsgc

  • 06/07/2021

    CHORDS


    Lecture: CHORDS
    Hochschule für Musik FRANZ LISZT Weimar, Germany

  • 26/06/2021

    at: 5:30 pm

    FESTIVAL EIGENZEIT


    ZUCKER for motorised ensemble
    Duisburger Philharmoniker
    Duisburg, Germany
    Theater Duisburg, Germany

  • 29/05/2021

    at: 5:00 pm

    QUARANTINE CONCERTS


    FRANCESCA for ensemble
    ensemble Gageego!
    conductor: Christian Karlsen
    Älvsborgs Kyrka, Göteborg, Sweden
    https://www.organacademy.se/?fbclid=IwAR3b39Rdm6W3CBIpARHwO9KvTScVZVBs_HyCONH9-EJYvv_ib9uWMCSM4VU

  • 19/05/2021

    CHORDS


    Lecture: CHORDS
    Hochschule für Musik und Theater, Hamburg, Germany

  • 09/04/2021

    at: 5:30 pm

    Nah und fern, nebeneinander und zerstreut


    HIMMEL for ensemble (premiere)
    Collegium Novum Zürich
    conductor: Elena Schwarz
    Tonhalle Maag, Zürich, Switzerland
    https://app.idagio.com/de/live/event/collegium-novum-zuerich-and-elena-schwarz-near-and-far-side-by-side-and

  • 09/04/2021

    at: 8:03 am

    BROADCASTING

    “Lisa Streich mag Orchester”
    Moderation: Andreas Müller-Crepon
    SEGEL for orchestra
    Lucerne Festival Academy Orchestra
    conductor: Gregor Mayrhofer
    Radio SRF 2 Kultur

  • 01/04/2021

    RECORDING


    ZUCKER for motorised ensemble
    KammarensembleN
    conductor: Christian Karlsen
    Konstakademien, Stockholm, Sweden

  • 30/03/2021

    at: 6:00 pm

    IDAGIO

    Interview
    Classical (R)evolution with Rachel Fenlon
    https://app.idagio.com/live/event/classical-r-evolution-with-rachel-new-series-premiere

  • 09/03/2021

    at: 10:00 pm

    CREATIVE SOUND FORUM


    Lecture
    Performance Precarity
    Bath School of Music and Performing Arts
    Bath Spa University

  • 09/02/2021

    at: 6:00 pm

    MUSICA NOVA HELSINKI


    AUGENLIDER for guitar and orchestra
    Finnish Radio Symphony Orchestra
    guitar: Ismo Eskelinen
    conductor: Anna-Maria Helsing
    Helsinki Music Centre, Concert Hall, Helsinki, Finland

  • 07/02/2021

    at: 10:00 pm

    MUSICA NOVA HELSINKI

    SERAPH for violoncello and organ
    Helsinki Cathedral, Helsinki, Finland

  • 06/02/2021

    at: 4:00 pm

    MUSICA NOVA HELSINKI


    HÄNDEKÜSSEN for baroque orchestra
    Finnish Baroque Orchestra
    conductor: Tomas Djupsjöbacka
    Ritarihuone (The House of Nobility) Helsinki, Finland

  • 05/02/2021

    at: 2:00 pm

    MUSICA NOVA HELSINKI

    WALLPAPERS for baritone and ever-changing electronics
    baritone: Martti Anttila
    Ritarihuone (The House of Nobility)
    Helsinki, Finland

  • 04/02/2021

    at: 5:00 pm

    MUSICA NOVA HELSINKI

    MANTEL for string orchestra and two percussion
    Tapiola Sinfonietta
    conductor: Roland Kluttig
    Espoo Cultural Centre, Tapiolasali, Finland

  • 19/01/2021

    at: 6:00 pm

    Ultraschall Berlin 2021


    LIVE radio concert
    HÄNDEKÜSSEN for small orchestra
    Deutsches Symphonie-Orchester Berlin
    conductor: Marie Jacquot
    rbb Kultur/Deutschlandfunk Kultur

  • 12/01/2021

    at: 1:10 pm

    Columbia University


    Lecture
    Columbia University Department of Music, New York, USA

  • 11/12/2020

    at: 5:00 pm

    PIONEER: A JOURNEY TO THE AFTER WORLD


    FRANCESCA for ensemble
    Gageego!
    conductor: Christian Karlsen
    Göteborgs Konserthus, Gothenburg, Sweden

  • 20/11/2020

    at: 5:00 pm

    SOG

    PRIMA for turning flutist and light
    flute: Daniel Agi
    Haus Bachem, Königswinter, Germany

  • 19/11/2020

    Beethoven, les Bagatelles entrelacées


    CRÈCHE for piano solo (premiere)
    piano: Hugues Leclère
    Philharmonie de Paris, France

  • 18/11/2020

    at: 5:30 pm

    TEMPUS KONNEX


    FRANCESCA for ensemble
    TEMPUS KONNEX
    Werk 2 Halle D, Leipzig, Germany

  • 16/11/2020

    at: 6:00 pm

    SOG

    PRIMA for turning flutist and light
    flute: Daniel Agi
    Musikzentrum Hannover, Germany

  • 14/11/2020

    at: 5:00 pm

    Århus Sinfonietta +


    AUGENLIDER for prepared guitar and orchestra
    guitar: Frederik Munk Larsen
    conductor: Rei Munakata
    Århus Sinfonietta+
    Sankt Lukas Kirke, Sankt Lucas Kirkeplads, Aarhus, Danmark

  • 30/10/2020

    at: 5:30 pm

    Arc-en-Ciel

    ÄLV ALV ALVA for ensemble
    Ensemble der ZHdK für zeitgenössische Musik
    conductor: Jonathan Stockhammer
    Zürcher Hochschule der Künste, Zürich, Switzerland

  • 08/10/2020

    at: 4:00 pm

    ISPARIZ

    FLEISCH for violoncello solo
    Christina Meissner
    Domkyrkan, Visby, Sweden

  • 02/10/2020

    at: 5:00 pm

    SAMTIDA-FESTIVAL

    FLEISCH for violoncello solo
    Christina Meissner
    Allhelgonakyrkan, Stockholm, Sweden

  • 30/09/2020

    at: 5:30 pm

    Levande Musik Festival

    FLEISCH for violoncello solo
    Christina Meissner
    Hagakyrkan, Göteborg, Sweden

  • 30/09/2020

    at: 7:30 am

    Lecture


    PLAN TO UNPLAN
    Lecture
    Gotland School of Music Composition, Visby, Sweden

  • 26/09/2020

    at: 8:30 am

    PLAY TIME

    PLAY TIME for bicycle, crotales and string trio
    Mondrian Ensemble
    Münzkabinett, Winterthur, Switzerland

  • 25/09/2020

    at: 4:00 pm

    PLAY TIME

    PLAY TIME for bicycle, crotales and string trio
    Mondrian Ensemble
    Atelier Klang und Raum, Uetikon am See, Switzerland

  • 24/09/2020

    at: 6:00 pm

    PLAY TIME

    PLAY TIME for bicycle, crotales and string trio
    Mondrian Ensemble
    Walcheturm, Zürich, Switzerland

  • 23/09/2020

    at: 6:00 pm

    PLAY TIME


    PLAY TIME for bicycle, crotales and string trio
    Mondrian Ensemble
    SAFE, Unternehmen Mitte, Basel, Switzerland

  • 17/09/2020

    at: 11:30 am

    LECTURE


    Lecture
    PERFORMING PRECARITY
    Royal College of Music, Stockholm, Sweden

  • 17/09/2020

    at: 4:30 pm

    ISPARIZ CD Release


    FLEISCH for violoncello solo
    Christina Meissner
    Stadtkirche Weimar, Germany

  • 14/09/2020

    at: 6:00 pm

    UNERHÖRTE MUSIK

    EXISTENSER for piano and piano loudspeakers
    piano: Alfonso Gómez
    BKA-Theater, Berlin, Germany

  • 04/09/2020

    japan


    STERNENSTILL for string quartet (premiere)
    Quatuor Diotima
    Shizuoka Concert Hall, Shizuoka, Japan
    due to covid restrictions premiere is in 2023

  • 09/08/2020

    at: 5:00 pm

    FORUM WALLIS

    ASCHE for clarinet and violoncello
    clarinet: Shizuyo Oka
    violoncello: Åsa Åkerberg
    Schloss Leck, Wallis, Switzerland

  • 04/08/2020

    at: 6:30 pm

    DAVOS FESTIVAL

    TIEFSINN
    MINERVA for baroque cello
    cello: Alex Jellici
    Kirche St. Johann, Davos Platz, Switzerland

  • 10/07/2020

    at: 1:00 pm

    SPECIAL INSTRUMENTS

    SAFRAN for violin and motorised piano
    ensemble mosaik
    KUNSTRAUM TOSTERGLOPE, Tosterglope, Germany

  • 27/06/2020

    at: 5:30 pm

    MUNICH OPERA FESTIVAL 2020

    DAS WUNDERTHEATER
    PEONY’S SONG (final scene)
    Bayerische Staatsoper
    Reithalle, Munich, Germany

  • 25/06/2020

    at: 5:30 pm

    MUNICH OPERA FESTIVAL 2020

    DAS WUNDERTHEATER
    PEONY’S SONG (final scene)
    Bayerische Staatsoper
    Reithalle, Munich, Germany

  • 23/06/2020

    at: 5:30 pm

    MUNICH OPERA FESTIVAL 2020

    DAS WUNDERTHEATER
    PEONY’S SONG (final scene)
    Bayerische Staatsoper
    Reithalle, Munich, Germany

  • 21/06/2020

    at: 5:30 pm

    Munich Opera Festival 2020


    DAS WUNDERTHEATER
    PEONY’S SONG (final scene) (Premiere)
    Bayerische Staatsoper
    Reithalle, Munich, Germany

  • 25/05/2020

    at: 6:00 pm

    PLAY TIME / THRESH

    PLAY TIME for bicycle, crotales and string trio
    MONDRIAN ENSEMBLE
    Atelier Klang und Raum, Uetikon am See, Switzerland

  • 23/05/2020

    at: 4:00 pm

    PLAY TIME / THRESH

    PLAY TIME for bicycle, crotales and string trio
    MONDRIAN ENSEMBLE
    Kunstmuseum Winterthur, Switzerland

  • 18/05/2020

    at: 6:00 pm

    UNERHÖRTE MUSIK

    SAFRAN for motorised piano and violin
    violin: Sarah Saviet
    motorised piano: Joe Houston
    BKA-Theater, Berlin, Germany

  • 18/05/2020

    at: 6:00 pm

    PLAY TIME / THRESH

    PLAY TIME for bicycle, crotales and string trio
    MONDRIAN ENSEMBLE
    Gare du Nord Basel, Switzerland

  • 17/05/2020

    at: 6:00 pm

    PLAY TIME / THRESH

    PLAY TIME for bicycle, crotales and string trio
    MONDRIAN ENSEMBLE
    Walcheturm Zürich, Switzerland

  • 30/03/2020

    UNERHÖRTE MUSIK BERLIN

    EXISTENSER for piano and piano loudspeakers
    piano: Alfonso Gómez
    BKA-Theater, Berlin, Germany

  • 14/03/2020

    at: 3:00 pm

    Århus Sinfonietta+


    AUGENLIDER for prepared guitar and orchestra
    guitar: Frederik Munk Larsen
    conductor: Rei Munakata
    Århus Sinfonietta+
    Symfonisk Sal, Musikhuset Århus, Danmark

  • 10/03/2020 to 12/03/2020

    MASTER CLASS

    Det Jyske Musikkonservatorium
    Århus, Danmark

  • 07/03/2020

    at: 7:00 pm

    BROADCASTING


    Actualité du CD de la création
    SEGEL for orchestra
    Lucerne Festival Academy Orchestra
    conductor: Gregor Mayrhofer
    France Musique

  • 04/03/2020

    at: 8:05 pm

    BROADCASTING

    HORIZONTE
    PIETÀ for motorised violoncello and ensemble
    motorised violoncello: Niklas Seidl
    ensemble: hand werk
    BR-KLASSIK

  • 24/02/2020

    at: 6:00 pm

    Abo 3: Inspirationen

    FRANCESCA for ensemble
    ensemble recherche
    Ensemblehaus, Freiburg, Germany

  • 15/02/2020

    RECORDING


    NEW PIECE for small orchestra
    Carl F. Bucherer
    Lucerne Festival Orchestra
    cond. Wolfram Christ
    Teldex Studios Berlin, Germany

  • 09/02/2020

    at: 6:00 pm

    UNERHÖRTE MUSIK BERLIN


    PRIMA for turning flutist and light
    flute: Daniel Agi
    staging: Lea Letzel
    BKA-Theater, Berlin, Germany

  • 09/02/2020

    at: 6:00 pm

    Mozart in München mit Julian Prégardien

    HÄNDEKÜSSEN for baroque orchestra
    Hofkapelle München
    cond. Rüdiger Lotter
    Rudolf-Oetker-Halle Bielefeld, Germany

  • 08/02/2020

    Non-Beethoven


    HÄNDEKÜSSEN for baroque orchestra (premiere)
    Hofkapelle München
    cond. Rüdiger Lotter
    Kölner Philharmonie, Cologne, Germany

  • 07/02/2020

    h(ö)rbarium fr( )burg

    SAFRAN for violin and motorised piano
    Kompass Ensemble
    Depot.K. Freiburg, Freiburg

  • 03/02/2020

    at: 6:00 pm

    UNERHÖRTE MUSIK

    SAFRAN for violin and motorised piano
    ensemble mosaik
    piano: Ernst Surberg
    violin: Chatschatur Kanajan
    BKA-Theater, Berlin, Germany

  • 29/01/2020

    at: 7:30 pm

    ARTE NO TEMPO

    SAFRAN for motorised piano and violin
    ensemble mosaik
    piano: Ernst Surberg
    violin: Chatschatur Kanajan
    Teatro Aveirense, R. Belém do Pará, 3810-009 Aveiro, Portugal

  • 29/01/2020

    at: 6:00 pm

    der/gelbe/klang Debütkonzert

    ASCHE for violoncello and clarinet
    de/gelbe/klang ensemble für aktuelle musik
    Schwere Reiter Munich, Germany

  • 19/01/2020

    at: 5:30 pm

    Transparent Sound New Music Festival

    MOLE’S BREATH for ensemble
    Ensemble LUX:NM
    October Hall, CEU, Budapest, Hungary

  • 12/01/2020

    at: 5:03 pm

    BROADCASTING

    Nutida musik från Huddersfieldfestivalen
    ZUCKER for motorised ensemble
    The Riot Ensemble
    conductor: Aaron Holloway-Nahum
    Huddersfield, United Kingdom
    P2 Live, Sweden

  • 10/01/2020

    at: 6:00 pm

    FRAKZIONEN Festival 2020

    FRANCESCA for ensemble
    ensemble recherche
    Zionskirche Bielefeld-Bethel, Germany

  • 15/12/2019

    at: 5:00 pm

    Montagskonzert

    NEBENSONNEN for violin, viola, violoncello and clarinet
    Ensemble Musikfabrik
    Studio Musikfabrik, Cologne, Germany

  • 14/12/2019

    Grenzgänge

    NEBENSONNEN for violin, viola, violoncello and clarinet
    Ensemble Musikfabrik
    Essen, Germany

  • 29/11/2019

    WERFT Festival


    PRIMA for turning flute (premiere)
    flute: Daniel Agi
    staging: Lea Letzel
    Alte Feuerwache, Cologne, Germany

  • 28/11/2019

    at: 5:00 pm

    WHAT IS THE WORD – AROUND SAMUEL BECKETT

    FIKONTRÄDET for counter tenor and baroque ensemble
    Ensemble Lipparella
    artisitc direction: Karl Dunér
    Odeon, Lund, Sweden

  • 16/11/2019

    TAGE DER NEUEN MUSIK BAMBERG

    ASCHE for violoncello and clarinet
    Ensemble Zeitsprung
    Altes E-Werk, Bamberg, Germany

  • 15/11/2019

    HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL UK

    ZUCKER for motorised ensemble
    The Riot Ensemble
    conductor: Aaron Holloway-Nahum
    Huddersfield, United Kingdom

  • 14/11/2019

    at: 5:00 pm

    WHAT IS THE WORD – AROUND SAMUEL BECKETT

    FIKONTRÄDET for counter tenor and baroque ensemble
    Ensemble Lipparella
    artisitc direction: Karl Dunér
    Liljevalchs, Stockholm, Sweden

  • 12/11/2019

    WIEN MODERN

    SAI BALLARE? for violin, piano & motorised violoncello
    Klangforum Wien
    Wiener Konzerthaus, Vienna, Austria

  • 12/11/2019

    Altolivenza Festival

    (ENGEL, …) NOCH TASTEND for string quartet
    Quartet, Morello, Enríquez
    Teatro Verdi di Pordenone, Italy

  • 10/11/2019

    at: 5:00 pm

    WHAT IS THE WORD – AROUND SAMUEL BECKETT

    FIKONTRÄDET for counter tenor and baroque ensemble
    Ensemble Lipparella
    artisitc direction: Karl Dunér
    Wärenstams, Borås, Sweden

  • 09/11/2019

    at: 3:00 pm

    What is the Word – around Samuel Beckett


    FIKONTRÄDET for counter tenor and baroque ensemble
    Ensemble Lipparella
    artisitc direction: Karl Dunér
    3e våningen, Göteborg, Sweden

  • 01/11/2019

    at: 5:00 pm

    AFEKT FESTIVAL / TALLINN

    SAFRAN for violin and motorised piano
    Ensemble Mosaik
    Creative Hub, Tallinn, Estonia

  • 30/10/2019

    at: 5:30 pm

    ORBIT SCHÖNBERG #3

    (ENGEL, …) NOCH TASTEND for string quartet
    Asasello Quartet
    MAKK – Museum für Angewandte Kunst Köln, Cologne, Germany

  • 22/10/2019

    HAND WERK


    PIETÀ for motorised violoncello & ensemble
    ensemble hand werk
    motorised violoncello: Niklas Seidl
    Alte Feuerwache, Cologne, Germany

  • 21/10/2019

    BROADCASTING

    composer recommends
    LASTER for motorised piano and orchestra
    piano: Claudia Chan
    conductor: Michael Wendeberg
    WDR Symphonieorchester
    https://areena.yle.fi/1-50266043
    AREENA, Finland

  • 19/10/2019

    at: 3:00 pm

    ARENA FESTIVAL

    SAFRAN for violin and motorised piano
    Ensemble Mosaik
    Reformed Church
    Riga, Lithuania

  • 10/10/2019

    at: 5:30 pm

    KLANGNETZ THÜRINGEN

    FLEISCH for violoncello
    violoncello: Christina Meissner
    Künstlerische Abendschule, Jena, Germany

  • 07/10/2019

    VIETNAM

    ASCHE for violoncello and clarinet
    violoncello: Lucas Fels
    clarinet: Nina Janßen-Deinzer
    Hanoi, Vietnam

  • 22/09/2019

    at: 9:03 pm

    BROADCASTING

    Zeit-Ton
    FRANCESCA for ensemble
    ensemble recherche
    editor: Patrizia Jilg
    ORF Austria, ORF.at

  • 13/09/2019

    WAVE DASH

    CHOUPETTE for turning flute & timpani
    flute: Camilla Hoitenga
    timpani: Magdalena Meitzner
    Dunkers, Helsingborg, Sweden

  • 13/09/2019

    OdeGand festival

    PIETÀ for motorised violoncello and installation
    motorised violoncello: Pieter Matthynssens
    NADAR ensemble
    Sint-Jacobskerk, Ghent, Belgium

  • 12/09/2019

    at: 6:00 pm

    KLANGSPUREN SCHWAZ


    Ins offene
    FRANCESCA for ensemble (premiere)
    ensemble recherche
    Haus der Musik, Innsbruck, Austria

  • 06/09/2019

    at: 7:50 pm

    GAUDEAMUS


    Rauschen
    PIETÀ for motorised violoncello and installation
    motorised violoncello: Pieter Matthynssens
    NADAR ensemble
    Tivoli Vredenburg, Utrecht, Netherlands

  • 05/09/2019

    Nordiska Kammarorkestern

    MANTEL for string orchestra & 2 percussion
    Nordiska Kammarorkestern
    conductor: Eva Ollikainen
    Folkets Hus, Ånge, Sweden

  • 04/09/2019

    Nordiska Kammarorkestern

    MANTEL for string orchestra & 2 percussion
    Nordiska Kammarorkestern
    conductor: Eva Ollikainen
    Tonhallen, Sundsvall, Sweden

  • 30/08/2019

    WAVE DASH

    CHOUPETTE for turning flute & timpani (premiere)
    flute: Camilla Hoitenga
    timpani: Magdalena Meitzner
    Musikens Hus, Katrinehol, Sweden

  • 26/08/2019

    at: 5:00 pm

    PORTRAIT EVENING


    SAFRAN for motorised piano & violin
    ensemble Musikfabrik
    piano: Ulrich Löffler
    violin: Hannah Weirich
    Villa Concordia, Bamberg, Germany

  • 23/07/2019

    BROADCASTING

    FLEISCH for solo violoncello
    violoncello: Aki Kitajima 北嶋愛季
    NHK-Chiba, Japan

  • 11/07/2019 to 13/07/2019

    HEROINES OF SOUND

    MOLE’S BREATH for ensemble
    ensemble lux:nm
    Radialsystem Berlin, Germany

  • 05/07/2019

    Gdynia

    EXISTENSER for piano and piano speakers
    piano: Małgorzata Walentynowicz
    Konsulat Kultury, Gdynia, Poland

  • 29/06/2019

    at: 10:00 pm

    BROADCASTING

    Radio Monalisa
    ÄLV ALV ALVA for ensemble
    Ensemble Musikfabrik
    conductor: Elena Schwarz
    concertzender, Netherlands

  • 28/06/2019

    at: 11:00 am

    Kunststation St. Peter

    Lunch Concert
    SAFRAN for motorised piano & violin
    ELECTRONIC ID
    piano: Felix Knoblauch
    violin: Anna Neubert
    Kunststation St. Peter, Cologne, Germany

  • 17/06/2019

    XV Encontro Galego do Saxofón


    MADONNA DEL PRATO for saxophone quartet
    Fukio Saxophonequartet
    Santiago de compostela, Spain

  • 15/06/2019

    RECORDING

    FLEISCH for violoncello
    violoncello: Christina Meissner
    Løgumkloster, Danmark

  • 06/06/2019

    CMMAS Mexico

    Disobediences in Sound
    SAFRAN for violin and motorised violin
    Duo Hellqvist/Amaral
    CMMAS Mexico

  • 05/06/2019

    at: 10:06 pm

    BBC Broadcasting


    Through the night
    Eric Ericson 100 years
    CIVIL SONG for 32 voices
    Eric Ericson Kammarkör
    Sveriges Radiokör
    conductor: Fredrik Malmberg
    BBC Radio 3, Great Britain

  • 29/05/2019

    at: 5:15 pm

    Mozartfest Würzburg

    MANTEL for string orchestra and 2 percussion
    Münchener Kammerorchester
    conductor: Clemens Schuldt
    Residenz, Kaisersaal, Würzburg, Germany

  • 28/05/2019

    at: 7:00 pm

    BROADCASTING

    Wittener Edelsteine
    LASTER for motorised piano and orchestra
    WDR Sinfonieorchester
    conductor: Michael Wendeberg
    motorised piano: Claudia Chan
    Radio SRF 2 Kultur, Switzerland

  • 26/05/2019

    at: 7:05 pm

    BROADCASTING

    Musik-Panorama
    Festival Provinzlärm
    FIKONTRÄDET for counter tenor & baroque ensemble
    Ensemble Lipparella
    Deutschlandfunk Kultur, Germany

  • 21/05/2019

    at: 6:00 pm

    AUGMENTED INTRUMENTS I

    ZUCKER for motorised ensemble
    ensemble Mosaik,
    Kesselhaus in der Kulturbrauerei, Berlin, Germany

  • 11/05/2019

    WITTENER TAGE FÜR NEUE KAMMERMUSIK


    LASTER for motorised piano and orchestra (premiere)
    WDR Sinfonieorchester
    conductor: Michael Wendeberg
    motorised piano: Claudia Chan
    Witten Theatersaal, Witten, Germany

  • 11/05/2019

    at: 7:00 pm

    BROADCASTING

    LASTER for motorised piano and orchestra
    WDR Sinfonieorchester
    conductor: Michael Wendeberg
    motorised piano: Claudia Chan
    WDR 3, Germany

  • 09/05/2019

    at: 3:00 pm

    WITTENER TAGE FÜR NEUE MUSIK

    LASTER für alle
    interactive installation for motorised piano
    Foyer Sallbau, Witten, Germany

  • 29/04/2019

    at: 6:00 pm

    Music on Main

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Fox Cabaret, Vancouver, Canada

  • 27/04/2019

    at: 5:00 pm

    GUIDED BY VOICES

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Center for New Music, San Francisco, USA

  • 19/04/2019

    at: 6:00 pm

    MASTER RECITAL

    ASCHE for violoncello & clarinet
    clarinet: Shannon Leigh
    Boston Conservatory at Berklee

  • 18/04/2019

    RECORDING

    SAFRAN for violin and motorised piano
    Ensemble Musikfabrik
    violin: Hannah Weirich
    motorised piano: Ulrich Löffler
    Cologne, Germany

  • 12/04/2019

    at: 4:00 pm

    Weiße Stadt Tel Aviv

    RUE CUVIER ou LES YEUX AU CIEL
    for violoncello & accordion
    violoncello: Christina Meissner
    accordion: Claudia Buder
    Sparkassen-Kunden Center, Gera, Germany

  • 10/04/2019

    at: 5:00 pm

    MIMITABU PÅ CINNOBER

    SOLO/DUO/TRIO
    ASCHE for violoncello & clarinet
    violoncello: My Hellgren
    clarinet: Heather Roche
    Cinnober, Gothenburg, Sweden

  • 07/04/2019

    at: 6:00 pm

    Montagskonzert

    SAFRAN for violin and motorised piano
    Ensemble Musikfabrik
    violin: Hannah Weirich
    motorised piano: Ulrich Löffler
    Studio Musikfabrik, Köln, Germany

  • 06/04/2019

    at: 3:00 pm

    PACT Zollverein

    SAFRAN for violin and motorised piano
    Ensemble Musikfabrik
    violin: Hannah Weirich
    motorised piano: Ulrich Löffler
    PACT Zollverein, Essen, Germany

  • 05/04/2019

    at: 6:30 pm

    BREAKING THE WALL


    MOLE’S BREATH for ensemble
    LUX:NM ensemble
    Kammermusiksaal Deutschlandfunk, Cologne, Germany

  • 16/03/2019

    Walburga

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    St. Walburga Werl, Germany

  • 16/03/2019

    at: 5:00 pm

    SVENSK MUSIKVÅR

    NEBENSONNEN for violin, viola, violoncello and clarinet
    NEW EUROPEAN ENSEMBLE
    Musikaliska, Stockholm, Sweden

  • 15/03/2019

    Wermlandsoperan


    ÄLV ALV ALVA for ensemble
    Wermlandsoperans Orkester
    conductor: Johannes Gustavsson
    Wermlandsoperan, Karlstad, Sweden

  • 15/03/2019

    at: 3:00 pm

    Orsoy

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    Orsoy Chruch, Rheinberg, Germany

  • 14/03/2019

    at: 4:15 pm

    Antoniter

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    Antoniter Church, Cologne, Germany

  • 13/03/2019

    at: 5:00 pm

    FLEISCH

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    Kulturkirche Heilig Kreuz, Bottrop, Germany

  • 12/03/2019

    at: 6:00 pm

    Guided by Voices Lancement d’album


    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Cabaret Lion d’Or, 1676 Ontario Est, Montréal H2L 1S7, Canada

  • 09/03/2019

    at: 2:30 pm

    Barock

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    Barockkirche Zwillbrock, Germany

  • 08/03/2019

    at: 4:30 pm

    Kapellener Abendkonzerte

    FLEISCH for solo violoncello
    violoncello: Christina Meissner
    Kapellen Dorfkirche, Moers, Germany

  • 07/03/2019

    GUIDED BY VOICES CD RELEASE


    MINERVA for baroque cello
    other works by Godin, Ueno, McKinley, Ceccarelli, Smith
    baroque cello: Elinor Frey
    Label: Analekta, Canada

  • 06/03/2019

    SAMPLER SÈRIES

    ZUCKER for motorised ensemble
    ensemble mosaik
    Barcelona, Spain

  • 26/02/2019

    at: 5:30 pm

    UNBESOCKT / INS FREIE

    EXISTENSER for piano and piano loudspeakers
    piano: Hector Docx
    HfMT Multifunktionsstudio, Hamburg, Germany

  • 15/02/2019

    at: 3:00 pm

    FESTIVAL PROVINZLÄRM

    Focus Sweden
    FIKONTRÄDET for counter tenor and baroque ensemble
    Ensemble Lipparella
    Eckernförde, Germany

  • 14/02/2019

    at: 6:00 pm

    FESTIVAL PROVINZLÄRM

    Opening Concert
    ÄLV ALV ALVA for ensemble
    Ensemble Reflexion, Norddeutsche Sinfonietta
    Eckernförde, Germany

  • 09/02/2019

    at: 1:00 pm

    MUSICA NOVA HELSINKI

    Feed Forward
    ASCHE for violoncello and clarinet
    Zagros Ensemble
    Olaus Petri Church, Helsinki, Finland

  • 08/02/2019

    at: 1:30 pm

    ECLAT FESTIVAL

    Impossible Situations
    SAFRAN for violin and motorised piano
    Duo Hellqvist/Amaral
    Theaterhaus, T3, Stuttgart, Germany

  • 28/01/2019

    at: 8:00 am

    The Hermit Crab Breakfast

    SAI BALLARE? for violin, piano & motorised violoncello
    violin: Jacobo Hernández Enríquez
    piano: Tsugumi Shirakura
    motorised violoncello: Leo Morello
    Mumuth, Graz, Austria

  • 24/01/2019

    at: 4:00 pm

    3. VÅNINGEN

    FIKONTRÄDET for counter tenor and baroque ensemble
    ensemble Lipparella
    3. Våningen, Göteborg, Sweden

  • 15/01/2019

    at: 5:05 pm

    ERIC ERICSON 100

    CIVIL SONG for 32 voices
    Swedish Radio Choir
    Eric Ericson Kammarkör
    conductor: Fredrik Malmberg
    Klassikaraadio, Estonia

  • 10/01/2019

    at: 7:00 pm

    FRAKZIONEN

    FLEISCH for solo cello
    violoncello: Christina Meissner
    Kantorei Bethel, Bielefeld, Germany

  • 27/12/2018

    at: 8:00 pm

    BROADCASTING

    Musikfabrik im WDR
    SAI BALLARE? for violin, piano and motorised violoncello
    ensemble Musikfabrik
    violin: Hannah Weirich
    piano: Ulrich Löffler
    motorised violoncello: Axel Porath
    WDR Germany

  • 19/12/2018

    at: 6:05 pm

    BROADCASTING

    MANTEL for string orchestra and 2 percussion
    Münchener Kammerorchester
    conductor: Clemens Schuldt
    br-klassik.de Germany

  • 14/12/2018

    at: 5:30 pm

    Münchener Kammerorchester

    Münchener Kammerorchester
    MANTEL for string orchestra and 2 Percussion
    Conductor: Clemens Schuldt
    Stadthalle Aschaffenburg, Germany

  • 13/12/2018

    at: 6:30 pm

    Münchener Kammerorchester

    Münchener Kammerorchester
    MANTEL for string orchestra and 2 Percussion
    Conductor: Clemens Schuldt
    La Maison de la Culture, Grenoble, France

  • 13/12/2018

    at: 8:00 am

    DEUTSCHER MUSIKRAT

    ABENTEUR NEUE MUSIK
    PIETÀ for motorised violoncello
    motorised violoncello: Niklas Seidl
    GGS, Manderscheider Platz, Köln, Germany

  • 13/12/2018

    SWEDEN JAPAN

    MINERVA for baroque cello
    Curious Chamberplayers
    violoncello: Karolina Öhman
    Aichi University of Fine Arts, Nagakute, Japan

  • 12/12/2018

    at: 6:00 pm

    Münchener Kammerorchester


    Münchener Kammerorchester
    MANTEL for string orchestra and 2 Percussion (premiere)
    Conductor: Clemens Schuldt
    Prinzregententheater, München, Germany

  • 12/12/2018

    at: 5:00 pm

    HELLQVIST/AMARAL

    SAFRAN for violin and motorised piano
    Duo Hellqvist/Amaral
    Kulturhuset Gimle, Bergen, Norway

  • 12/12/2018

    SWEDEN JAPAN

    MINERVA for baroque cello
    Curious Chamberplayers
    violoncello: Karolina Öhman
    Nagoya College of Music, Nagoya, Japan

  • 11/12/2018

    at: 5:00 pm

    PERIFERIEN #8

    SAFRAN for violin and motorised piano
    Duo Hellqvist/Amaral
    Bruket, Oslo, Norway

  • 05/12/2018

    at: 5:00 pm

    Laura Snowden

    AUGENLIDER for prepared guitar and orchestra (premiere)
    guitar: Laura Snowden
    conductor: Christian Kluxen
    Norrköping Symphony Orchestra
    De Geerhallen Norrköping, Sweden

  • 05/12/2018

    OLD TOWN HALL

    EXISTENSER for piano and piano loudspeaker
    piano: Małgorzata Walentynowicz
    Gdansk, Poland

  • 28/11/2018

    at: 6:00 pm

    Rauschen

    PIETÀ for motorised violoncello and motorised installation
    ensemble Nadar
    violoncello: Pieter Matthynssens
    Concertgebouw, Brugge, Belgium

  • 25/11/2018 to 27/11/2018

    COMPOSITION RESIDENCY

    with Ensemble Recherche
    FRANCESCA for motorised piano, cembalo and ensemble
    Ensemblehaus, Freiburg, Germany

  • 25/11/2018

    at: 6:00 pm

    ART & SCHOCK I

    SEGEL, ASCHE & SAFRAN
    Portrait Lisa Streich
    Kompass Ensemble, ensemble recherche
    Humboldtsaal im Freiburger Hof, Humboldstr.2, Freiburg, Germany

  • 23/11/2018

    LUCERNE FESTIVAL

    CHRISTOPH DELZ FOUNDATION
    Jury work
    with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
    for the 7th competition for composers 2018
    Lucerne, Switzerland

  • 18/11/2018

    at: 9:00 am

    DEUTSCHER MUSIKRAT

    ABENTEUR NEUE MUSIK
    PIETÀ for motorised violoncello
    motorised violoncello: Niklas Seidl
    GGS, Manderscheider Platz, Köln, Germany

  • 17/11/2018

    at: 10:00 pm

    RAINY DAYS LUXEMBOURG


    YOUR PLACE OR MINE I
    PIETÀ for motorized violoncello and installation
    motorised violoncello: Pieter Matthynssens
    Toute la Ville de Luxembourg, Luxembourg

  • 01/11/2018

    ST JOSEF

    FLEISCH for violoncello
    violoncello: Christina Meissner
    St. Josefs Kapelle, Krefeld, Germany

  • 27/10/2018

    MOMENTS MUSICAUX

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    l’église de la Visitation, Montréal, QC, Canada

  • 26/10/2018

    at: 1:00 pm

    Eric Ericson 100 years!


    CIVIL SONG for 32 voices
    Eric Ericson Kammarkör
    Sveriges Radiokör
    conductor: Fredrik Malmberg
    Konserthuset Stockholm, Sweden

  • 25/10/2018

    at: 5:00 pm

    ERIC ERICSON 100 YEARS!

    CIVIL SONG for 32 voices (Premiere)
    Eric Ericson Kammarkör
    Sveriges Radiokör
    conductor: Fredrik Malmberg
    Västerås Domkyrka, Västerås, Sweden

  • 25/10/2018

    at: 5:00 pm

    Levande Musik

    SAFRAN for violin and motorised piano
    Duo Hellqvist/Amaral
    Hagakyrkan, Göteborg, Sweden

  • 24/10/2018

    at: 3:00 pm

    Torsdag Konstmuseet

    SAFRAN for violin and motorised piano
    Duo Hellqvist/Amaral
    Konstmuseet Skövde, Sweden

  • 14/10/2018 to 15/10/2018

    Recording (ENGEL, …) NOCH TASTEND

    (ENGEL, …) NOCH TASTEND for string quartet
    Asasello Quartett
    Deutschlandfunk Köln, Germany

  • 12/10/2018

    at: 6:00 pm

    Transit Festival

    PIETÀ for motorised violoncello and motorised installation (Premiere)
    ensemble Nadar
    violoncello: Pieter Matthynssens
    Leuven, Belgium

  • 10/10/2018

    LECTURE

    Master Class in Composition
    Royal Conservatory of Ghent, Belgium

  • 08/10/2018

    Recording MINERVA

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Domaine Forget, Québec, Canada

  • 02/10/2018

    at: 6:00 pm

    Musikfabrik im WDR 67

    SAI BALLARE? for piano, violin and motorised violoncello
    piano: Ulrich Löffler
    violin: Hannah Weireich
    motorised violoncello: Axel Porath
    WDR Funkhaus, Köln, Germany

  • 02/10/2018

    Canadian Music Centre Toronto

    GUIDED BY VOICES
    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Toronto, ON, Canada

  • 01/10/2018

    Guided by Voices

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    University of Toronto, Canada

  • 14/09/2018

    at: 6:00 pm

    Sacrum Profanum

    SAI BALLARE? for piano, violin and motorised violoncello
    Ensemble Musikfabrik
    ICE Krakow Congress Centre, Poland

  • 13/09/2018

    at: 6:30 pm

    Münchener Kammerorchester

    Münchener Kammerorchester
    MANTEL for string orchestra and 2 Percussion
    Conductor: Clemens Schuldt
    La Maison de la Culture, Grenoble, France

  • 08/09/2018

    at: 5:00 pm

    Sweden-Japan

    FLEISCH for violoncello
    violoncello: Aki Kitajima
    Tokyo, Japan

  • 07/09/2018

    MAKESOMENEUES/10 JAHRE ON

    EXISTENSER for piano and piano speakers
    piano: Malgorzata Walentynowicz
    Kunst-Station Sankt Peter, Cologne, Germany

  • 29/08/2018

    LECTURE

    Master Class in Composition
    Visby International Center for Composers, Gotland, Sweden

  • 11/08/2018

    KALV Festivalen

    LAUB for violin, guitar and choir (premiere)
    violin: Karin Hellqvist
    guitar: Frederik Munk Larsen
    conductor: Gunno Palmquist
    Kalv kyrka, Kalv, Sweden

  • 10/08/2018

    KALV Festivalen

    SAFRAN for violin and motorised piano
    Duo Hellqvist / Amaral
    Kalv, Sweden

  • 01/08/2018

    at: 10:00 pm

    BROADCASTING

    musica nova
    STABAT for 32 voices in four choirs
    UT insieme vocale-consonate
    conductor: Lorenzo Donati
    editor: Günther Bajtl
    Freies Radio für Stuttgart, Germany

  • 28/07/2018

    Les concerts de la chapelle

    LA VOCE DEL VIOLONCELLO
    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Ste-Camille, QC, Canada

  • 27/07/2018

    ST VINCENT

    FLEISCH for violoncello
    violoncello: Christina Meissner
    Eglise Saint-Vincent, Carcassone, France

  • 23/07/2018

    at: 5:00 pm

    MONTRÉAL

    MINERVA for baroque cello
    baroque cello: Elinor Frey
    Gallery P. Lambert, Vieux-Port Montréal, Canada

  • 11/07/2018

    at: 10:05 am

    BROADCASTING

    THE COMPOSER LISA STREICH
    PIETÀ for motorised violoncello and ensemble
    motorised violoncello: Niklas Seidl
    ensemble hand werk
    AGNEL for 12-voiced choir, objects, choirboy und electronics
    Vokalensemble Kölner Dom
    conductor: Eberhard Metternich
    ASCHE for violoncello and clarinet
    ensemble recherche
    SEGEL for orchestra
    Lucerne Festival Orchestra Academy Orchestra
    conductor: Gregor Mayrhofer
    Deutschlandfunk Kultur, Germany

  • 07/07/2018

    Harbour front Center Toronto


    MINERVA for baroque cello (premiere)
    baroque cello: Elinor Frey
    Toronto Music Garden, Toronto, Canada

  • 07/07/2018

    at: 7:00 pm

    BROADCASTING

    SOUND OUT with Ian McGlynn
    AGNEL for 12-voiced choir, objects, choirboy und electronics
    Vokalensemble Kölner Dom
    conductor: Eberhard Metternich
    RTÉ lyric fm, Ireland

  • 04/07/2018

    AUTONOME MUSIK (4) – SCHALTUNGEN

    ZUCKER for motorized ensemble
    Ensemble Mosaik
    Kesselhaus in der Kulturbrauerei, Berlin, Germany

  • 27/06/2018

    at: 6:04 pm

    BROADCASTING WDR3

    (ENGEL, …) NOCH TASTEND
    for string quartet
    Asassello Quartet
    WDR3 Klassik Forum

  • 06/06/2018

    at: 5:30 pm

    Echos aus Montepulciano VII

    SAI BALLARE?
    for violin, piano and motorised violoncello
    students from Prof. Dr. Florence Millet and Prof. Johannes Schöllhorn
    Konzertsaal Musikhochschule Wuppertal, Germany

  • 05/06/2018

    PERIFERIEN

    ZUCKER for motorised ensemble
    Ensemble Aksiom
    conductor: Kai Grinde Myrann
    Oslo, Norway

  • 05/06/2018

    at: 4:00 pm

    Romanischer Sommer

    (ENGEL, …) NOCH TASTEND for string quartet
    Asasello Quartet
    St. Georg, Cologne, Germany

  • 05/06/2018

    at: 8:00 pm

    musica nova

    Broadcasting: Czernowin, Nemtsov, Streich
    SEGEL for orchestra
    Lucerne Festival Academy Orchestra
    conductor: Gregor Mayrhofer
    PIETÀ for motorised violoncello and ensemble
    Niklas Seidl, hand werk
    ASCHE for violoncello and clarinet
    ensemble recherche
    editor: Günther Bajtl
    Freies Radio für Stuttgart, Germany

  • 03/06/2018

    TISCHE

    ASCHE for violoncello and clarinet
    ensemble HAND WERK
    violoncello: Niklas Seidl
    clarinet: Heather Roche
    Frankfurt, Germany

  • 01/06/2018

    at: 6:00 pm

    Blurred Edges Festival

    ASCHE for violoncello and clarinet
    ensemble HAND WERK
    violoncello: Niklas Seidl
    clarinet: Heather Roche
    Künstlerhaus Faktor, Hamburg, Germany

  • 29/05/2018

    Klang Festival

    ZUCKER for motorised ensemble
    Ensemble Aksiom
    conductor: Kai Grinde Myrann
    Copenhagen, Danmark

  • 24/05/2018

    at: 6:00 pm

    Concert in the Cologne Cathedral


    PREDELLA for 4 choirs and ensemble (premiere)
    Vokalensemble Kölner Dom
    Gürzenich Orchester Köln
    conductor: Eberhard Metternich,
    François-Xavier Roth
    Cologne Cathedral, Germany

  • 23/05/2018

    at: 8:05 pm

    BROADCASTING

    Horizonte: Studio für Musik
    ASCHE for violoncello and clarinet
    ensemble recherche
    BR-Klassik, Germany

  • 19/05/2018

    Hombroich Inselfestival

    NEBENSONNEN for clarinet and string trio
    Ensemble Recherche
    Insel Hombroich, Germany

  • 15/05/2018

    at: 5:30 pm

    Arnold Schönberg Center

    (ENGEL, …) NOCH TASTEND for string quartet
    Asasello Quartet
    Arnold Schönberg Center, Wien, Austria

  • 11/05/2018

    at: 8:05 pm

    BROADCASTING


    ATELIER NEUER MUSIK
    Lisa Streich in fünf Kompositionen
    Portrait Lisa Streich
    WERGO CD
    by Egbert Hiller
    Deutschlandfunk, Germany

  • 05/05/2018

    at: 1:00 pm

    SPOR Festival

    Impossible Situation: A Collective Nordic Experiment
    SAFRAN for violin and motorised piano
    Duo Hellqvist / Amaral
    Teater Refleksion, Aarhus, Denmark

  • 29/04/2018

    at: 9:03 pm

    Fremdmaterial

    Radio Broadcast
    music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
    Autor: Rainer Nonnenmann
    SWR2 JetztMusik

  • 19/04/2018

    Festival Mixtur Barcelona


    SAFRAN for violin and motorised piano (premiere)
    Duo Hellqvist / Amaral
    Barcelona, Spain

  • 06/04/2018

    at: 1:30 pm

    BERND ALOIS ZIMMERMANN SYMPOSIUM

    Zwischen gestern und morgen:
    Bernd Alois Zimmermann als medialer Komponist
    final discussion with Schöllhorn, Bogacz, Streich
    Moderation: Nonnenmann,

  • 03/04/2018

    at: 7:04 pm

    Musik der Gegenwart

    PIETÀ for motorised violoncello and ensemble
    motorised violoncello: Niklas Seidl
    ensemble: Hand Werk
    editor: Andreas Göbel
    Kulturradio rbb

  • 23/03/2018

    Ruse March Music Days

    NEBENSONNEN for clarinet and string trio
    Ensemble Recherche
    Ruse, Bulgaria

  • 20/03/2018

    at: 6:00 pm

    SVENSK MUSIKVÅR

    ZUCKER for motorized ensemble
    Curious Chamberplayers
    conductor: Rei Munakata
    Grünewaldsalen Konserthuset
    Stockholm, Sweden

  • 20/03/2018

    Innsbruck Osterfestival

    FLEISCH for violoncello
    violoncello: Åsa Åkerberg

    NEBENSONNEN for violin, viola, violoncello and clarinet
    ensemble recherche
    Innsbruck, Austria

  • 19/03/2018

    Karfreitag

    FLEISCH for violoncello
    violoncello: Christina Meissner
    Stuttgart, Germany

  • 17/03/2018

    at: 9:04 pm

    Fremdmaterial

    Radio Broadcast
    music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
    Autor: Rainer Nonnenmann
    WDR3 Studio Neue Musik

  • 07/03/2018

    at: 6:00 pm

    Domeniche Italiane

    ASCHE for violoncello and clarinet
    Ensemble Platypus
    violoncello: Stefanie Prenn
    clarinet: Theresia Schmidinger
    Echoraum, Wien, Austria

  • 25/02/2018

    Recording

    SAI BALLARE? for piano trio
    Ensemble Musikfabrik
    Cologne, Germany

  • 30/01/2018

    Periferien #1

    (ENGEL, … NOCH TASTEND) for string quartet
    Cikada string quartet
    Sentralen, Oslo, Norway

  • 30/01/2018

    at: 5:00 pm

    ECLAT-Festival

    ZUCKER for motorized ensemble
    Ensemble Mosaik
    conductor: Enno Poppe
    Theaterhaus Stuttgart, Germany

  • 29/01/2018

    Recording

    ZUCKER for motorized ensemble
    Ensemble Mosaik
    conductor: Enno Poppe
    SWR Studio Stuttgart, Germany

  • 14/01/2018

    at: 12:00 pm

    Lucerne Festival 2017 on BBC Radio 3


    SEGEL for orchestra
    Lucerne Festival Academy Orchestra
    conductor: Gregor Mayrhofer
    http://www.bbc.co.uk/programmes/b09m15s1

  • 02/01/2018 to 05/01/2018

    Recording

    >>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<<
    performance installation for percussion quartet
    Ensemble Links
    Césaré Reims, France

  • 16/12/2017 to 17/12/2017

    Recording

    ÄLV ALV ALVA for ensemble
    Ensemble Musikfabrik
    Conductor: Elena Schwarz
    Cologne, Germany

  • 12/12/2017

    at: 8:00 am

    Master Class

    University of Gothenburg
    Academy of Music and Drama, Sweden

  • 06/12/2017

    at: 5:00 pm

    Villa Massimo Gropius Bau Berlin

    ZUCKER for motorized ensemble
    Ensemble Interface
    Gropius Bau Berlin, Germany

  • 04/12/2017

    Baroque


    FIKONTRÄDET for countertenor and baroque ensemble
    countertenor: Mikael Bellini
    Ensemble Lipparella
    Härnösand, Sweden

  • 21/11/2017 to 23/11/2017

    Christoph Delz Foundation

    Jury work
    with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
    for the 7th competition for composers 2018

  • 03/11/2017

    Multi-chorality in Rome


    STABAT for 32 voices in 4 choirs (premiere)
    Ensemble UT
    conductor: Lorenzo Donati
    Santa Maria in Campitelli, Roma, Italy

  • 01/11/2017

    Recording STABAT


    STABAT for 32 voices in 4 choirs
    Ensemble UT
    conductor: Lorenzo Donati
    St. Maria in Campitelli, Roma, Italy

  • 12/10/2017

    at: 7:36 am

    klassisk morgon P2

    MARIA CALLAS for ensemble
    ensemble recherche
    swedish radio p2

  • 10/09/2017

    Recording AGNEL


    Cologne Cathedral
    AGNEL for 12-voiced choir, objects, choirboy und electronics
    Vokalensemble Kölner Dom
    conductor: Eberhard Metternich
    Köln, Germany

  • 06/09/2017

    at: 8:00 am

    Master Class

    center for composers, Visby, Sweden

  • 01/09/2017

    at: 12:30 am

    Lucerne Festival


    SEGEL for orchestra (premiere)
    conductor: Gregor Mayrhofer
    KKL, Luzern, Switzerland

  • 26/07/2017

    Soundspace

    ASCHE
    violoncello: Tyler J. Borden
    clarinet: Madison Greenstone
    Soundspace, Rochester NY, USA

  • 24/07/2017

    Null Point

    ASCHE
    violoncello: Tyler J. Borden
    clarinet: Madison Greenstone
    Null Point, Silo City in Buffalo NY, US

  • 11/07/2017

    at: 6:00 pm

    Sommerkonzert

    FLEISCH solo for violoncello
    violoncello: Christina Meissner
    Klosterkirke Løgumkloster, Danmark

  • 07/07/2017

    at: 6:00 pm

    Heroines of Sound

    ZUCKER for motorized ensemble
    Ensemble Mosaik
    Conductor: Christoph Breidler
    Radialsystem, Berlin, Germany

  • 05/07/2017

    solo

    FLEISCH solo for violoncello
    violoncello: Christina Meissner
    St. Petri, Wolgast, Germany

  • 21/06/2017

    at: 5:00 pm

    Sommerfest Villa Massimo


    FLEISCH for solo cello for 1 – 3 cellists (premiere)
    violoncello: Christina Meissner
    Villa Massimo, Roma, Italy

  • 01/06/2017

    at: 6:00 pm

    Ernst von Siemens Music Prize


    AUGENLIDER for guitar and orchestra (excerpt)
    guitar: Laura Snowden
    conductor: Jonathan Stockhammer
    Prinzregententheater Munich, Germany

  • 30/05/2017

    Periferien #5

    ASCHE for violoncello and clarinet
    Ensemble neoN
    Sentralen Oslo, Norway

  • 27/05/2017

    at: 4:00 pm

    Sound of Found Things

    SAI BALLARE? for piano trio
    Ensemble Mimitabu
    Cinnober Göteborg, Sweden

  • 21/05/2017

    at: 5:00 pm

    Sala Santa Cecilia Roma


    Villa Massimo
    ÄLV ALV ALVA for ensemble
    Ensemble Modern
    conductor: Tito Ceccherini
    Auditorium Parco della Musica, Sala Santa Cecilia Rome, Italy

  • 07/05/2017

    at: 5:03 pm

    Svensk musik från tre sekel

    ARK for wind orchestra, 5 percussionists and double bass
    Arméns Musikkår
    conductor: Petter Sundkvist
    Berwaldhallen, Sveriges Radio, P2, Sweden

  • 05/05/2017

    at: 8:00 pm

    Die besondere Aufnahme

    AUGENLIDER for prepared guitar and orchestra
    DSO Berlin
    conductor: Manuel Nawri
    Deutschlandfunk Kultur, Germany

  • 02/05/2017 to 04/05/2017

    COMPOSITION RESIDENCY

    ensemble recherche
    Ensemblehaus, Freiburg, Germany

  • 18/04/2017

    at: 6:00 pm

    Le concert du soir “Ouvrir la vision”

    ÄLV ALV ALVA for ensemble
    Ensemble 2e2m
    conductor: Pierre Roullier
    Radio France

  • 30/03/2017 to 31/03/2017

    Recording ASCHE & PIETÀ


    Deutschlandfunk Köln
    ASCHE for violoncello and clarinet
    ensemble recherche
    PIETÀ for motorized violoncello and ensemble
    ensemble Hand Werk
    Köln, Germany

  • 24/03/2017

    at: 11:00 pm

    SVENSK MUSIKVÅR

    SAI BALLARE? for piano trio with motorized violoncello
    Ensemble Mimitabu
    Grünewaldsalen Konserthuset, Göteborg, Sweden

  • 13/03/2017

    at: 6:00 pm

    Südseite Nachts

    ASCHE for violoncello and clarinet
    ensemble recherche
    violoncello: Åsa Åkerberg
    clarinet: Shizuyo Oka
    Theaterhaus / P1, Stuttgart, Germany

  • 12/02/2017 to 13/02/2017

    DSO Berlin

    Recording
    AUGENLIDER for prepared guitar and orchestra
    guitar: Laura Snowden
    conductor: Manuel Nawri
    Berlin, Germany

  • 23/01/2017

    Ensemble 2e2m

    ÄLV ALV ALVA for ensemble
    conductor: Pierre Roullier
    Auditorium Marcel Landowski
    Conservatoire à Rayonnement Régional Paris, Paris, France

  • 22/01/2017

    L’ATELIER CONTEMPORAIN

    presentation of work
    CRR de Paris, Paris, France

  • 16/01/2017

    at: 6:00 pm

    Cello music, etc. Feat. Madison Greenstone

    ASCHE for violoncello and clarinet
    violoncello: Tyler J. Borden
    clarinet: Madison Greenstone
    US San Diego Conrad Prebys Music Center, San Diego, USA