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S T A B A T
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for 32 voices in 4 choirs
2017
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A S C H E
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G R A T A
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for violoncello and ensemble
(solo vlc. 5 trbs. org. 2 hps. vln. 2 vlas. cb.)
2011
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S E G E L
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Work list
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LIST OF WORKS
2019
PRIMA for turning flutist and light
10′
LASTER for motorised piano and orchestra
20′
FRANCESCA for ensemble
(fl. ob. cl. perc. pno. vln. vla. vlc.)
25′
2018
CIVIL SONG for 32 voices
14′
MANTEL for string orchestra
20’
PIETÀ for solo motorised violoncello and motorized installation of piano, violoncello, violin & guitar
8′
MINERVA for baroque cello
8′
PREDELLA for 4 choirs and ensemble
13′
LAUB for violin, guitar and choir
15’
2017
SAFRAN for violin and motorised piano
14′
STABAT for 32 voices in 4 choirs
27′
SEGEL for orchestra
13′
FLEISCH solo cello for 1 – 3 cellists
11′
2016
ARK for wind orchestra, 5 percussionists and double bass
12′
ZUCKER for motorized ensemble
(fl. cl. perc. pno. gtr. vln. vlc.)
15′
PIETÀ for motorised violoncello and ensemble
(solo vlc. fl. cl. perc. pno. vln. vla.)
7’
FIKONTRÄDET for counter tenor and baroque ensemble
(recorder, baroque violin, viola da gamba, theorbo, countertenor)
15′
2015
AUGENLIDER for prepared guitar and orchestra
20′
NEBENSONNEN for clarinet and string trio
(vln. vla. vlc. cl. in Bb)
11′
SAI BALLARE? for piano trio
(vln. vlc. pno.)
8′
VOGEL. MEHR VOGEL (ALS ENGEL).
for string quartet
10′
(ENGEL, … ) NOCH TASTEND
for string quartet
20′
2014
MARIA CALLAS for ensemble
(fl. ob. cl. perc. pno. vln. vla. vlc.)
3′
MJÖLK for ensemble and ferris wheel
(fl. ob. cl. cbsn. Hn. Tr. Trb. perc. I perc. II hp. pno. vln. I vln. II vla. vlc. cb.)
20′
RUE CUVIER ou LES YEUX AU CIEL for violoncello and accordion
15′
“DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT”
performance installation for percussion quartet
14′
2013
SERAPH for violoncello and organ
15′
PAPIROSN for ensemble
(fl. sax. trb. perc. baroque gtr. pno. vln. vlc.)
14′
AGNEL for 12-voiced choir, objects, choirboy und electronics
13′
SAI BALLARE? for violin, piano and motorised violoncello or piano trio
8′
ALV for orchestra
8′
2012
ASCHE for violoncello and clarinet
15′
MADONNA DEL PRATO for saxophone quartet
9′
ÄLV ALV ALVA for ensemble
(fl. ob/eng.hn. cl. bass cl. cbsn. hn. tr. trb. perc. pno. vln. I vln. II vla. vlc. cb.)
20′
PLAY TIME for bicyle and percussion trio
10′
PIETÀ for ensemble and pictures
(fl. cl. perc. pno. vln. I vln. II vla. vlc. cb.)
9′
PIETÀ for violoncello, motors and electronics
7′ 20”
2011
GRATA for violoncello and ensemble
(solo vlc. 5 trbs. org. 2 hps. vln. 2 vlas. cb.)
15′
ASKARGOT for string quartet
8′
…MIT BRENNENDEM ÖLE pocketopera for 12 instruments, 5 women’s voices and 5 children’s voices
12′
JOIE for Lauscher and Lauscher
7′
2010
HALBWERTZEITEN UND HONIG for soprano, piano and piano-loudspeakers
12′
WALLPAPERS for baritone and electronics
5′ 30”
ASKAR for string quartet and electronics
9′ 30”
2009
ÄNGEN DANSAR for womens choir and electronics
10′
LAKALLES for ensemble and electronics
(fl. cl. trb. acc. perc. vln. vla. vlc. cb.)
9′
EXISTENSER for piano and electronics
10′
2008
DER ZITRONENGELBE KLANG for baritone, soprano and tuba
8′
NÄCKEN for violin and electronics
10′ 23”
VON DEN SIEBEN PLAGEN for electronics
7′
2007
PLAYNG BERLIN for electronics
2′ 30”
Biography
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Lisa Streich, born in Norra Råda, Sweden in 1985, studied Composition and Organ in Berlin, Stockholm, Salzburg, Paris and Cologne with among others Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza and Margareta Hürholz.
Master classes with a.o. Chaya Czernowin, Steven Takasugi, Beat Furrer and Daniel Roth complete her musical education.
Her works have been performed in among other countries in Sweden, Germany, Israel, France, Austria, Great Britain, Japan, Canada and the US. Her music has been played by among others Deutsche Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericson chamber choir and Sweden´s radio choir at among others MATA New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien Modern and Cologne Cathedral.
Prizes and scholarships include Cité des Arts Paris, orchestra prize by the Anne-Sophie Mutter Fund, Busoni Förderpreis of the Academy of Arts Berlin, Bernd Alois Zimmermann Prize, the Rome Prize Villa Massimo, Roche Young Commission by the Lucerne Festival and the Ernst von Siemens composers prize. She has a portrait CD at WERGO / Zeitgenössische Musik (2018) and KAIROS (2019).
Currently she has a artist residency at Villa Concordia Bamberg.
She lives on Gotland, Sweden.
Lisa Streich, geboren 1985 in Norra Råda Schweden, studierte Komposition und Orgel in Berlin, Stockholm, Salzburg, Paris und Köln bei u. a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza and Margareta Hürholz.
Meisterkurse bei u.a. Chaya Czernowin, Steven Takasugi und Beat Furrer runden ihre musikalische Ausbildung ab.
Ihre Musik wurde u.a. in Schweden, Deutschland, Israel, Frankreich, Österreich, Großbritannien, Japan, Kanada und in den USA gespielt. Vorgeführt u. a. vom Deutschen Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammerchor und Schwedens Radiochor u.a. beim MATA Festival New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien Modern und in dem Kölner Dom.
Preise und Stipendien beinhalten u.a. Cité des Arts Paris, Orchesterpreis des Anne-Sophie Mutter Fonds, Busoni Förderpreis der Akademie der Künste Berlin, Bernd Alois Zimmermann Stipendium, Rom-Preis der Villa Massimo, Roche Young Commission des Lucerne Festivals und den Ernst von Siemens Komponistenpreis.
Eine Porträt CD wird April 2018 beim Label WERGO/Edition zeitgenössische Musik erschienen.
Zur Zeit hat sie eine Komponisten Residenz beim ensemble recherche in Freiburg.
Sie lebt auf Gotland, Schweden.
Lisa Streich, född 1985 i Norra Råda har studerat komposition och orgel i Berlin, Stockholm, Salzburg, Paris och Köln för bl.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza, Margareta Hürholz och Ralph Gustafsson.
Master classes med bl.a. Chaya Czernowin, Steven Takasugi och Beat Furrer kompleterar hennes musikaliska utbildning.
Hennes verk har blivit framförda i Sverige, Tyskland, Israel, Frankrike, Österrike, England, Japan, Kanada och USA. Hennes musik har blivit spelad av bl.a. Deutsches Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammarkör och Sveriges Radiokör vid bl. a. MATA New York, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien modern och i Domkyrkan i Köln.
Priser och Stipendier innehåller bl.a. Cité des Arts, Paris, Orchesterpriset från Anne-Sophie Mutter fonden, Busoni priset av Akademie der Künste Berlin, Bernd Alois Zimmermann priset, Rom priset Villa Massimo, Roche Young Commissions av Lucerne Festivalen, och Tonsättarpriset av Ernst von Siemens Stiftelsen.
En porträtt skiva kommer ut hos WERGO i April 2018.
För närvarande är hon “composer in residence” hos ensemble recherche i Freiburg.
Hon lever på Gotland.
Lisa Streich, née en 1985 à Norra Råda (Suède), a étudié la composition et l’orgue à Berlin, Stockholm, Salzburg, Paris et Cologne avec e.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza et Margareta Hürholz.
Elle a eu l’occasion d’enrichir ses études musicales en suivant des cours avec e.a. Chaya Czernowin, Steven Takasugi et Beat Furrer.
Sa musique est jouée en Suède, Allemagne, Israël, France, Autriche, Grande-Bretagne, Japon, Canada et aux USA par des ensembles comme le Deutsche Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, l’OENM, l’ Eric Ericsson choeur de chambre et le choeur de la radio suédoise qui ont interprété sa musique à l’occasion de festivals et de lieux comme le MATA New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, l’Ircam Paris, Wien modern et la Cathédrale de Cologne.
Lisa Streich est lauréate de prix et de bourses d’exceptions tels que la bourse de la Cité des Arts de Paris, le prix d’orchestre du fonds d’Anne-Sophie Mutter, le Busoni Förderpreis de l’Académie des arts de Berlin, le prix Bernd Alois Zimmermann, le prix de rome – Villa Massimo, la Roche Young Commission pour le Festival de Lucerne et le prix de composition de la fondation Ernst von Siemens.
Un disque portrait existe sur le label WERGO.
En ce moment, elle est en résidence artistique avec l’ensemble recherche à Fribourg et vit aujourd’hui sur l’ile de Gotland en Suède.
Commissions
Commissions Upcoming
- WDR Symphonieorchester / Wittener Tage für Neue Kammermusik – concerto for motorised piano and orchestra
- ensemble recherche / Swedish Arts Grants Committee – piece for ensemble
- Philharmonie Cologne / Hofkapelle München – piece for Baroque Orchestra
- Yarn & Wire New York – piece for 2 pianos 2 percussion
- Quatuor Diotima / Shizuoka Concert Hall – piece for string quartet
- ARD International Music Competition / Bayerischer Rundfunk – piece for solo violin
Commissions Written
- Lucerne Festival / Roche Young Commission – piece for orchestra
- Eric Ericson Kammarkör & Sveriges Radiokör – piece for 32 voices
- Münchner Kammerorchester / Musica femina e.v. – piece for string orchestra
- Villa Massimo project / Ernst von Siemens Musikstiftung – piece for 4 choirs
- Cologne Cathedral / Gürzenich Orchester – piece for 4 choirs and ensemble
- Karin Hellqvist / Swedish Arts Grants Committee – solo piece for motorized violin
- Nadar ensemble / Transit Festival – PIETÀ for motorised installation
- Swedish Radio / Arméns Musikkår – piece for wind orchestra and 5 percussionists
- Bludenzer Tage zeitgemäßer Musik / Swedish Arts Grants Committee – piece for motorized ensemble
- Asasello Quartet / Kunststiftung NRW – piece for string quartet
- Acht Brücken / Ernst von Siemens Stiftung / Cologne Cathedrale – piece for 12-voiced choir, objects, choirboy und electronics
Records
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AUGENLIDER
Portrait CD
Details
AUGENLIDER for guitar & orchestra
SAI BALLARE? piano, violin & motorised violoncello
ÄLV ALV ALVA for ensemble
>>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<< performance installation for percussion quartet
ZUCKER for motorised ensemble
Deutsches Symphonie-Orchester Berlin/Manuel Nawri, Ensemble Musikfabrik/Elena Schwarz, Ensemble Links, Ensemble Mosaik/Enno Poppe
Label: KAIROS, Vienna, April 2019. -
PIETÀ
Portrait CD
Details
SEGEL for orchestra
PIETÀ for motorised violoncello and ensemble
AGNEL for 12-voices choir, objects, choirboy and electronics
ASCHE for violoncello and clarinet
STABAT for 32 voices in 4 choirs
Lucerne Festival Academy Orchestra / Gregor Mayrhofer, hand werk / Niklas Seidl, Vokalensemble Kölner Dom / Eberhard Metternich, ensemble recherche, UT insieme vocale-consonante / Lorenzo Donati
Label: WERGO / edition zeitgenössische musik
06.04.2018 -
GUIDED BY VOICES
New Music for Baroque Cello
Details
Baroque Cello: Elinor Frey
pieces by: Godin, Streich, McKinley, Ceccarelli, Smith, Ueno
Label: ANALEKTA, AN 2 9162
08.03.2019 -
BACK TO THE FUTURE
10 Years of ensemble 20/21 & David Smeyers at the Forum neuer Musik
Details
pieces by Seidl, Park, Streich, Katzer, Silva, Matsuzawa, Cueto, Pagh-Paan, Odeh-Tamimi, Scholl
Label: NEOS
18.05.2018 -
AKSIOM
Ensemble Aksiom conductor: Kai Grinde Myrann pieces by Svensson, Mæland, Streich, Bauck Label: LAWO LWC1115 2016
Details -
SERAPH
Christina Meißner & Poul Skjolstrup Larsen pieces by Czernowin, Paagh-Paan, Mense, Streich Label: Querstand DDD, 2013 31.10.2014
Details
Press
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“Nella lingua svedese la parola älv serba in sé una serie di significati che sono in grado di costruire una semantica perfettamente specchiata in una memoria operativa dell’immaginazione: con essa posso indicare ciò che è amabile, prezioso, tendenzialmente piccolo in senso figurativo, che rileva un sottosuolo o acqua che scorre al di sotto, può affiancarsi al suffisso di fiume, fino ad arrivare a tradurre ciò che normalmente inquadra il minuscolo dato da elfi o folletti. Questa premessa è di un’utilità straordinaria per introdursi nel mondo musicale creato dalla compositrice svedese Lisa Streich (1985) ed ottenere le prime informazioni dal cd appena pubblicato su Kairos, intitolato Augenlider, frutto del premio vinto attraverso la Ernst Von Siemens Musikstiftung: particolarmente apprezzata negli ambienti contemporanei nonostante la giovane età, la Streich è un esempio di come l’ispirazione possa trovare stimoli efficienti nell’incontro tra stile di vita, pensiero poetico ed approfondimento artistico su basi che si riconducono comunque alla pratica musicale contemporanea.”
Ettore Garcia, Lisa Streich: Augenlider, Percorsi Musicali, May 17 2019
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“Die junge Schwedin, eine sympathisch zurückhaltende Erscheinung, pflegt eine persönliche Musiksprache der harten Kontraste und sensiblen Innenstrukturen. Die Streicher produzieren introvertierte Geräuschklänge an der Hörgrenze, und über ihre Köpfe hinweg spielen die beiden links und rechts außen platzierten Perkussionisten Pingpong mit Paukenschlag und Peitschenknall. Das ist intelligent konzipiert und wirkungsvoll obendrein.”
Max Nyffeler, François Leleux und Clemens Schuldt im Prinzregententheater, Abendzeitung München, December 14, 2018
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“The first sounds of Lisa Streich’s portrait disc in Wergo’s “edition zeitgenössische Musik” series are striking. In the opening pages of the orchestral work SEGEL, five percussionists arrayed in a wide semicircle around the stage take turns producing loud whip cracks, synchronized with brief, ethereal microtonal chords in the strings: both composed resonance and the profoundly muffled screams of some unfortunate victim.
Striking images are Streich’s stock of trade. Not “striking” as in aggressive or assertive – much of her work is quiet, timbrally fragile and temperamentally reticent – but as in singular, wonderfully imaginative, tightly bounded and strongly characterized, immediately compelling to the ear and more or less immediately graspable, with a musical significance that lies less in development or elaboration than in inherent properties and eventual juxtapositions. Streich makes beautiful small worlds, with their own small, violent rhetorics.”Johnson, E. (2019). Lisa Streich - Lisa Streich: Pietà. Wergo WER64252. Tempo, 73(287), 116-117. doi:10.1017/S0040298218000840, Cambridge University Press
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“Die Musik von Lisa Streich (geboren 1985) auf CD zu veröffentlichen, ist eigentlich ein Ding der Unmöglichkeit. Zu sehr ist sie räumlich gedacht, sind die Klänge und ihre Räume in einem unlösbaren, komplex strukturierten Gewebe miteinander verflochten, das man unbedingt im Konzert erleben muss, um es in seiner vollen Bandbreite erahnen zu können. Mehrere Dimensionen, von denen die akustische und die metaphysische nur die naheliegendsten zu sein scheinen, überkreuzen sich hier und finden in den Werken zu einem Ausdruck, der gleichermaßen von kreatürlicher Verletzlichkeit, verheißungsvoller Transzendenz und der endlosen Gleichgültigkeit des Kosmos kündet…der CD gelingt mit einer Kompilation von Werken der vergangenen fünf Jahre eine vielfaltige und abwechslungsreiche Werkschau der jungen schwedischen Komponistin, die sich durch eine exzeptionelle musikalische Sprachvielfalt auszeichnet…Die CD hinterlässt den Hörer mit dem dringenden Wunsch, die Musik im Konzert hören zu wollen – als Qualitätsmerkmal letztlich das Non plus ultra.”
Patrick Klingenschmitt, Lisa Streich Pietà, Neue Zeitschrift für Musik #4 2018, S. 70
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“È una musica sensoriale e sensuale, dotata di un delicato spettro di colori, ma capace di una potenza espressiva lancinante. Lo dimostra il gioco di risonanze, dissonanze, rumori e soffi di Agnel (2013) per coro, voci bianche, oggetti e elettronica; o l’uso del violoncello motorizzato (insieme all’ensemble) in Pietà (2012): delle strisce di carta, fatte ruotare da piccoli motori posti sul violoncello, colpiscono lo strumento (questo suono è amplificato da piccoli microfoni) trasformandolo in un corpo martirizzato, torturato. Questa simbiosi tra elementi meccanici, all’apparenza giocosi, e l’idea cristologica del sacrificio ha l’intensità di una preghiera rapinosa.”
Gianluigi Mattietti, Nuovi volti della musica contemporanea: Lisa Streich, Amadeus May 5, 2018
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“Die Interpreten dieser Portrait-CD sind allesamt großartig, seien es Solisten aus dem ensemble recherche, das Vokalensemble des Kölner Doms oder das Orchester der Lucerne Festival Academy: Alle bringen die nötige Sensibilität für diese Musik mit, ohne an ihr zu zerbrechen. Immer hat das man das Gefühl, mitten im Energiefluss zu schweben. Dafür nimmt man sich doch gerne eine gute Stunde Zeit!”
Johann Jahn, Bayerischer Rundfunk, Der CD-Tipp zum anhören, April 12, 2018
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“Steve Reich zählte übrigens, wie John Cage, György Ligeti, Karlheinz Stockhausen oder Christian Wolff, zu den renommierten Composers in Residence in der dreißigjährigen Geschichte des Osterfestivals. Diesmal beeindruckten vor allem Kompositionen wie Lisa Streichs „Fleisch“ oder Milica Djordjevićs „Rdja“, und die Konfrontationen mit alter Musik.”
Reinhard Kager, Von fremden Menschen und Ländern, FAZ April 4, 2018
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Xenakis, Metastaseis A, Terretektorh, Nomos Gamma; Arturo Tamayo conducting the Orchestra Sinfonica RAI and the Residentie Orkest The Hague (Mode)
Lisa Streich, Pietà and other works; Vokalensemble Kölner Dom, Niklas Seidl, ensemble recherche, UT insieme vocale-consonante, Gregor Mayrhofer conducting the Lucerne Festival Orchestra (Wergo)
Wang Lu, Urban Inventory and other works; Third Sound Ensemble, Holland Symfonia, Alarm Will Sound, Le Nouvel Ensemble Moderne, ICE, Ensemble Intercontemporain (New Focus)
Michael Pisaro, Shades of Eternal Night; Pisaro, Reinier van Houdt (Gravity Wave)
Paganini, Caprices; Augustin Hadelich (Warner)
Bach, Goldberg Variations; Peter Hill (Delphian)
Samir Odeh-Tamimi; Lámed and other works; Zafraan Ensemble, Salome Kammer, Manuel Nawri (Kairos)
Messiaen, Catalogue d’oiseaux; Pierre-Laurent Aimard (Pentatone)
Joan La Barbara, as lightning comes, in flashes, Autumn Signal, CYCLONE; La Barbara, Bruce Ditmas (Mode)
Jürg Frey, Late Silence, Magnus Granberg, How Vain Are All Our Frail Delights; Ensemble Grizzana (another timbre)
Michael Hersch, cortex and ankle, Black Untitled; Ensemble Klang (Ensemble Klang Records)
March 27, 2018 | PermalinkAlex Ross: The Rest is Noise: A Nightafternight playlist, March 27, 2018
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“Die Violoncellistin Åsa Åkerberg legt mit Lisa Streichs “Fleisch” ein kleines Solo-Bravourstück hin; ruhig verinnerlicht und stetig aufbauend kehrt sie eine ganze Gefühls- und Klangwelt nach außen.”
Auf der Suche nach Stille und Zeit, Kronen Zeitung, March 23, 2018
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“Ein gut gedachtes und gemachtes Stück. Für das eindrucksvollste indes hat an diesem Abend Lisa Streich gesorgt: In „Zucker“ sorgen elektronisch gesteuerte Rädchen an den Instrumenten der Musiker für einen (fast altmodisch-)mechanischen Klang, der sich in eine permanente und reizvolle Reibung zu den menschlich erzeugten Tönen begibt. Streichs Stück ist nicht nur sehr spielerisch und poetisch, sondern verfügt über eine in neuerer Musik nicht eben häufig anzutreffende Kongruenz von Länge und Inhalt.”
Susanne Benda, “Geschüttelt, nicht gerührt”, Auftakt des Stuttgarter ECLAT-Festivals, Stuttgarter Nachrichten February 01, 2018
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“Älv Alv Alva de Lisa Streich donnée en création française est le troisième triptyque de la soirée. Les trois mots du titre, nous dit la compositrice Suédoise, «n’ont de sens que pour celui qui franchit le 60° parallèle nord». De fait, l’œuvre nous convie à une expérience d’étrangeté, avec ses trouées de silence, ses surgissements musclés convoquant les cuivres, et ses sonorités elfiques, celle des coupes-œufs mis entre les doigts des mêmes instrumentistes à vent qui les font délicatement sonner, à main nue ou avec des archets. Ce montage serré de séquences très hétérogènes et non dénuées d’humour – marche, air populaire et autres refrains – par son étrangeté même nous envoûte et laisse in fine affleurer l’émotion.”
Michèle Tosi, ResMusica, January 28, 2017
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“Lisa Streich beschwört die “Nebensonnen” als Metapher für ganz anders geartete Parallelen zu Lachenmann: ein fragiles Stück, im schier Schubertschen Amalgam von Geige und Viola durchaus auratisch.”
Gerhard R. Koch, “Wer lärmt, ist einverstanden mit dem großen Sohn”, FAZ, November 19, 2015
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“For Swedish composer Lisa Streich’s Play Time (2012), members of Mantra Percussion sat at an inverted bicycle, one at each wheel and one between them at the frame. A set of crotales waited nearby. Making sounds on “found” objects is nothing new, and the bar for Streich was high. In Mantra’s nuanced performance, Play Time cleared every hurdle with room to spare. Mallet-on-frame tapping gave the work a rhythmic anchor that allowed Mantra to spin music out of sound. Delicate bowing set spokes humming, a tap on spokes became a quiet gong, spinning wheels fizzed and buzzed, pedals cranked a ratcheting chain, and here and there a fulsome, singing note emerged.”
Susan Scheid, “Of Circles and Motions of the Others”, The Brooklyn Rail, June 5, 2014
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“Lisa Streich has a very personal and innovative musical language, with which she uses orchestral instruments in new ways that create unique sounds and timbres, combined with a strong sense of form. Chief conductor Michael Francis says about Lisa Streich’s piece Alv that “it’s one of the most original pieces I’ve ever conducted, she has developed a sound world unlike anything I have encountered before”.
With limited means, intrinsic aesthetics, and great ingenuity while posing technical challenges, she creates a fascinating spectrum of colours that can be called unique.”Tim Södergren, “Här är vinnarna i Mutter-fonden”, Folkbladet, Mai 23, 2014
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“…så utgjorde det nyskrivna verket ”Alv for Orchestra” av unga Lisa Streich en mera anti-symfonisk komposition. Här fick vi i ett annorlunda klanglandskap lära oss att lyssna fram det finstilta, naturen och det mystiska samt ge tystnaden en egen bärande funktion. Sällan har jag spetsat mina öron så mycket i De Geerhallen denna vår. Suveränt!
Michael Bruze, “Klangfrossa med SON”, Norrköpings Tidningar, April 29, 2014
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“Ich könnte mich hier darin verlieren, für die Musik von Lisa Streich Worte zu finden. Reichhaltig sind die Zugänge, die sie ermöglicht, und das liegt nicht zuletzt an ihrer großen strukturellen Präzision und Differenzierung. Jedoch ist diese Präzision in keinem Moment einem leeren Spiel mit Virtuosität verpflichtet. Vielmehr scheint es immer um etwas Wesentliches zu gehen. Man könnte hierfür den Begriff des Ausdrucks wählen, denn die Musik lässt es zu, in ihr etwas zu erkennen, was sich vernetzt mit der Wahrnehmung im Allgemeinen. Sie kann taktil sein, schwebend, hart, melancholisch oder auch schmerzhaft, wenn sich z.B. alles zu einem scheinbaren Schrei verdichtet. Solche Begriffe oder Gefühle können sich beim Hören von Lisa Streichs Musik einstellen, doch sie stellt sie nicht aus. Vielmehr ermöglicht sie ledeglich ein solches Wahrnehmen, weil sie auch selbst der Wahrnehmung verpflichtet ist. Alles in ihrer Musik scheint aus ihr hervorzugehen, also ebenso ihre Tiefenschärfe, wie ihre große Weite.“
Isabel Mundry, excerpt from “Laudatio” Busoni Förderpreis, Berlin, November 30, 2013
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“Och så välkomnad man också kan bli, som av Lisa Streichs oerhört tysta men inbjudande ”PAPIROSN for ensemble”. Knäpp och vinanden skapade en kontinuitet som bröts av enstaka starkare toner och minimala utbrott av skönhet. Glesa pling och gnissel påminde om hur mycket som finns att upptäcka när man rör sig mot tystnaden. Här överskreds faktiskt gränser, och det helt utan dynamit.”
Tobias Lund, “Tystnadens gränsland”, Sydsvenskan, October 26, 2013
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“…other notable new scores: George Benjamin’s “Written on Skin,” Steven Stucky’s “Silent Spring,” Lisa Streich’s “PIETÀ,” David Lang’s “love fail,” Missy Mazzoli’s “Song from the Uproar,” Tristan Perich’s “Dual Synthesis.”
Alex Ross, “ten memorable classical performances of 2012”, The New Yorker, December 20, 2012
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“I found Streich’s PIETÀ especially riveting. A Swede with a predilection for religious and philosophical subjectmatter, Streich here makes use of a cello outfitted with small motors on the outside of its body and microphones on the inside. One of the motors has strips of paper attached to it, which quietly strike the strings below the bridge as the wheel turns. The cello part — executed beautifully by Michael Bialobroda — leans on isolated phrases, sustained tones, and trills, rarely rising above a low dynamic and creating a mood of prayerful intensity. I was reminded of some of Sofia Gubaidulina’s more experimental work, but the vision seems thoroughly original.”
Alex Ross, The Rest is Noise, Books, articles, and a blog by the music critic of The New Yorker "Parisian footnotes", April 25, 2012
Read article -
“…and works for solo instruments and electronics by student composers at IRCAM, the avant-garde music bunker beneath the Centre Pompidou. (Lisa Streich’s “PIETÀ,” a rapt meditation for mechanically modified cello, was the standout there.)”
Alex Ross, "Opera on the Barricades", The New Yorker, 30 April 2012, p. 75.
Read article -
“Ihrer bislang minimalistischen Sprache treu bleibend, wählte Streich kleine Materialpartikel als Ausgangspunkt, die sich in widerstreitenden Konstellationen begegnen, auf höherer Ebene aber zu einer göttlichen Einheit verschmelzen. Auch in der Besetzung zeichnen sich die Gegensätze ab, etwa wenn fünf Posaunen in ihrer Rolle als Störfaktor von zwei flankierenden Harfen besänftigt werden. GRATA ist keinem strengen Formschema unterworfen und markiert in Streichs jungem Schaffen, im Kontext ihrer eigenen Spiritualität, eine Loslösung von äußeren Regeln und Vorgaben. Die ungebundene Kraftentfaltung, aus der sich ein eigenes individuelles Formgerüst herausbildet, korrespondiert mit dem Bekenntnischarakter des Werks.”
Egbert Hiller, Forum neuer Musik, Deutschlandfunk, April 2012
Calendar
Upcoming and current events
-
15/12/2019
Grenzgänge
NEBENSONNEN for violin, viola, violoncello and clarinet
Ensemble Musikfabrik
Essen, Germany -
16/12/2019
at: 7:00 pm
Montagskonzert
NEBENSONNEN for violin, viola, violoncello and clarinet
Ensemble Musikfabrik
Studio Musikfabrik, Cologne, Germany -
11/01/2020
at: 8:00 pm
FRAKZIONEN Festival 2020
FRANCESCA for ensemble
ensemble recherche
Zionskirche Bielefeld-Bethel, Germany -
02/02/2020
at: 8:00 pm
UNERHÖRTE MUSIK BERLIN
PRIMA for turning flutist and light
flute: Daniel Agi
staging: Lea Letzel
BKA-Theater, Berlin, Germany -
08/02/2020
h(ö)rbarium fr( )burg
SAFRAN for violin and motorised piano
Kompass Ensemble
Depot.K. Freiburg, Freiburg -
09/02/2020
Non-Beethoven
HÄNDEKÜSSEN for baroque orchestra (premiere)
Hofkapelle München
cond. Rüdiger Lotter
Kölner Philharmonie, Cologne, Germany -
25/02/2020
at: 8:00 pm
Abo 3: Inspirationen
FRANCESCA for ensemble
ensemble recherche
Ensemblehaus, Freiburg, Germany -
23/03/2020
ALFONSO GÓMEZ
EXISTENSER for piano and piano loudspeakers
piano: Alfonso Gómez
Universidad de Santiago de Chile, Chile -
05/09/2020
japan
NEW WORK for string quartet (premiere)
Quatuor Diotima
Shizuoka Concert Hall, Shizuoka, Japan
Past events
-
30/11/2019
WERFT Festival
PRIMA for turning flute (premiere)
flute: Daniel Agi
staging: Lea Letzel
Alte Feuerwache, Cologne, Germany -
29/11/2019
at: 7:00 pm
WHAT IS THE WORD – AROUND SAMUEL BECKETT
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Odeon, Lund, Sweden -
17/11/2019
TAGE DER NEUEN MUSIK BAMBERG
ASCHE for violoncello and clarinet
Ensemble Zeitsprung
Altes E-Werk, Bamberg, Germany
-
16/11/2019
HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL UK
ZUCKER for motorised ensemble
The Riot Ensemble
conductor: Aaron Holloway-Nahum
Huddersfield, United Kingdom -
15/11/2019
at: 7:00 pm
WHAT IS THE WORD – AROUND SAMUEL BECKETT
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Liljevalchs, Stockholm, Sweden -
13/11/2019
WIEN MODERN
SAI BALLARE? for violin, piano & motorised violoncello
Klangforum Wien
Wiener Konzerthaus, Vienna, Austria -
13/11/2019
Altolivenza Festival
(ENGEL, …) NOCH TASTEND for string quartet
Quartet, Morello, Enríquez
Teatro Verdi di Pordenone, Italy -
11/11/2019
at: 7:00 pm
WHAT IS THE WORD – AROUND SAMUEL BECKETT
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Wärenstams, Borås, Sweden -
10/11/2019
at: 5:00 pm
What is the Word – around Samuel Beckett
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
3e våningen, Göteborg, Sweden -
02/11/2019
at: 7:00 pm
AFEKT FESTIVAL / TALLINN
SAFRAN for violin and motorised piano
Ensemble Mosaik
Creative Hub, Tallinn, Estonia -
31/10/2019
at: 7:30 pm
ORBIT SCHÖNBERG #3
(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
MAKK – Museum für Angewandte Kunst Köln, Cologne, Germany -
23/10/2019
HAND WERK
PIETÀ for motorised violoncello & ensemble
ensemble hand werk
motorised violoncello: Niklas Seidl
Alte Feuerwache, Cologne, Germany -
22/10/2019
BROADCASTING
composer recommends
LASTER for motorised piano and orchestra
piano: Claudia Chan
conductor: Michael Wendeberg
WDR Symphonieorchester
https://areena.yle.fi/1-50266043
AREENA, Finland -
20/10/2019
at: 5:00 pm
ARENA FESTIVAL
SAFRAN for violin and motorised piano
Ensemble Mosaik
Reformed Church
Riga, Lithuania -
11/10/2019
at: 7:30 pm
KLANGNETZ THÜRINGEN
FLEISCH for violoncello
violoncello: Christina Meissner
Künstlerische Abendschule, Jena, Germany -
08/10/2019
VIETNAM
ASCHE for violoncello and clarinet
violoncello: Lucas Fels
clarinet: Nina Janßen-Deinzer
Hanoi, Vietnam -
23/09/2019
at: 11:03 pm
BROADCASTING
Zeit-Ton
FRANCESCA for ensemble
ensemble recherche
editor: Patrizia Jilg
ORF Austria, ORF.at -
14/09/2019
WAVE DASH
CHOUPETTE for turning flute & timpani
flute: Camilla Hoitenga
timpani: Magdalena Meitzner
Dunkers, Helsingborg, Sweden -
14/09/2019
OdeGand festival
PIETÀ for motorised violoncello and installation
motorised violoncello: Pieter Matthynssens
NADAR ensemble
Sint-Jacobskerk, Ghent, Belgium -
13/09/2019
at: 8:00 pm
KLANGSPUREN SCHWAZ
Ins offene
FRANCESCA for ensemble (premiere)
ensemble recherche
Haus der Musik, Innsbruck, Austria -
07/09/2019
at: 9:50 pm
GAUDEAMUS
Rauschen
PIETÀ for motorised violoncello and installation
motorised violoncello: Pieter Matthynssens
NADAR ensemble
Tivoli Vredenburg, Utrecht, Netherlands -
06/09/2019
Nordiska Kammarorkestern
MANTEL for string orchestra & 2 percussion
Nordiska Kammarorkestern
conductor: Eva Ollikainen
Folkets Hus, Ånge, Sweden -
05/09/2019
Nordiska Kammarorkestern
MANTEL for string orchestra & 2 percussion
Nordiska Kammarorkestern
conductor: Eva Ollikainen
Tonhallen, Sundsvall, Sweden -
31/08/2019
WAVE DASH
CHOUPETTE for turning flute & timpani (premiere)
flute: Camilla Hoitenga
timpani: Magdalena Meitzner
Musikens Hus, Katrinehol, Sweden -
27/08/2019
at: 7:00 pm
PORTRAIT EVENING
SAFRAN for motorised piano & violin
ensemble Musikfabrik
piano: Ulrich Löffler
violin: Hannah Weirich
Villa Concordia, Bamberg, Germany -
24/07/2019
BROADCASTING
FLEISCH for solo violoncello
violoncello: Aki Kitajima 北嶋愛季
NHK-Chiba, Japan -
12/07/2019 to 14/07/2019
HEROINES OF SOUND
MOLE’S BREATH for ensemble
ensemble lux:nm
Radialsystem Berlin, Germany -
06/07/2019
Gdynia
EXISTENSER for piano and piano speakers
piano: Małgorzata Walentynowicz
Konsulat Kultury, Gdynia, Poland -
29/06/2019
at: 1:00 pm
Kunststation St. Peter
Lunch Concert
SAFRAN for motorised piano & violin
ELECTRONIC ID
piano: Felix Knoblauch
violin: Anna Neubert
Kunststation St. Peter, Cologne, Germany -
18/06/2019
XV Encontro Galego do Saxofón
MADONNA DEL PRATO for saxophone quartet
Fukio Saxophonequartet
Santiago de compostela, Spain -
16/06/2019
RECORDING
FLEISCH for violoncello
violoncello: Christina Meissner
Løgumkloster, Danmark -
07/06/2019
CMMAS Mexico
Disobediences in Sound
SAFRAN for violin and motorised violin
Duo Hellqvist/Amaral
CMMAS Mexico -
06/06/2019
at: 12:06 am
BBC Broadcasting
Through the night
Eric Ericson 100 years
CIVIL SONG for 32 voices
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
BBC Radio 3, Great Britain -
30/05/2019
at: 7:15 pm
Mozartfest Würzburg
MANTEL for string orchestra and 2 percussion
Münchener Kammerorchester
conductor: Clemens Schuldt
Residenz, Kaisersaal, Würzburg, Germany -
29/05/2019
at: 9:00 pm
BROADCASTING
Wittener Edelsteine
LASTER for motorised piano and orchestra
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
Radio SRF 2 Kultur, Switzerland -
27/05/2019
at: 9:05 pm
BROADCASTING
Musik-Panorama
Festival Provinzlärm
FIKONTRÄDET for counter tenor & baroque ensemble
Ensemble Lipparella
Deutschlandfunk Kultur, Germany -
22/05/2019
at: 8:00 pm
AUGMENTED INTRUMENTS I
ZUCKER for motorised ensemble
ensemble Mosaik,
Kesselhaus in der Kulturbrauerei, Berlin, Germany -
12/05/2019
WITTENER TAGE FÜR NEUE KAMMERMUSIK
LASTER for motorised piano and orchestra (premiere)
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
Witten Theatersaal, Witten, Germany -
12/05/2019
at: 9:00 pm
BROADCASTING
LASTER for motorised piano and orchestra
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
WDR 3, Germany -
10/05/2019
at: 5:00 pm
WITTENER TAGE FÜR NEUE MUSIK
LASTER für alle
interactive installation for motorised piano
Foyer Sallbau, Witten, Germany -
30/04/2019
at: 8:00 pm
Music on Main
MINERVA for baroque cello
baroque cello: Elinor Frey
Fox Cabaret, Vancouver, Canada -
28/04/2019
at: 7:00 pm
GUIDED BY VOICES
MINERVA for baroque cello
baroque cello: Elinor Frey
Center for New Music, San Francisco, USA -
20/04/2019
at: 8:00 pm
MASTER RECITAL
ASCHE for violoncello & clarinet
clarinet: Shannon Leigh
Boston Conservatory at Berklee -
19/04/2019
RECORDING
SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
Cologne, Germany -
13/04/2019
at: 6:00 pm
Weiße Stadt Tel Aviv
RUE CUVIER ou LES YEUX AU CIEL
for violoncello & accordion
violoncello: Christina Meissner
accordion: Claudia Buder
Sparkassen-Kunden Center, Gera, Germany -
11/04/2019
at: 7:00 pm
MIMITABU PÅ CINNOBER
SOLO/DUO/TRIO
ASCHE for violoncello & clarinet
violoncello: My Hellgren
clarinet: Heather Roche
Cinnober, Gothenburg, Sweden -
08/04/2019
at: 8:00 pm
Montagskonzert
SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
Studio Musikfabrik, Köln, Germany -
07/04/2019
at: 5:00 pm
PACT Zollverein
SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
PACT Zollverein, Essen, Germany -
06/04/2019
at: 8:30 pm
BREAKING THE WALL
MOLE’S BREATH for ensemble
LUX:NM ensemble
Kammermusiksaal Deutschlandfunk, Cologne, Germany -
17/03/2019
Walburga
FLEISCH for solo violoncello
violoncello: Christina Meissner
St. Walburga Werl, Germany -
17/03/2019
at: 7:00 pm
SVENSK MUSIKVÅR
NEBENSONNEN for violin, viola, violoncello and clarinet
NEW EUROPEAN ENSEMBLE
Musikaliska, Stockholm, Sweden -
16/03/2019
Wermlandsoperan
ÄLV ALV ALVA for ensemble
Wermlandsoperans Orkester
conductor: Johannes Gustavsson
Wermlandsoperan, Karlstad, Sweden -
16/03/2019
at: 5:00 pm
Orsoy
FLEISCH for solo violoncello
violoncello: Christina Meissner
Orsoy Chruch, Rheinberg, Germany -
15/03/2019
at: 6:15 pm
Antoniter
FLEISCH for solo violoncello
violoncello: Christina Meissner
Antoniter Church, Cologne, Germany -
14/03/2019
at: 7:00 pm
FLEISCH
FLEISCH for solo violoncello
violoncello: Christina Meissner
Kulturkirche Heilig Kreuz, Bottrop, Germany -
13/03/2019
at: 8:00 pm
Guided by Voices Lancement d’album
MINERVA for baroque cello
baroque cello: Elinor Frey
Cabaret Lion d’Or, 1676 Ontario Est, Montréal H2L 1S7, Canada -
10/03/2019
at: 4:30 pm
Barock
FLEISCH for solo violoncello
violoncello: Christina Meissner
Barockkirche Zwillbrock, Germany -
09/03/2019
at: 6:30 pm
Kapellener Abendkonzerte
FLEISCH for solo violoncello
violoncello: Christina Meissner
Kapellen Dorfkirche, Moers, Germany -
08/03/2019
GUIDED BY VOICES CD RELEASE
MINERVA for baroque cello
other works by Godin, Ueno, McKinley, Ceccarelli, Smith
baroque cello: Elinor Frey
Label: Analekta, Canada -
07/03/2019
SAMPLER SÈRIES
ZUCKER for motorised ensemble
ensemble mosaik
Barcelona, Spain -
27/02/2019
at: 7:30 pm
UNBESOCKT / INS FREIE
EXISTENSER for piano and piano loudspeakers
piano: Hector Docx
HfMT Multifunktionsstudio, Hamburg, Germany -
16/02/2019
at: 5:00 pm
FESTIVAL PROVINZLÄRM
Focus Sweden
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
Eckernförde, Germany -
15/02/2019
at: 8:00 pm
FESTIVAL PROVINZLÄRM
Opening Concert
ÄLV ALV ALVA for ensemble
Ensemble Reflexion, Norddeutsche Sinfonietta
Eckernförde, Germany -
10/02/2019
at: 3:00 pm
MUSICA NOVA HELSINKI
Feed Forward
ASCHE for violoncello and clarinet
Zagros Ensemble
Olaus Petri Church, Helsinki, Finland -
09/02/2019
at: 3:30 pm
ECLAT FESTIVAL
Impossible Situations
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Theaterhaus, T3, Stuttgart, Germany -
29/01/2019
at: 10:00 am
The Hermit Crab Breakfast
SAI BALLARE? for violin, piano & motorised violoncello
violin: Jacobo Hernández Enríquez
piano: Tsugumi Shirakura
motorised violoncello: Leo Morello
Mumuth, Graz, Austria -
25/01/2019
at: 6:00 pm
3. VÅNINGEN
FIKONTRÄDET for counter tenor and baroque ensemble
ensemble Lipparella
3. Våningen, Göteborg, Sweden -
16/01/2019
at: 7:05 pm
ERIC ERICSON 100
CIVIL SONG for 32 voices
Swedish Radio Choir
Eric Ericson Kammarkör
conductor: Fredrik Malmberg
Klassikaraadio, Estonia -
11/01/2019
at: 9:00 pm
FRAKZIONEN
FLEISCH for solo cello
violoncello: Christina Meissner
Kantorei Bethel, Bielefeld, Germany -
28/12/2018
at: 10:00 pm
BROADCASTING
Musikfabrik im WDR
SAI BALLARE? for violin, piano and motorised violoncello
ensemble Musikfabrik
violin: Hannah Weirich
piano: Ulrich Löffler
motorised violoncello: Axel Porath
WDR Germany -
20/12/2018
at: 8:05 pm
BROADCASTING
MANTEL for string orchestra and 2 percussion
Münchener Kammerorchester
conductor: Clemens Schuldt
br-klassik.de Germany -
15/12/2018
at: 7:30 pm
Münchener Kammerorchester
Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
Stadthalle Aschaffenburg, Germany -
14/12/2018
at: 8:30 pm
Münchener Kammerorchester
Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
La Maison de la Culture, Grenoble, France -
14/12/2018
at: 10:00 am
DEUTSCHER MUSIKRAT
ABENTEUR NEUE MUSIK
PIETÀ for motorised violoncello
motorised violoncello: Niklas Seidl
GGS, Manderscheider Platz, Köln, Germany -
14/12/2018
SWEDEN JAPAN
MINERVA for baroque cello
Curious Chamberplayers
violoncello: Karolina Öhman
Aichi University of Fine Arts, Nagakute, Japan -
13/12/2018
at: 8:00 pm
Münchener Kammerorchester
Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion (premiere)
Conductor: Clemens Schuldt
Prinzregententheater, München, Germany -
13/12/2018
at: 7:00 pm
HELLQVIST/AMARAL
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Kulturhuset Gimle, Bergen, Norway -
13/12/2018
SWEDEN JAPAN
MINERVA for baroque cello
Curious Chamberplayers
violoncello: Karolina Öhman
Nagoya College of Music, Nagoya, Japan -
12/12/2018
at: 7:00 pm
PERIFERIEN #8
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Bruket, Oslo, Norway -
06/12/2018
at: 7:00 pm
Laura Snowden
AUGENLIDER for prepared guitar and orchestra (premiere)
guitar: Laura Snowden
conductor: Christian Kluxen
Norrköping Symphony Orchestra
De Geerhallen Norrköping, Sweden -
06/12/2018
OLD TOWN HALL
EXISTENSER for piano and piano loudspeaker
piano: Małgorzata Walentynowicz
Gdansk, Poland -
29/11/2018
at: 8:00 pm
Rauschen
PIETÀ for motorised violoncello and motorised installation
ensemble Nadar
violoncello: Pieter Matthynssens
Concertgebouw, Brugge, Belgium -
26/11/2018 to 28/11/2018
COMPOSITION RESIDENCY
with Ensemble Recherche
FRANCESCA for motorised piano, cembalo and ensemble
Ensemblehaus, Freiburg, Germany -
26/11/2018
at: 8:00 pm
ART & SCHOCK I
SEGEL, ASCHE & SAFRAN
Portrait Lisa Streich
Kompass Ensemble, ensemble recherche
Humboldtsaal im Freiburger Hof, Humboldstr.2, Freiburg, Germany -
24/11/2018
LUCERNE FESTIVAL
CHRISTOPH DELZ FOUNDATION
Jury work
with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
for the 7th competition for composers 2018
Lucerne, Switzerland -
19/11/2018
at: 11:00 am
DEUTSCHER MUSIKRAT
ABENTEUR NEUE MUSIK
PIETÀ for motorised violoncello
motorised violoncello: Niklas Seidl
GGS, Manderscheider Platz, Köln, Germany -
18/11/2018
at: 12:00 am
RAINY DAYS LUXEMBOURG
YOUR PLACE OR MINE I
PIETÀ for motorized violoncello and installation
motorised violoncello: Pieter Matthynssens
Toute la Ville de Luxembourg, Luxembourg -
02/11/2018
ST JOSEF
FLEISCH for violoncello
violoncello: Christina Meissner
St. Josefs Kapelle, Krefeld, Germany -
28/10/2018
MOMENTS MUSICAUX
MINERVA for baroque cello
baroque cello: Elinor Frey
l’église de la Visitation, Montréal, QC, Canada -
27/10/2018
at: 3:00 pm
Eric Ericson 100 years!
CIVIL SONG for 32 voices
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
Konserthuset Stockholm, Sweden -
26/10/2018
at: 7:00 pm
ERIC ERICSON 100 YEARS!
CIVIL SONG for 32 voices (Premiere)
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
Västerås Domkyrka, Västerås, Sweden -
26/10/2018
at: 7:00 pm
Levande Musik
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Hagakyrkan, Göteborg, Sweden -
25/10/2018
at: 5:00 pm
Torsdag Konstmuseet
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Konstmuseet Skövde, Sweden -
15/10/2018 to 16/10/2018
Recording (ENGEL, …) NOCH TASTEND
(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartett
Deutschlandfunk Köln, Germany -
13/10/2018
at: 8:00 pm
Transit Festival
PIETÀ for motorised violoncello and motorised installation (Premiere)
ensemble Nadar
violoncello: Pieter Matthynssens
Leuven, Belgium -
11/10/2018
LECTURE
Master Class in Composition
Royal Conservatory of Ghent, Belgium -
09/10/2018
Recording MINERVA
MINERVA for baroque cello
baroque cello: Elinor Frey
Domaine Forget, Québec, Canada -
03/10/2018
at: 8:00 pm
Musikfabrik im WDR 67
SAI BALLARE? for piano, violin and motorised violoncello
piano: Ulrich Löffler
violin: Hannah Weireich
motorised violoncello: Axel Porath
WDR Funkhaus, Köln, Germany -
03/10/2018
Canadian Music Centre Toronto
GUIDED BY VOICES
MINERVA for baroque cello
baroque cello: Elinor Frey
Toronto, ON, Canada -
02/10/2018
Guided by Voices
MINERVA for baroque cello
baroque cello: Elinor Frey
University of Toronto, Canada -
15/09/2018
at: 8:00 pm
Sacrum Profanum
SAI BALLARE? for piano, violin and motorised violoncello
Ensemble Musikfabrik
ICE Krakow Congress Centre, Poland -
14/09/2018
at: 8:30 pm
Münchener Kammerorchester
Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
La Maison de la Culture, Grenoble, France -
09/09/2018
at: 7:00 pm
Sweden-Japan
FLEISCH for violoncello
violoncello: Aki Kitajima
Tokyo, Japan -
08/09/2018
MAKESOMENEUES/10 JAHRE ON
EXISTENSER for piano and piano speakers
piano: Malgorzata Walentynowicz
Kunst-Station Sankt Peter, Cologne, Germany -
30/08/2018
LECTURE
Master Class in Composition
Visby International Center for Composers, Gotland, Sweden -
12/08/2018
KALV Festivalen
LAUB for violin, guitar and choir (premiere)
violin: Karin Hellqvist
guitar: Frederik Munk Larsen
conductor: Gunno Palmquist
Kalv kyrka, Kalv, Sweden -
11/08/2018
KALV Festivalen
SAFRAN for violin and motorised piano
Duo Hellqvist / Amaral
Kalv, Sweden -
02/08/2018
at: 12:00 am
BROADCASTING
musica nova
STABAT for 32 voices in four choirs
UT insieme vocale-consonate
conductor: Lorenzo Donati
editor: Günther Bajtl
Freies Radio für Stuttgart, Germany -
29/07/2018
Les concerts de la chapelle
LA VOCE DEL VIOLONCELLO
MINERVA for baroque cello
baroque cello: Elinor Frey
Ste-Camille, QC, Canada -
28/07/2018
ST VINCENT
FLEISCH for violoncello
violoncello: Christina Meissner
Eglise Saint-Vincent, Carcassone, France -
24/07/2018
at: 7:00 pm
MONTRÉAL
MINERVA for baroque cello
baroque cello: Elinor Frey
Gallery P. Lambert, Vieux-Port Montréal, Canada -
12/07/2018
at: 12:05 pm
BROADCASTING
THE COMPOSER LISA STREICH
PIETÀ for motorised violoncello and ensemble
motorised violoncello: Niklas Seidl
ensemble hand werk
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
ASCHE for violoncello and clarinet
ensemble recherche
SEGEL for orchestra
Lucerne Festival Orchestra Academy Orchestra
conductor: Gregor Mayrhofer
Deutschlandfunk Kultur, Germany -
08/07/2018
Harbour front Center Toronto
MINERVA for baroque cello (premiere)
baroque cello: Elinor Frey
Toronto Music Garden, Toronto, Canada -
08/07/2018
at: 9:00 pm
BROADCASTING
SOUND OUT with Ian McGlynn
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
RTÉ lyric fm, Ireland -
05/07/2018
AUTONOME MUSIK (4) – SCHALTUNGEN
ZUCKER for motorized ensemble
Ensemble Mosaik
Kesselhaus in der Kulturbrauerei, Berlin, Germany -
28/06/2018
at: 8:04 pm
BROADCASTING WDR3
(ENGEL, …) NOCH TASTEND
for string quartet
Asassello Quartet
WDR3 Klassik Forum -
07/06/2018
at: 7:30 pm
Echos aus Montepulciano VII
SAI BALLARE?
for violin, piano and motorised violoncello
students from Prof. Dr. Florence Millet and Prof. Johannes Schöllhorn
Konzertsaal Musikhochschule Wuppertal, Germany -
06/06/2018
PERIFERIEN
ZUCKER for motorised ensemble
Ensemble Aksiom
conductor: Kai Grinde Myrann
Oslo, Norway -
06/06/2018
at: 6:00 pm
Romanischer Sommer
(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
St. Georg, Cologne, Germany -
06/06/2018
at: 10:00 pm
musica nova
Broadcasting: Czernowin, Nemtsov, Streich
SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
PIETÀ for motorised violoncello and ensemble
Niklas Seidl, hand werk
ASCHE for violoncello and clarinet
ensemble recherche
editor: Günther Bajtl
Freies Radio für Stuttgart, Germany -
04/06/2018
TISCHE
ASCHE for violoncello and clarinet
ensemble HAND WERK
violoncello: Niklas Seidl
clarinet: Heather Roche
Frankfurt, Germany -
02/06/2018
at: 8:00 pm
Blurred Edges Festival
ASCHE for violoncello and clarinet
ensemble HAND WERK
violoncello: Niklas Seidl
clarinet: Heather Roche
Künstlerhaus Faktor, Hamburg, Germany -
30/05/2018
Klang Festival
ZUCKER for motorised ensemble
Ensemble Aksiom
conductor: Kai Grinde Myrann
Copenhagen, Danmark -
25/05/2018
at: 8:00 pm
Concert in the Cologne Cathedral
PREDELLA for 4 choirs and ensemble (premiere)
Vokalensemble Kölner Dom
Gürzenich Orchester Köln
conductor: Eberhard Metternich,
François-Xavier Roth
Cologne Cathedral, Germany -
24/05/2018
at: 10:05 pm
BROADCASTING
Horizonte: Studio für Musik
ASCHE for violoncello and clarinet
ensemble recherche
BR-Klassik, Germany -
20/05/2018
Hombroich Inselfestival
NEBENSONNEN for clarinet and string trio
Ensemble Recherche
Insel Hombroich, Germany -
16/05/2018
at: 7:30 pm
Arnold Schönberg Center
(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
Arnold Schönberg Center, Wien, Austria -
12/05/2018
at: 10:05 pm
BROADCASTING
ATELIER NEUER MUSIK
Lisa Streich in fünf Kompositionen
Portrait Lisa Streich
WERGO CD
by Egbert Hiller
Deutschlandfunk, Germany -
06/05/2018
at: 3:00 pm
SPOR Festival
Impossible Situation: A Collective Nordic Experiment
SAFRAN for violin and motorised piano
Duo Hellqvist / Amaral
Teater Refleksion, Aarhus, Denmark -
30/04/2018
at: 11:03 pm
Fremdmaterial
Radio Broadcast
music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
Autor: Rainer Nonnenmann
SWR2 JetztMusik -
20/04/2018
Festival Mixtur Barcelona
SAFRAN for violin and motorised piano (premiere)
Duo Hellqvist / Amaral
Barcelona, Spain -
07/04/2018
at: 3:30 pm
BERND ALOIS ZIMMERMANN SYMPOSIUM
Zwischen gestern und morgen:
Bernd Alois Zimmermann als medialer Komponist
final discussion with Schöllhorn, Bogacz, Streich
Moderation: Nonnenmann, -
04/04/2018
at: 9:04 pm
Musik der Gegenwart
PIETÀ for motorised violoncello and ensemble
motorised violoncello: Niklas Seidl
ensemble: Hand Werk
editor: Andreas Göbel
Kulturradio rbb -
24/03/2018
Ruse March Music Days
NEBENSONNEN for clarinet and string trio
Ensemble Recherche
Ruse, Bulgaria -
21/03/2018
at: 8:00 pm
SVENSK MUSIKVÅR
ZUCKER for motorized ensemble
Curious Chamberplayers
conductor: Rei Munakata
Grünewaldsalen Konserthuset
Stockholm, Sweden -
21/03/2018
Innsbruck Osterfestival
FLEISCH for violoncello
violoncello: Åsa ÅkerbergNEBENSONNEN for violin, viola, violoncello and clarinet
ensemble recherche
Innsbruck, Austria -
20/03/2018
Karfreitag
FLEISCH for violoncello
violoncello: Christina Meissner
Stuttgart, Germany -
18/03/2018
at: 11:04 pm
Fremdmaterial
Radio Broadcast
music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
Autor: Rainer Nonnenmann
WDR3 Studio Neue Musik -
08/03/2018
at: 8:00 pm
Domeniche Italiane
ASCHE for violoncello and clarinet
Ensemble Platypus
violoncello: Stefanie Prenn
clarinet: Theresia Schmidinger
Echoraum, Wien, Austria -
26/02/2018
Recording
SAI BALLARE? for piano trio
Ensemble Musikfabrik
Cologne, Germany -
31/01/2018
Periferien #1
(ENGEL, … NOCH TASTEND) for string quartet
Cikada string quartet
Sentralen, Oslo, Norway -
31/01/2018
at: 7:00 pm
ECLAT-Festival
ZUCKER for motorized ensemble
Ensemble Mosaik
conductor: Enno Poppe
Theaterhaus Stuttgart, Germany -
30/01/2018
Recording
ZUCKER for motorized ensemble
Ensemble Mosaik
conductor: Enno Poppe
SWR Studio Stuttgart, Germany -
15/01/2018
at: 2:00 pm
Lucerne Festival 2017 on BBC Radio 3
SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
http://www.bbc.co.uk/programmes/b09m15s1 -
03/01/2018 to 06/01/2018
Recording
>>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<<
performance installation for percussion quartet
Ensemble Links
Césaré Reims, France -
17/12/2017 to 18/12/2017
Recording
ÄLV ALV ALVA for ensemble
Ensemble Musikfabrik
Conductor: Elena Schwarz
Cologne, Germany -
13/12/2017
at: 10:00 am
Master Class
University of Gothenburg
Academy of Music and Drama, Sweden -
07/12/2017
at: 7:00 pm
Villa Massimo Gropius Bau Berlin
ZUCKER for motorized ensemble
Ensemble Interface
Gropius Bau Berlin, Germany -
05/12/2017
Baroque
FIKONTRÄDET for countertenor and baroque ensemble
countertenor: Mikael Bellini
Ensemble Lipparella
Härnösand, Sweden -
22/11/2017 to 24/11/2017
Christoph Delz Foundation
Jury work
with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
for the 7th competition for composers 2018 -
04/11/2017
Multi-chorality in Rome
STABAT for 32 voices in 4 choirs (premiere)
Ensemble UT
conductor: Lorenzo Donati
Santa Maria in Campitelli, Roma, Italy -
02/11/2017
Recording STABAT
STABAT for 32 voices in 4 choirs
Ensemble UT
conductor: Lorenzo Donati
St. Maria in Campitelli, Roma, Italy -
13/10/2017
at: 9:36 am
klassisk morgon P2
MARIA CALLAS for ensemble
ensemble recherche
swedish radio p2 -
11/09/2017
Recording AGNEL
Cologne Cathedral
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
Köln, Germany -
07/09/2017
at: 10:00 am
Master Class
center for composers, Visby, Sweden
-
02/09/2017
at: 2:30 am
Lucerne Festival
SEGEL for orchestra (premiere)
conductor: Gregor Mayrhofer
KKL, Luzern, Switzerland -
27/07/2017
Soundspace
ASCHE
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
Soundspace, Rochester NY, USA -
25/07/2017
Null Point
ASCHE
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
Null Point, Silo City in Buffalo NY, US -
12/07/2017
at: 8:00 pm
Sommerkonzert
FLEISCH solo for violoncello
violoncello: Christina Meissner
Klosterkirke Løgumkloster, Danmark -
08/07/2017
at: 8:00 pm
Heroines of Sound
ZUCKER for motorized ensemble
Ensemble Mosaik
Conductor: Christoph Breidler
Radialsystem, Berlin, Germany -
06/07/2017
solo
FLEISCH solo for violoncello
violoncello: Christina Meissner
St. Petri, Wolgast, Germany -
22/06/2017
at: 7:00 pm
Sommerfest Villa Massimo
FLEISCH for solo cello for 1 – 3 cellists (premiere)
violoncello: Christina Meissner
Villa Massimo, Roma, Italy -
02/06/2017
at: 8:00 pm
Ernst von Siemens Music Prize
AUGENLIDER for guitar and orchestra (excerpt)
guitar: Laura Snowden
conductor: Jonathan Stockhammer
Prinzregententheater Munich, Germany -
31/05/2017
Periferien #5
ASCHE for violoncello and clarinet
Ensemble neoN
Sentralen Oslo, Norway -
28/05/2017
at: 6:00 pm
Sound of Found Things
SAI BALLARE? for piano trio
Ensemble Mimitabu
Cinnober Göteborg, Sweden -
22/05/2017
at: 7:00 pm
Sala Santa Cecilia Roma
Villa Massimo
ÄLV ALV ALVA for ensemble
Ensemble Modern
conductor: Tito Ceccherini
Auditorium Parco della Musica, Sala Santa Cecilia Rome, Italy -
08/05/2017
at: 7:03 pm
Svensk musik från tre sekel
ARK for wind orchestra, 5 percussionists and double bass
Arméns Musikkår
conductor: Petter Sundkvist
Berwaldhallen, Sveriges Radio, P2, Sweden -
06/05/2017
at: 10:00 pm
Die besondere Aufnahme
AUGENLIDER for prepared guitar and orchestra
DSO Berlin
conductor: Manuel Nawri
Deutschlandfunk Kultur, Germany -
03/05/2017 to 05/05/2017
COMPOSITION RESIDENCY
ensemble recherche
Ensemblehaus, Freiburg, Germany -
19/04/2017
at: 8:00 pm
Le concert du soir “Ouvrir la vision”
ÄLV ALV ALVA for ensemble
Ensemble 2e2m
conductor: Pierre Roullier
Radio France -
31/03/2017 to 01/04/2017
Recording ASCHE & PIETÀ
Deutschlandfunk Köln
ASCHE for violoncello and clarinet
ensemble recherche
PIETÀ for motorized violoncello and ensemble
ensemble Hand Werk
Köln, Germany -
25/03/2017
at: 1:00 am
SVENSK MUSIKVÅR
SAI BALLARE? for piano trio with motorized violoncello
Ensemble Mimitabu
Grünewaldsalen Konserthuset, Göteborg, Sweden -
14/03/2017
at: 8:00 pm
Südseite Nachts
ASCHE for violoncello and clarinet
ensemble recherche
violoncello: Åsa Åkerberg
clarinet: Shizuyo Oka
Theaterhaus / P1, Stuttgart, Germany -
13/02/2017 to 14/02/2017
DSO Berlin
Recording
AUGENLIDER for prepared guitar and orchestra
guitar: Laura Snowden
conductor: Manuel Nawri
Berlin, Germany -
24/01/2017
Ensemble 2e2m
ÄLV ALV ALVA for ensemble
conductor: Pierre Roullier
Auditorium Marcel Landowski
Conservatoire à Rayonnement Régional Paris, Paris, France -
23/01/2017
L’ATELIER CONTEMPORAIN
presentation of work
CRR de Paris, Paris, France -
17/01/2017
at: 8:00 pm
Cello music, etc. Feat. Madison Greenstone
ASCHE for violoncello and clarinet
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
US San Diego Conrad Prebys Music Center, San Diego, USA