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LIST OF WORKS

2022

OFELIA for large ensemble, motorised piano and four loudspeakers
22′

REMEMORY for 12 voices and baroque ensemble
14′

MATRIOSHKA for Paetzold, Pump, Melodica and Egg Slicer
8′

2021

NEROLI for violin and orchestra
18′

JUBELHEMD for quartet and orchestra
18′

HIMMEL for large ensemble
15′

2020

FLÜGEL for orchestra
13′

FALTER for violin solo
8′

STERNENSTILL for string quartet
15′

PEONY’S SONG for 16 voices, whips and ensemble
(4444) 1.1.1.1 – 1.1.1.0 – timp.3perc – hp.cem – 1.1.1.1.1
20′

PERIPHERY for small orchestra
2′ 30”

2019

CRÈCHE for piano solo
2′ 30”

HÄNDEKÜSSEN for baroque orchestra
12′

PRIMA for turning flutist and light
10′

LASTER for motorised piano and orchestra
20′

FRANCESCA for ensemble
(fl. ob. cl. perc. pno. vln. vla. vlc.)
25′

2018

CIVIL SONG for 32 voices
14′

MANTEL for string orchestra
20’

PIETÀ for solo motorised violoncello and motorized installation of piano, violoncello, violin & guitar
8′

MINERVA for baroque cello
8′

PREDELLA for 4 choirs and ensemble
13′

LAUB for violin, guitar and choir
15’

2017

SAFRAN for violin and motorised piano
14′

STABAT for 32 voices in 4 choirs
27′

SEGEL for orchestra
13′

FLEISCH solo cello for 1 – 3 cellists
11′

2016

ARK for wind orchestra, 5 percussionists and double bass
12′

ZUCKER for motorized ensemble
(fl. cl. perc. pno. gtr. vln. vlc.)
15′

PIETÀ for motorised violoncello and ensemble
(solo vlc. fl. cl. perc. pno. vln. vla.)
7’

FIKONTRÄDET for counter tenor and baroque ensemble
(recorder, baroque violin, viola da gamba, theorbo, countertenor)
15′

2015

AUGENLIDER for prepared guitar and orchestra
20′

NEBENSONNEN for clarinet and string trio
(vln. vla. vlc. cl. in Bb)
11′

SAI BALLARE? for piano trio
(vln. vlc. pno.)
8′

VOGEL. MEHR VOGEL (ALS ENGEL).
for string quartet
10′

(ENGEL, … ) NOCH TASTEND
for string quartet
20′

2014

MARIA CALLAS for ensemble
(fl. ob. cl. perc. pno. vln. vla. vlc.)
3′

MJÖLK for ensemble and ferris wheel
(fl. ob. cl. cbsn. Hn. Tr. Trb. perc. I perc. II hp. pno. vln. I vln. II vla. vlc. cb.)
20′

RUE CUVIER ou LES YEUX AU CIEL for violoncello and accordion
15′

“DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT”
performance installation for percussion quartet
14′

2013

SERAPH for violoncello and organ
15′

PAPIROSN for ensemble
(fl. sax. trb. perc. baroque gtr. pno. vln. vlc.)
14′

AGNEL for 12-voiced choir, objects, choirboy und electronics
13′

SAI BALLARE? for violin, piano and motorised violoncello or piano trio
8′

ALV for orchestra
8′

2012

ASCHE for violoncello and clarinet
15′

MADONNA DEL PRATO for saxophone quartet
9′

ÄLV ALV ALVA for ensemble
(fl. ob/eng.hn. cl. bass cl. cbsn. hn. tr. trb. perc. pno. vln. I vln. II vla. vlc. cb.)
20′

PLAY TIME for bicyle and percussion trio
10′

PIETÀ for ensemble and pictures
(fl. cl. perc. pno. vln. I vln. II vla. vlc. cb.)
9′

PIETÀ for violoncello, motors and electronics
7′ 20”

2011

GRATA for violoncello and ensemble
(solo vlc. 5 trbs. org. 2 hps. vln. 2 vlas. cb.)
15′

ASKARGOT for string quartet
8′

…MIT BRENNENDEM ÖLE pocketopera for 12 instruments, 5 women’s voices and 5 children’s voices
12′

JOIE for Lauscher and Lauscher
7′

2010

HALBWERTZEITEN UND HONIG for soprano, piano and piano-loudspeakers
12′

WALLPAPERS for baritone and electronics
5′ 30”

ASKAR for string quartet and electronics
9′ 30”

2009

ÄNGEN DANSAR for womens choir and electronics
10′

LAKALLES for ensemble and electronics
(fl. cl. trb. acc. perc. vln. vla. vlc. cb.)
9′

EXISTENSER for piano and electronics
10′

2008

DER ZITRONENGELBE KLANG for baritone, soprano and tuba
8′

NÄCKEN for violin and electronics
10′ 23”

VON DEN SIEBEN PLAGEN for electronics
7′

2007

PLAYNG BERLIN for electronics
2′ 30”

Biography

Lisa Streich was born in 1985 in Norra Rada, Sweden. She studied composition and organ in Berlin, Stockholm, Salzburg, Paris, and Cologne with Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza, and Margareta Hürholz among others. Topping off her musical education were masterclasses with Chaya Czernowin, Steven Takasugi, Hanspeter Kyburz, and Daniel Roth. She currently holds a scholarship at the NMH Oslo, where Helmut Lachenmann is her mentor.

She likes to work with motorised instruments of her own creation in her music. She is fascinated by the de-subjectivization of sound, which for her becomes universal, speaking of and for everyone. She is also interested in the incongruent contrasts that can arise on both visual and auditory levels at the same time. Likewise, she pursues a keen interest in imperfect, well-known chords from recordings which she decidedly takes apart and weaves – sometimes with 40 voices – throughout an orchestral movement.

“Lisa Streich has her own voice,” says Alan Gilbert. “The musicians immediately recognized the quality of her music and found her work special.” (Elbphilharmonie Blog)

Streich has received commissions from the Lucerne Festival, the Kölner Philharmonie, the Swedish Radio Choir, the Gothenburg Symphony Orchestra, and the Shizuoka Concert Hall. Her music has seen performances from the Deutsches Symphonie-Orchester Berlin, the Gothenburg Symphony Orchestra, Swedish Radio Orchestra, Norrköping Symphony Orchestra, and Malmö Symphony Orchestra on the occasion of the 250th anniversary of the Royal Swedish Academy of Music with a commission for a Concerto Grosso, Quatuor Diotima, ensemble recherche, the Eric Ericson Kammerchor, Nouvel Ensemble Moderne Montréal, Ensemble Musikfabrik, the Munich Chamber Orchestra, and many others.

She has written theater music for the Salzburg Pocket Opera Festival, on the seven senses of man, as well as a closing scene for Henze’s “Wundertheater” for the Bavarian State Opera.

Awards and fellowships include the Cité des Arts Paris, the Anne-Sophie Mutter Foundation Orchestra Prize, the Akademie der Künste Berlin’s Busoni Composition Prize, the Bernd Alois Zimmermann Fellowship, a fellowship at the Villa Massimo in Rome, a Roche Young Commission at the Lucerne Festival, and the Ernst von Siemens Composers’ Prize. In 2020, she was the first recipient of the Claussen Simon Composition Prize, in 2021, she was honored with the Lilla Christ Johnson Composer’s Prize of the Royal Swedish Academy of Music for her work AUGENLIDER, and in 2022 she received the Heidelberg Women Artists’ Prize. In 2019, Lisa Streich was chosen to be a ricordilab laureate, an international program from publisher Ricordi Berlin that promotes young composers.

Portrait CDs were released in 2018 on WERGO/Zeitgenössische Musik and in 2019 on KARIOS.

Lectures on her music have taken place at the Royal College of Music Stockholm, the Colombia University New York, the Sibelius Academy Helsinki, and at the CRR de Paris. Dialog about music, art, and their possibilities is a subject close to Streich’s heart.

Future performances and commissions include an orchestral work for the NDR Elbphilharmonie Orchestra and Alan Gilbert, a violin concerto for the Munich Chamber Orchestra and Carolin Widmann. There is also a new orchestral work for the Staatstheater Hannover, a string quartet for Quatuor Diotima, and a cantata for the Klangforum Heidelberg and the Heidelberger Spring Music Festival. She also composes a new work for Ensemble Intercontemporain and Collegium Novum Zürich as well as a new work for orchestra for the Berlin Philharmonic.

Lisa Streich lives on Gotland, Sweden.

(Current as of Mar 2022)

press contact: jascha.zube@umusic.com

Lisa Streich, geboren 1985 in Norra Råda Schweden, studierte Komposition und Orgel in Berlin, Stockholm, Salzburg, Paris und Köln bei u. a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza and Margareta Hürholz.

Meisterkurse bei u.a. Chaya Czernowin, Steven Takasugi und Beat Furrer runden ihre musikalische Ausbildung ab.

Ihre Musik wurde u.a. in Schweden, Deutschland, Israel, Frankreich, Österreich, Großbritannien, Japan, Kanada und in den USA gespielt. Vorgeführt u. a. vom Deutschen Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammerchor und Schwedens Radiochor u.a. beim MATA Festival New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien Modern und in dem Kölner Dom.

Preise und Stipendien beinhalten u.a. Cité des Arts Paris, Orchesterpreis des Anne-Sophie Mutter Fonds, Busoni Förderpreis der Akademie der Künste Berlin, Bernd Alois Zimmermann Stipendium, Rom-Preis der Villa Massimo, Roche Young Commission des Lucerne Festivals und den Ernst von Siemens Komponistenpreis.

Eine Porträt CD wird April 2018 beim Label WERGO/Edition zeitgenössische Musik erschienen.

Sie lebt auf Gotland, Schweden.

press contact: jascha.zube@umusic.com

Lisa Streich, född 1985 i Norra Råda har studerat komposition och orgel i Berlin, Stockholm, Salzburg, Paris och Köln för bl.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza, Margareta Hürholz och Ralph Gustafsson.

Master classes med bl.a. Chaya Czernowin, Steven Takasugi och Beat Furrer kompleterar hennes musikaliska utbildning.

Hennes verk har blivit framförda i Sverige, Tyskland, Israel, Frankrike, Österrike, England, Japan, Kanada och USA. Hennes musik har blivit spelad av bl.a. Deutsches Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, OENM, Eric Ericsson Kammarkör och Sveriges Radiokör vid bl. a. MATA New York, Tzlil Meudcan Tel Aviv, Ircam Paris, Wien modern och i Domkyrkan i Köln.

Priser och Stipendier innehåller bl.a. Cité des Arts, Paris, Orchesterpriset från Anne-Sophie Mutter fonden, Busoni priset av Akademie der Künste Berlin, Bernd Alois Zimmermann priset, Rom priset Villa Massimo, Roche Young Commissions av Lucerne Festivalen, och Tonsättarpriset av Ernst von Siemens Stiftelsen.

En porträtt skiva kommer ut hos WERGO i April 2018.

Hon lever på Gotland.

press contact: jascha.zube@umusic.com

Lisa Streich, née en 1985 à Norra Råda (Suède), a étudié la composition et l’orgue à Berlin, Stockholm, Salzburg, Paris et Cologne avec e.a. Johannes Schöllhorn, Adriana Hölszky, Mauro Lanza et Margareta Hürholz.
Elle a eu l’occasion d’enrichir ses études musicales en suivant des cours avec e.a. Chaya Czernowin, Steven Takasugi et Beat Furrer.

Sa musique est jouée en Suède, Allemagne, Israël, France, Autriche, Grande-Bretagne, Japon, Canada et aux USA par des ensembles comme le Deutsche Symphonieorchester Berlin, Quatuor Diotima, Ensemble Recherche, Nouvel Ensemble Moderne, l’OENM, l’ Eric Ericsson choeur de chambre et le choeur de la radio suédoise qui ont interprété sa musique à l’occasion de festivals et de lieux comme le MATA New York, Ultraschall Berlin, Tzlil Meudcan Tel Aviv, l’Ircam Paris, Wien modern et la Cathédrale de Cologne.

Lisa Streich est lauréate de prix et de bourses d’exceptions tels que la bourse de la Cité des Arts de Paris, le prix d’orchestre du fonds d’Anne-Sophie Mutter, le Busoni Förderpreis de l’Académie des arts de Berlin, le prix Bernd Alois Zimmermann, le prix de rome – Villa Massimo, la Roche Young Commission pour le Festival de Lucerne et le prix de composition de la fondation Ernst von Siemens.

Un disque portrait existe sur le label WERGO.

Elle vit aujourd’hui sur l’ile de Gotland en Suède.

press contact: jascha.zube@umusic.com

→ Download CV

Commissions

Commissions Upcoming

Berliner Philharmoniker – piece for orchestra
Elbphilharmonie Orchestra / Claussen Simon Stiftung – piece for orchestra
Ensemble Intercontemporain / Ircam / Collegium Novum Zürich – piece for large ensemble, motorised piano and 4 loudspeakers
Staatstheater Hannover – piece for orchestra and costumes – collaboration with Markus Schinwald
Yarn & Wire New York – piece for 2 pianos 2 percussion
Jacob Kellermann – piece for solo guitar

Commissions Written

Gothenburg Symphony Orchestra / Swedish Radio Orchestra / Norrköping Symphony Orchestra /
Malmö Symphony Orchestra / Kungliga Musikaliska Akademien – concerto grosso for orchestra
Klangforum Heidelberg / Heidelberger Frühling – piece for 12 voices and baroque ensemble
Münchener Kammerorchester / Swedish Chamber Orchestra / Orchestre de Picardie – piece for violin and orchestra
Anna Petrini – piece for Pätzold, Pump, Melodica and Egg Slicer
Quatuor Diotima / Shizuoka Concert Hall Japan – piece for string quartet
ARD International Music Competition / Bayerischer Rundfunk – piece for solo violin
Collegium Novum Zürich – piece for large ensemble
Lucerne Festival / Roche Young Commission – piece for orchestra
Philharmonie Cologne / Hofkapelle München – piece for Baroque orchestra
Daniel Agi – piece for solo flute
Eric Ericson Kammarkör & Sveriges Radiokör – piece for 32 voices
Münchner Kammerorchester / Musica femina e.v. – piece for string orchestra
WDR Symphonieorchester / Wittener Tage für Neue Kammermusik – concerto for motorised piano and orchestra
Bayerische Staatsoper – staged piece for ensemble whips and choir
Villa Massimo project / Ernst von Siemens Musikstiftung – piece for 4 choirs
Cologne Cathedral / Gürzenich Orchester – piece for 4 choirs and ensemble
ensemble recherche / Swedish Arts Grants Committee – piece for ensemble
Karin Hellqvist / Swedish Arts Grants Committee – solo piece for motorized violin
Nadar ensemble / Transit Festival – PIETÀ for motorised installation
Swedish Radio / Arméns Musikkår – piece for wind orchestra and 5 percussionists
Bludenzer Tage zeitgemäßer Musik / Swedish Arts Grants Committee – piece for motorized ensemble
Asasello Quartet / Kunststiftung NRW – piece for string quartet
Acht Brücken / Ernst von Siemens Stiftung / Cologne Cathedrale – piece for 12-voiced choir, objects, choirboy und electronics

Harbour front Center’s Summer Music in the Garden Toronto – piece for baroque cello
Norrköpings Symfoniorkester – piece for guitar and orchestra
Ensemble Lipparella / Kulturrådet – piece for countertenor and baroque ensemble
Musik der Jahrhunderte / SWR / ensemble Recherche – piece for clarinet and string trio
Kalv Festivalen / choir piece with soloists
Norrbotten NEO – piece for ensmeble and electronics
Ensemble Recherche / Ultraschall Berlin – piece for ensemble
KammarensembleN / Statens Kulturråd – concerto grosso for string quartet and ensemble
Kroumata / Statens Kulturråd – piece for percussion quartet
Ensemble LUX:NM / Ernst von Siemens Stiftung – piece for ensemble
Duo Yngvild Vivja Haaland Ruud, Aino Juutilainen / Konstnärsnämnden / swedish/danish associationpiece for accordion and violoncello
Duo Christina Meißner, Poul Skjølstrup Larsen – piece for organ and violoncello
Ensemble Either I Or, Ensemble Son / Statens Kulturråd / Musik i Syd – piece for double quartet
Acht Brücken / radical translation – piece for piano trio (violin, piano and motorized violoncello)
Ensemble Recherche – piece for violoncello and clarinet
Stockholm saxophone quartet / Statens Kulturråd – piece for Saxophone Quartet
Hidden Mother – piece for percussion trio
Ensemble Sonanza – piece for ensemble and pictures
Ensemble 20/21 / Deutschlandfunk – piece for violoncello and ensemble
Taschenopernfestival Salzburg / Klang 21 / ARGEkultur – pocket opera
Lisa Fornhammar / Musik i Syd – piece for soprano, piano and piano loudspeakers
SIGNAL! Festival – orchestral brass

Records

AUGENLIDER

Portrait CD
AUGENLIDER for guitar & orchestra
SAI BALLARE? piano, violin & motorised violoncello
ÄLV ALV ALVA for ensemble
>>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<< performance installation for percussion quartet
ZUCKER for motorised ensemble
Deutsches Symphonie-Orchester Berlin/Manuel Nawri, Ensemble Musikfabrik/Elena Schwarz, Ensemble Links, Ensemble Mosaik/Enno Poppe
Label: KAIROS, Vienna, April 2019.

Details
PIETÀ

Portrait CD
SEGEL for orchestra
PIETÀ for motorised violoncello and ensemble
AGNEL for 12-voices choir, objects, choirboy and electronics
ASCHE for violoncello and clarinet
STABAT for 32 voices in 4 choirs
Lucerne Festival Academy Orchestra / Gregor Mayrhofer, hand werk / Niklas Seidl, Vokalensemble Kölner Dom / Eberhard Metternich, ensemble recherche, UT insieme vocale-consonante / Lorenzo Donati
Label: WERGO / edition zeitgenössische musik
06.04.2018

Details
INSIGHTS TO-MORROW

Asasello Quartet
pieces by Lisa Streich, Márton Illés, Viera Janárceková
Label: GENUIN
GEN 20639
03.01.2020

Details
GUIDED BY VOICES

New Music for Baroque Cello
Baroque Cello: Elinor Frey
pieces by: Godin, Streich, McKinley, Ceccarelli, Smith, Ueno
Label: ANALEKTA, AN 2 9162
08.03.2019

Details
ISPARIZ. EINE VISION

Gesänge der Hildegard und neue Kompositionen
cello: Christina Meißner
pieces by: von Bingen, Gubaidulina, Järnegaard,
Rane Bauck, Lake, Streich
Label: Querstand
15.05.2020

Details
WITTENER TAGE FÜR NEUE KAMMERMUSIK 2019

WDR Sinfonieorchester
LASTER for motorised piano and orchestra
piano: Claudia Chan
conductor: Michael Wendeberg
pieces by Urquiza, Iannotta, Adamek, Was, Glojnaric, Mochizuki, Streich, Blondeau, Barden
WDR3

Details
BACK TO THE FUTURE

10 Years of ensemble 20/21 & David Smeyers at the Forum neuer Musik
pieces by Seidl, Park, Streich, Katzer, Silva, Matsuzawa, Cueto, Pagh-Paan, Odeh-Tamimi, Scholl
Label: NEOS
18.05.2018

Details
AKSIOM

Ensemble Aksiom conductor: Kai Grinde Myrann pieces by Svensson, Mæland, Streich, Bauck Label: LAWO LWC1115 2016

Details
SERAPH

Christina Meißner & Poul Skjolstrup Larsen pieces by Czernowin, Paagh-Paan, Mense, Streich Label: Querstand DDD, 2013 31.10.2014

Details

Press

”SEGEL” ist zwischen Gegensätzen aufgespannt: Harte perkussive Momente schlagen, angeführt von Peitschenklängen, Schneisen in leise, schwebende Streicherklänge. Rhythmische Kante reibt sich an zarten Saitentönen, die etwas Traumhaftes haben, aber auch Sehnsucht un Wehmut. Zwischendurch meint man, Atem zu hören, mal auch Körper, die im Nebel tanzen. Im Programmheft liest man, dass Streich ihr musikalisches Material sakralen Vokalwerken entnahm. Das hat man tatsächlich auch hören können. Diese Musik hat nicht nur Idee und folgt einem klaren inneren Kompass, sondern greift den transzendierenden Charakter der Tonkunst auf, nimmt Kurs auf das Jenseits.”

Susanne Benda, Kurs auf das Jenseits, Stuttgarter Zeitung, June 27th 2022
“Das uraufgeführte „Rememory“ der Schwedin ist genau auf die Besetzung dieses Abends zugeschnitten, Chor und Barockensemble. Als Textvorlage und Inspiration dient ihr eine Passage aus dem Roman „Menschenkind (Beloved)“ der afroamerikanischen Literaturnobelpreisträgerin Toni Morrison, in dem die Grausamkeit der Sklaverei als verdrängtes Trauma thematisiert wird – eine Mutter tötet ihr eigenes Kind, um es vor der Versklavung zu retten. Streichs Exzerpt ist ein Wiegenlied, in dem die Blutströme von Natur- und Märchenbildern überlagert sind. Sie vertont es als sehr langsames, aber unerbittliches Anwachsen von Spannung durch klangliche Verdichtung und dynamische Intensivierung, bis schließlich eine Wolke von unerträglichem, an der Grenze des Schreiens angesiedeltem Leiden den gesamten Raum bis zum Bersten füllt, um wie durch Zauberhand doch in so etwas wie skeptische Sanftmut überzugehen. Schon in einigen anderen Werken hat Lisa Streich der Idee des Schmerzes mit geradezu physischer Härte Ausdruck verliehen, als existenzielle menschliche Erfahrung ohne jede Schutzhülle, ähnlich wie bei Galina Ustwolskaja. Ihr Stück bildete den ergreifenden Höhepunkt des Konzertes, und es war in der Mitte von Bachs Kantate „Ihr werdet weinen und heulen“ perfekt platziert, wuchs aus dieser heraus.”

Christoph Flamm, Zwingende Dramaturgie, unerbittliche Spannung, nmz 5/2022
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“Nella lingua svedese la parola älv serba in sé una serie di significati che sono in grado di costruire una semantica perfettamente specchiata in una memoria operativa dell’immaginazione: con essa posso indicare ciò che è amabile, prezioso, tendenzialmente piccolo in senso figurativo, che rileva un sottosuolo o acqua che scorre al di sotto, può affiancarsi al suffisso di fiume, fino ad arrivare a tradurre ciò che normalmente inquadra il minuscolo dato da elfi o folletti. Questa premessa è di un’utilità straordinaria per introdursi nel mondo musicale creato dalla compositrice svedese Lisa Streich (1985) ed ottenere le prime informazioni dal cd appena pubblicato su Kairos, intitolato Augenlider, frutto del premio vinto attraverso la Ernst Von Siemens Musikstiftung: particolarmente apprezzata negli ambienti contemporanei nonostante la giovane età, la Streich è un esempio di come l’ispirazione possa trovare stimoli efficienti nell’incontro tra stile di vita, pensiero poetico ed approfondimento artistico su basi che si riconducono comunque alla pratica musicale contemporanea.”

Ettore Garcia, Lisa Streich: Augenlider, Percorsi Musicali, May 17 2019
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“Die junge Schwedin, eine sympathisch zurückhaltende Erscheinung, pflegt eine persönliche Musiksprache der harten Kontraste und sensiblen Innenstrukturen. Die Streicher produzieren introvertierte Geräuschklänge an der Hörgrenze, und über ihre Köpfe hinweg spielen die beiden links und rechts außen platzierten Perkussionisten Pingpong mit Paukenschlag und Peitschenknall. Das ist intelligent konzipiert und wirkungsvoll obendrein.”

Max Nyffeler, François Leleux und Clemens Schuldt im Prinzregententheater, Abendzeitung München, December 14, 2018
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“The first sounds of Lisa Streich’s portrait disc in Wergo’s “edition zeitgenössische Musik” series are striking. In the opening pages of the orchestral work SEGEL, five percussionists arrayed in a wide semicircle around the stage take turns producing loud whip cracks, synchronized with brief, ethereal microtonal chords in the strings: both composed resonance and the profoundly muffled screams of some unfortunate victim.
Striking images are Streich’s stock of trade. Not “striking” as in aggressive or assertive – much of her work is quiet, timbrally fragile and temperamentally reticent – but as in singular, wonderfully imaginative, tightly bounded and strongly characterized, immediately compelling to the ear and more or less immediately graspable, with a musical significance that lies less in development or elaboration than in inherent properties and eventual juxtapositions. Streich makes beautiful small worlds, with their own small, violent rhetorics.”

Johnson, E. (2019). Lisa Streich - Lisa Streich: Pietà. Wergo WER64252. Tempo, 73(287), 116-117. doi:10.1017/S0040298218000840, Cambridge University Press
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“Die Musik von Lisa Streich (geboren 1985) auf CD zu veröffentlichen, ist eigentlich ein Ding der Unmöglichkeit. Zu sehr ist sie räumlich gedacht, sind die Klänge und ihre Räume in einem unlösbaren, komplex strukturierten Gewebe miteinander verflochten, das man unbedingt im Konzert erleben muss, um es in seiner vollen Bandbreite erahnen zu können. Mehrere Dimensionen, von denen die akustische und die metaphysische nur die naheliegendsten zu sein scheinen, überkreuzen sich hier und finden in den Werken zu einem Ausdruck, der gleichermaßen von kreatürlicher Verletzlichkeit, verheißungsvoller Transzendenz und der endlosen Gleichgültigkeit des Kosmos kündet…der CD gelingt mit einer Kompilation von Werken der vergangenen fünf Jahre eine vielfaltige und abwechslungsreiche Werkschau der jungen schwedischen Komponistin, die sich durch eine exzeptionelle musikalische Sprachvielfalt auszeichnet…Die CD hinterlässt den Hörer mit dem dringenden Wunsch, die Musik im Konzert hören zu wollen – als Qualitätsmerkmal letztlich das Non plus ultra.”

Patrick Klingenschmitt, Lisa Streich Pietà, Neue Zeitschrift für Musik #4 2018, S. 70
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“È una musica sensoriale e sensuale, dotata di un delicato spettro di colori, ma capace di una potenza espressiva lancinante. Lo dimostra il gioco di risonanze, dissonanze, rumori e soffi di Agnel (2013) per coro, voci bianche, oggetti e elettronica; o l’uso del violoncello motorizzato (insieme all’ensemble) in Pietà (2012): delle strisce di carta, fatte ruotare da piccoli motori posti sul violoncello, colpiscono lo strumento (questo suono è amplificato da piccoli microfoni) trasformandolo in un corpo martirizzato, torturato. Questa simbiosi tra elementi meccanici, all’apparenza giocosi, e l’idea cristologica del sacrificio ha l’intensità di una preghiera rapinosa.”

Gianluigi Mattietti, Nuovi volti della musica contemporanea: Lisa Streich, Amadeus May 5, 2018
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“Die Interpreten dieser Portrait-CD sind allesamt großartig, seien es Solisten aus dem ensemble recherche, das Vokalensemble des Kölner Doms oder das Orchester der Lucerne Festival Academy: Alle bringen die nötige Sensibilität für diese Musik mit, ohne an ihr zu zerbrechen. Immer hat das man das Gefühl, mitten im Energiefluss zu schweben. Dafür nimmt man sich doch gerne eine gute Stunde Zeit!”

Johann Jahn, Bayerischer Rundfunk, Der CD-Tipp zum anhören, April 12, 2018
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“Steve Reich zählte übrigens, wie John Cage, György Ligeti, Karlheinz Stockhausen oder Christian Wolff, zu den renommierten Composers in Residence in der dreißigjährigen Geschichte des Osterfestivals. Diesmal beeindruckten vor allem Kompositionen wie Lisa Streichs „Fleisch“ oder Milica Djordjevićs „Rdja“, und die Konfrontationen mit alter Musik.”

Reinhard Kager, Von fremden Menschen und Ländern, FAZ April 4, 2018
Read article
Xenakis, Metastaseis A, Terretektorh, Nomos Gamma; Arturo Tamayo conducting the Orchestra Sinfonica RAI and the Residentie Orkest The Hague (Mode)

Lisa Streich, Pietà and other works; Vokalensemble Kölner Dom, Niklas Seidl, ensemble recherche, UT insieme vocale-consonante, Gregor Mayrhofer conducting the Lucerne Festival Orchestra (Wergo)

Wang Lu, Urban Inventory and other works; Third Sound Ensemble, Holland Symfonia, Alarm Will Sound, Le Nouvel Ensemble Moderne, ICE, Ensemble Intercontemporain (New Focus)

Michael Pisaro, Shades of Eternal Night; Pisaro, Reinier van Houdt (Gravity Wave)

Paganini, Caprices; Augustin Hadelich (Warner)

Bach, Goldberg Variations; Peter Hill (Delphian)

Samir Odeh-Tamimi; Lámed and other works; Zafraan Ensemble, Salome Kammer, Manuel Nawri (Kairos)

Messiaen, Catalogue d’oiseaux; Pierre-Laurent Aimard (Pentatone)

Joan La Barbara, as lightning comes, in flashes, Autumn Signal, CYCLONE; La Barbara, Bruce Ditmas (Mode)

Jürg Frey, Late Silence, Magnus Granberg, How Vain Are All Our Frail Delights; Ensemble Grizzana (another timbre)

Michael Hersch, cortex and ankle, Black Untitled; Ensemble Klang (Ensemble Klang Records)
March 27, 2018 | Permalink

Alex Ross: The Rest is Noise: A Nightafternight playlist, March 27, 2018
Read article
“Die Violoncellistin Åsa Åkerberg legt mit Lisa Streichs “Fleisch” ein kleines Solo-Bravourstück hin; ruhig verinnerlicht und stetig aufbauend kehrt sie eine ganze Gefühls- und Klangwelt nach außen.”

Auf der Suche nach Stille und Zeit, Kronen Zeitung, March 23, 2018
“Ein gut gedachtes und gemachtes Stück. Für das eindrucksvollste indes hat an diesem Abend Lisa Streich gesorgt: In „Zucker“ sorgen elektronisch gesteuerte Rädchen an den Instrumenten der Musiker für einen (fast altmodisch-)mechanischen Klang, der sich in eine permanente und reizvolle Reibung zu den menschlich erzeugten Tönen begibt. Streichs Stück ist nicht nur sehr spielerisch und poetisch, sondern verfügt über eine in neuerer Musik nicht eben häufig anzutreffende Kongruenz von Länge und Inhalt.”

Susanne Benda, “Geschüttelt, nicht gerührt”, Auftakt des Stuttgarter ECLAT-Festivals, Stuttgarter Nachrichten February 01, 2018
Read article
“Älv Alv Alva de Lisa Streich donnée en création française est le troisième triptyque de la soirée. Les trois mots du titre, nous dit la compositrice Suédoise, «n’ont de sens que pour celui qui franchit le 60° parallèle nord». De fait, l’œuvre nous convie à une expérience d’étrangeté, avec ses trouées de silence, ses surgissements musclés convoquant les cuivres, et ses sonorités elfiques, celle des coupes-œufs mis entre les doigts des mêmes instrumentistes à vent qui les font délicatement sonner, à main nue ou avec des archets. Ce montage serré de séquences très hétérogènes et non dénuées d’humour – marche, air populaire et autres refrains – par son étrangeté même nous envoûte et laisse in fine affleurer l’émotion.”

Michèle Tosi, ResMusica, January 28, 2017
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“Lisa Streich beschwört die “Nebensonnen” als Metapher für ganz anders geartete Parallelen zu Lachenmann: ein fragiles Stück, im schier Schubertschen Amalgam von Geige und Viola durchaus auratisch.”

Gerhard R. Koch, “Wer lärmt, ist einverstanden mit dem großen Sohn”, FAZ, November 19, 2015
Read article
“For Swedish composer Lisa Streich’s Play Time (2012), members of Mantra Percussion sat at an inverted bicycle, one at each wheel and one between them at the frame. A set of crotales waited nearby. Making sounds on “found” objects is nothing new, and the bar for Streich was high. In Mantra’s nuanced performance, Play Time cleared every hurdle with room to spare. Mallet-on-frame tapping gave the work a rhythmic anchor that allowed Mantra to spin music out of sound. Delicate bowing set spokes humming, a tap on spokes became a quiet gong, spinning wheels fizzed and buzzed, pedals cranked a ratcheting chain, and here and there a fulsome, singing note emerged.”

Susan Scheid, “Of Circles and Motions of the Others”, The Brooklyn Rail, June 5, 2014
“Lisa Streich has a very personal and innovative musical language, with which she uses orchestral instruments in new ways that create unique sounds and timbres, combined with a strong sense of form. Chief conductor Michael Francis says about Lisa Streich’s piece Alv that “it’s one of the most original pieces I’ve ever conducted, she has developed a sound world unlike anything I have encountered before”.
With limited means, intrinsic aesthetics, and great ingenuity while posing technical challenges, she creates a fascinating spectrum of colours that can be called unique.”

Tim Södergren, “Här är vinnarna i Mutter-fonden”, Folkbladet, Mai 23, 2014
“…så utgjorde det nyskrivna verket ”Alv for Orchestra” av unga Lisa Streich en mera anti-symfonisk komposition. Här fick vi i ett annorlunda klanglandskap lära oss att lyssna fram det finstilta, naturen och det mystiska samt ge tystnaden en egen bärande funktion. Sällan har jag spetsat mina öron så mycket i De Geerhallen denna vår. Suveränt!

Michael Bruze, “Klangfrossa med SON”, Norrköpings Tidningar, April 29, 2014
“Ich könnte mich hier darin verlieren, für die Musik von Lisa Streich Worte zu finden. Reichhaltig sind die Zugänge, die sie ermöglicht, und das liegt nicht zuletzt an ihrer großen strukturellen Präzision und Differenzierung. Jedoch ist diese Präzision in keinem Moment einem leeren Spiel mit Virtuosität verpflichtet. Vielmehr scheint es immer um etwas Wesentliches zu gehen. Man könnte hierfür den Begriff des Ausdrucks wählen, denn die Musik lässt es zu, in ihr etwas zu erkennen, was sich vernetzt mit der Wahrnehmung im Allgemeinen. Sie kann taktil sein, schwebend, hart, melancholisch oder auch schmerzhaft, wenn sich z.B. alles zu einem scheinbaren Schrei verdichtet. Solche Begriffe oder Gefühle können sich beim Hören von Lisa Streichs Musik einstellen, doch sie stellt sie nicht aus. Vielmehr ermöglicht sie ledeglich ein solches Wahrnehmen, weil sie auch selbst der Wahrnehmung verpflichtet ist. Alles in ihrer Musik scheint aus ihr hervorzugehen, also ebenso ihre Tiefenschärfe, wie ihre große Weite.“

Isabel Mundry, excerpt from “Laudatio” Busoni Förderpreis, Berlin, November 30, 2013
“Och så välkomnad man också kan bli, som av Lisa Streichs oerhört tysta men inbjudande ”PAPIROSN for ensemble”. Knäpp och vinanden skapade en kontinuitet som bröts av enstaka starkare toner och minimala utbrott av skönhet. Glesa pling och gnissel påminde om hur mycket som finns att upptäcka när man rör sig mot tystnaden. Här överskreds faktiskt gränser, och det helt utan dynamit.”

Tobias Lund, “Tystnadens gränsland”, Sydsvenskan, October 26, 2013
“…other notable new scores: George Benjamin’s “Written on Skin,” Steven Stucky’s “Silent Spring,” Lisa Streich’s “PIETÀ,” David Lang’s “love fail,” Missy Mazzoli’s “Song from the Uproar,” Tristan Perich’s “Dual Synthesis.”

Alex Ross, “ten memorable classical performances of 2012”, The New Yorker, December 20, 2012
Read article
“I found Streich’s PIETÀ especially riveting. A Swede with a predilection for religious and philosophical subjectmatter, Streich here makes use of a cello outfitted with small motors on the outside of its body and microphones on the inside. One of the motors has strips of paper attached to it, which quietly strike the strings below the bridge as the wheel turns. The cello part — executed beautifully by Michael Bialobroda — leans on isolated phrases, sustained tones, and trills, rarely rising above a low dynamic and creating a mood of prayerful intensity. I was reminded of some of Sofia Gubaidulina’s more experimental work, but the vision seems thoroughly original.”

Alex Ross, The Rest is Noise, Books, articles, and a blog by the music critic of The New Yorker "Parisian footnotes", April 25, 2012
Read article
“…and works for solo instruments and electronics by student composers at IRCAM, the avant-garde music bunker beneath the Centre Pompidou. (Lisa Streich’s “PIETÀ,” a rapt meditation for mechanically modified cello, was the standout there.)”

Alex Ross, "Opera on the Barricades", The New Yorker, 30 April 2012, p. 75.
Read article
“Ihrer bislang minimalistischen Sprache treu bleibend, wählte Streich kleine Materialpartikel als Ausgangspunkt, die sich in widerstreitenden Konstellationen begegnen, auf höherer Ebene aber zu einer göttlichen Einheit verschmelzen. Auch in der Besetzung zeichnen sich die Gegensätze ab, etwa wenn fünf Posaunen in ihrer Rolle als Störfaktor von zwei flankierenden Harfen besänftigt werden. GRATA ist keinem strengen Formschema unterworfen und markiert in Streichs jungem Schaffen, im Kontext ihrer eigenen Spiritualität, eine Loslösung von äußeren Regeln und Vorgaben. Die ungebundene Kraftentfaltung, aus der sich ein eigenes individuelles Formgerüst herausbildet, korrespondiert mit dem Bekenntnischarakter des Werks.”

Egbert Hiller, Forum neuer Musik, Deutschlandfunk, April 2012

Calendar

Upcoming and current events

27/08/2022

at: 11:00 am

LUCERNE FESTIVAL

NEBENSONNEN for violin, viola, violoncello and clarinet
ensemble recherche
Hochschule Luzern – Music, Salquin Hall, Lucerne, Switzerland
03/09/2022

at: 7:30 pm

HÄNDEKÜSSEN for chamber orchestra
Ensemble Resonanz
conductor: Riccardo Minasi
Aula, University Bonn, Germany
04/09/2022

at: 3:30 pm

INK STILL WET

MANTEL for string orchestra and 2 percussion
Tonkünstler-Orchester
conductor: Lisa Streich
Auditorium, Grafenegg, Austria
14/09/2022

PARIS

OFELIA for large ensemble, motorised piano and 4 loudspeakers (premiere)
Ensemble Intercontemporain
conductor: Matthias Pintscher
Philharmonie de Paris, France
15/09/2022

OPENING CONCERT

SEGEL for large orchestra
Royal Stockholm Philharmonic Orchestra
conductor: Ryan Bancroft
Stockholm Concert Hall, Sweden
17/09/2022

OPENING CONCERT

SEGEL for large orchestra
Royal Stockholm Philharmonic Orchestra
conductor: Ryan Bancroft
Stockholm Concert Hall, Sweden
08/10/2022

at: 7:30 pm

COLLEGIUM NOVUM ZÜRICH

OFELIA for large ensemble, motorised piano and 4 loudspeakers (swiss premiere)
conductor: Tito Ceccherini
Collegium Novum Zürich
Tonhalle, Zürich, Switzerland
13/10/2022

at: 7:30 pm

NORDIC MUSIC DAYS

SEGEL for orchestra
Iceland Symphony Orchestra
conductor: tba
Harpa Concert Hall, Reykjavík, Iceland
26/10/2022

at: 6:00 pm

250th Anniversary Kungliga Musikaliska Akademien

JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra
Swedish Radio Symphony Orchestra
conductor: Fredrik Burstedt
Berwaldhallen, Stockholm, Sweden
27/10/2022

at: 6:00 pm

250TH ANNIVERSARY KUNGLIGA MUSIKALISKA AKADEMIEN

JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra
Swedish Radio Symphony Orchestra
conductor: Fredrik Burstedt
Berwaldhallen, Stockholm, Sweden
11/11/2022

Carolin Widman

NEROLI for violin and orchestra
Swedish Chamber Orchestra
violin: Carolin Widmann
conductor: Clemens Schuldt
Örebro Konserthus, Sweden
14/01/2023

at: 3:00 pm

JAPAN

STERNENSTILL for string quartet (premiere)
Quatuor Diotima
Shizuoka Concert Hall, Shizuoka, Japan
12/02/2023

at: 8:00 pm

Elbphilharmonie Visions

FLÜGEL for orchestra (premiere)
NDR Elbphilharmonie Orchester
conductor: Alan Gilbert
Elbphilharmonie, Hamburg, Germany
08/06/2023

at: 8:00 pm

BERLINER PHILHARMONIKER

NEW PIECE for orchestra (premiere)
Berliner Philharmoniker
conductor: Kirill Petrenko
Berliner Philharmonie, Berlin, Germany
09/06/2023

at: 8:00 pm

KIRILL PETRENKO

NEW PIECE for orchestra (premiere)
Berliner Philharmoniker
conductor: Kirill Petrenko
Berliner Philharmonie, Berlin, Germany

Past events

16/07/2022

at: 9:30 pm

LEBENSRÄUME @ SOMMER IN STUTTGART

NEBENSONNEN for clarinet, violin and viola
ensemble recherche
Liederhalle Stuttgart, Germany
04/07/2022

DANISH NEW MUSIC ACACDEMY

SAI BALLARE? for piano trio
violin: Sofie Dan
motorised violoncello: Ragnar Jónsson
piano: Lis Marti
27/06/2022

COMPOSER IN FOCUS

SEGEL for orchestra
Staatsorchester Stuttgart
conductor: Duncan Ward
Liederhalle Stuttgart, Germany

26/06/2022

Composer in Focus

SEGEL for orchestra (NP)
Staatsorchester Stuttgart
conductor: Duncan Ward
Liederhalle Stuttgart, Germany
13/06/2022 to 16/06/2022

TEACHING

MASTER CLASS
Hochschule für Musik Freiburg, Germany
13/06/2022

at: 8:05 am

BROADCASTING

SWR Abendkonzert
REMEMORY for 12 voices and baroque ensemble
conductor: Walter Nussbaum
Schola Heidelberg & ensemble aisthesi
SWR2 Germany
07/06/2022

PERFORMING PRECARITY

FRANCESCA for ensemble
Studio for New Music, Ellen Ugelvik, Jennifer Torrence
conductor: Vladimir Tarnopolsky
Moscow Tchaikovsky Conservatory, Moscow, Russia
cancelled
10/05/2022

at: 8:05 pm

BROADCASTING

NEROLI for violin and orchestra (premiere)
violin: Carolin Widmann
conductor: Enrico Onofri
Münchener Kammerorchester
BR Klassik
08/05/2022

at: 8:30 pm

31° Festival Milano Musica

FRANCESCA for ensemble
mdi ensemble
Fabbrica del Vapore, Milano, Italy
06/05/2022

COMPOSER IN FOCUS

DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT performance installation for percussion quartet
Staatsorchester Stuttgart
Stuttgart, Germany
01/05/2022

at: 5:00 pm

SPOR FESTIVAL

“(ENGEL, …) NOCH TASTEND” for string quartet
Quatuor Diotima
Bora Bora, Århus, Danmark
28/04/2022

at: 8:00 pm

CAROLIN WIDMANN

NEROLI for violin and orchestra (premiere)
Münchener Kammerorchester
violin: Carolin Widmann
conductor: Enrico Onofri
Prinzregententheater, Munich, Germany
24/04/2022

at: 9:05 pm

BROADCAST

KONZERTDOKUMENT DER WOCHE
HIMMEL for large ensemble
conductor: Felix Mildenberger
Philharmonisches Orchester Heidelberg
Deutschlandfunk Kultur, Germany
23/04/2022

at: 7:30 pm

Guest Recital: Marco Fusi

FALTER for solo violin
violin: Marco Fusi
WQED Studio B, 4802 Fifth Ave
Pittsburgh, USA
03/04/2022

at: 7:00 pm

ARCHIPEL

MATRIOSHKA for paetzold recorder, melodica, foot pump and egg slicer (premiere)
Anna Petrini
Maison Communale de Plainpalais, Geneva, Switzerland
03/04/2022

at: 8:00 pm

OSTERFESTIVAL

REMEMORY for 12 voices and baroque ensemble
Schola Heidelberg & ensemble aisthesis
conductor: Walter Nussbaum
Innsbruck, AUSTRIA
02/04/2022

BIT20

FRANCESCA for ensemble
BIT20 Ensemble
conductor: Christian Karlsen
Bergen, Norway
01/04/2022

at: 7:30 pm

HEIDELBERGER FRÜHLING

REMEMORY for 12 voices and baroque ensemble (premiere)
Schola Heidelberg & ensemble aisthesis
conductor: Walter Nussbaum
Peterskirche Heidelberg, Germany
23/03/2022 to 25/03/2022

TEACHING

MASTER CLASS
Norwegian Academy of Music, Oslo, Norway
27/02/2022

at: 11:00 am

PHILHARMONISCHES KONZERT

HIMMEL for large ensemble
Philharmonisches Orchester Heidelberg
conductor: Felix Mildenberger
Heidelberg, Germany
24/02/2022

at: 8:00 pm

PHILHARMONISCHES KONZERT

HIMMEL for large ensemble
Philharmonisches Orchester Heidelberg
conductor: Felix Mildenberger
Heidelberg, Germany
23/02/2022

HEIDELBERGER KÜNSTLERINNENPREIS

HIMMEL for large ensemble
Philharmonisches Orchester Heidelberg
conductor: Felix Mildenberger
Heidelberg, Germany
17/02/2022

at: 11:00 am

UNIVERSITY HEIDELBERG

Lecture: CHORDS
Heidelberg University, Germany
11/02/2022

at: 5:00 pm

ON THE PODIUM: JOHANNES GUSTAVSSON

JUBELHEMD concerto grosso for quartet and orchestra
Gothenburg Symphony Orchestra
conductor: Johannes Gustavsson
Göteborgs Konserthus, Gothenburg, Sweden
10/02/2022

at: 7:30 pm

ON THE PODIUM: JOHANNES GUSTAVSSON

JUBELHEMD concerto grosso for quartet and orchestra
Gothenburg Symphony Orchestra
conductor: Johannes Gustavsson
Göteborgs Konserthus, Gothenburg, Sweden
03/02/2022

at: 6:30 pm

ECLAT

CADENZA for motorised piano and assistant
Performing Precarity
Ellen Ugelvik
Jennifer Torrence
Theaterhaus Stuttgart, Germany
15/01/2022

at: 5:00 pm

FRAKZIONEN

RUE CUVIER ou LES YEUX AU CIEL
for accordion and violoncello
accordion: Claudia Buder
violoncello: Christina Meißner
Kantorei Bethel, Bielefeld, Germany
15/01/2022

at: 8:00 pm

MUSIK DER ZEIT

MANTEL for string orchestra and 2 percussion
WDR Symphony Orchestra
conductor: Elena Schwarz
Funkhaus Wallrafplatz, Cologne, Germany
09/01/2022

at: 11:04 pm

BROADCASTING

MY FAVORITE CHOICE – ELENA SCHWARZ
SEGEL for large orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
WDR 3 Germany
09/12/2021

at: 7:00 pm

PERFORMING PRECARITY

CADENZA for motorised piano
(from LASTER for motorised piano and orchestra)
piano: Ellen Ugelvik
motor player: Jennifer Torrence
NMH Oslo, Norway
29/11/2021

at: 5:00 pm

Kungliga Musikaliska Högtidssammankomst 2021
Prize Ceremony Christ Johnson Prize
Kungliga Musikaliska Akademien Stockholm, Sweden
12/11/2021

at: 9:00 pm

sister

SAI BALLARE? for string trio
ensemble resonanz
resonanzraum, Hamburg, Germany
14/10/2021

250TH ANNIVERSARY KUNGLIGA MUSIKALISKA AKADEMIEN

JUBELHEMD concerto grosso for trumpet, percussion, harp, viola and orchestra (premiere)
Malmö Symphony Orchestra
conductor: Gemma New
Malmö Live Konserthus, Malmö, Sweden
07/10/2021

Philharmonisches Konzert

HÄNDEKÜSSEN for small orchestra
Philharmonisches Orchester Heidelberg
conductor: Elias Grandy
Heidelberg, Germany
06/10/2021

Philharmonisches Konzert

HÄNDEKÜSSEN for small orchestra
Philharmonisches Orchester Heidelberg
conductor: Elias Grandy
Heidelberg, Germany
30/09/2021

at: 8:00 pm

EKKI MINNA Duo: Re-Act

RUE CUVIER for accordion and violoncello
EKKI MINNA Duo
Musikhuset København, Danmark
26/09/2021

at: 11:00 am

musica festival Strasbourg

(ENGEL,…) NOCH TASTEND for string quartet (miniatures)
1) ENGEL, NOCH TASTEND
2) VERGESSLICHER ENGEL
3) HÖRENDER ENGEL
Quatuor Diotima
Stadthalle Kehl, Germany
20/09/2021

at: 8:00 pm

Berliner Festspiele

HIMMEL for ensemble
Karajan Akademie
conductor: Matthias Pintscher
Philharmonie, Berlin, Germany
10/09/2021

at: 4:00 pm

ARD-Musikwettbewerb 2021

FALTER for violin solo (premiere)
participants of the ARD-Musikwettbewerb
Munich, Germany
06/09/2021

at: 8:00 pm

OPENING CONCERT ENSEMBLE-AKADEMIE

NEBENSONNEN for violin, viola, violoncello & clarinet
ensemble recherche
Christuskirche, Freiburg, Germany
29/08/2021

at: 6:00 pm

Sofia Gubaidulina 90 years

Kunstfest Weimar
SERAPH for violoncello and organ
violoncello: Christina Meissner
organ: Martin Sturm
Herderkirche Weimar, Germany
28/08/2021

at: 5:00 pm

Christina Meissner

SERAPH for violoncello and organ
violoncello: Christina Meissner
organ: Martin Sturm
Martinskirche, Sindelfingen, Germany
20/07/2021

at: 8:00 pm

SOG

PRIMA for turning flutist and light
flute: Daniel Agi
staging: Lea Letzel
MusikZentrum Hannover, Germany
10/07/2021

at: 10:00 pm

BROADCASTING BBC RADIO 3

NEW MUSIC SHOW BBC RADIO 3
MANTEL for string orchestra and 2 Percussion
Tapiola Sinfonietta
conductor: Roland Kluttig
https://www.bbc.co.uk/programmes/m000xsgc
07/07/2021

CHORDS

Lecture: CHORDS
Hochschule für Musik FRANZ LISZT Weimar, Germany
27/06/2021

at: 7:30 pm

FESTIVAL EIGENZEIT

ZUCKER for motorised ensemble
Duisburger Philharmoniker
Duisburg, Germany
Theater Duisburg, Germany
30/05/2021

at: 7:00 pm

QUARANTINE CONCERTS

FRANCESCA for ensemble
ensemble Gageego!
conductor: Christian Karlsen
Älvsborgs Kyrka, Göteborg, Sweden
https://www.organacademy.se/?fbclid=IwAR3b39Rdm6W3CBIpARHwO9KvTScVZVBs_HyCONH9-EJYvv_ib9uWMCSM4VU
20/05/2021

CHORDS

Lecture: CHORDS
Hochschule für Musik und Theater, Hamburg, Germany
10/04/2021

at: 7:30 pm

Nah und fern, nebeneinander und zerstreut

HIMMEL for ensemble (premiere)
Collegium Novum Zürich
conductor: Elena Schwarz
Tonhalle Maag, Zürich, Switzerland
https://app.idagio.com/de/live/event/collegium-novum-zuerich-and-elena-schwarz-near-and-far-side-by-side-and
10/04/2021

at: 10:03 am

BROADCASTING

“Lisa Streich mag Orchester”
Moderation: Andreas Müller-Crepon
SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
Radio SRF 2 Kultur
02/04/2021

RECORDING

ZUCKER for motorised ensemble
KammarensembleN
conductor: Christian Karlsen
Konstakademien, Stockholm, Sweden
31/03/2021

at: 8:00 pm

IDAGIO

Interview
Classical (R)evolution with Rachel Fenlon
https://app.idagio.com/live/event/classical-r-evolution-with-rachel-new-series-premiere
10/03/2021

at: 12:00 am

CREATIVE SOUND FORUM

Lecture
Performance Precarity
Bath School of Music and Performing Arts
Bath Spa University
10/02/2021

at: 8:00 pm

MUSICA NOVA HELSINKI

AUGENLIDER for guitar and orchestra
Finnish Radio Symphony Orchestra
guitar: Ismo Eskelinen
conductor: Anna-Maria Helsing
Helsinki Music Centre, Concert Hall, Helsinki, Finland
08/02/2021

at: 12:00 am

MUSICA NOVA HELSINKI

SERAPH for violoncello and organ
Helsinki Cathedral, Helsinki, Finland
07/02/2021

at: 6:00 pm

MUSICA NOVA HELSINKI

HÄNDEKÜSSEN for baroque orchestra
Finnish Baroque Orchestra
conductor: Tomas Djupsjöbacka
Ritarihuone (The House of Nobility) Helsinki, Finland
06/02/2021

at: 4:00 pm

MUSICA NOVA HELSINKI

WALLPAPERS for baritone and ever-changing electronics
baritone: Martti Anttila
Ritarihuone (The House of Nobility)
Helsinki, Finland
05/02/2021

at: 7:00 pm

MUSICA NOVA HELSINKI

MANTEL for string orchestra and two percussion
Tapiola Sinfonietta
conductor: Roland Kluttig
Espoo Cultural Centre, Tapiolasali, Finland
20/01/2021

at: 8:00 pm

Ultraschall Berlin 2021

LIVE radio concert
HÄNDEKÜSSEN for small orchestra
Deutsches Symphonie-Orchester Berlin
conductor: Marie Jacquot
rbb Kultur/Deutschlandfunk Kultur
13/01/2021

at: 3:10 pm

Columbia University

Lecture
Columbia University Department of Music, New York, USA
12/12/2020

at: 7:00 pm

PIONEER: A JOURNEY TO THE AFTER WORLD

FRANCESCA for ensemble
Gageego!
conductor: Christian Karlsen
Göteborgs Konserthus, Gothenburg, Sweden
21/11/2020

at: 7:00 pm

SOG

PRIMA for turning flutist and light
flute: Daniel Agi
Haus Bachem, Königswinter, Germany
20/11/2020

Beethoven, les Bagatelles entrelacées

CRÈCHE for piano solo (premiere)
piano: Hugues Leclère
Philharmonie de Paris, France
19/11/2020

at: 7:30 pm

TEMPUS KONNEX

FRANCESCA for ensemble
TEMPUS KONNEX
Werk 2 Halle D, Leipzig, Germany
17/11/2020

at: 8:00 pm

SOG

PRIMA for turning flutist and light
flute: Daniel Agi
Musikzentrum Hannover, Germany
15/11/2020

at: 7:00 pm

Århus Sinfonietta +

AUGENLIDER for prepared guitar and orchestra
guitar: Frederik Munk Larsen
conductor: Rei Munakata
Århus Sinfonietta+
Sankt Lukas Kirke, Sankt Lucas Kirkeplads, Aarhus, Danmark
31/10/2020

at: 7:30 pm

Arc-en-Ciel

ÄLV ALV ALVA for ensemble
Ensemble der ZHdK für zeitgenössische Musik
conductor: Jonathan Stockhammer
Zürcher Hochschule der Künste, Zürich, Switzerland
09/10/2020

at: 6:00 pm

ISPARIZ

FLEISCH for violoncello solo
Christina Meissner
Domkyrkan, Visby, Sweden
03/10/2020

at: 7:00 pm

SAMTIDA-FESTIVAL

FLEISCH for violoncello solo
Christina Meissner
Allhelgonakyrkan, Stockholm, Sweden
01/10/2020

at: 7:30 pm

Levande Musik Festival

FLEISCH for violoncello solo
Christina Meissner
Hagakyrkan, Göteborg, Sweden
01/10/2020

at: 9:30 am

Lecture

PLAN TO UNPLAN
Lecture
Gotland School of Music Composition, Visby, Sweden
27/09/2020

at: 10:30 am

PLAY TIME

PLAY TIME for bicycle, crotales and string trio
Mondrian Ensemble
Münzkabinett, Winterthur, Switzerland
26/09/2020

at: 6:00 pm

PLAY TIME

PLAY TIME for bicycle, crotales and string trio
Mondrian Ensemble
Atelier Klang und Raum, Uetikon am See, Switzerland
25/09/2020

at: 8:00 pm

PLAY TIME

PLAY TIME for bicycle, crotales and string trio
Mondrian Ensemble
Walcheturm, Zürich, Switzerland
24/09/2020

at: 8:00 pm

PLAY TIME

PLAY TIME for bicycle, crotales and string trio
Mondrian Ensemble
SAFE, Unternehmen Mitte, Basel, Switzerland
18/09/2020

at: 1:30 pm

LECTURE

Lecture
PERFORMING PRECARITY
Royal College of Music, Stockholm, Sweden
18/09/2020

at: 6:30 pm

ISPARIZ CD Release

FLEISCH for violoncello solo
Christina Meissner
Stadtkirche Weimar, Germany
15/09/2020

at: 8:00 pm

UNERHÖRTE MUSIK

EXISTENSER for piano and piano loudspeakers
piano: Alfonso Gómez
BKA-Theater, Berlin, Germany
05/09/2020

japan

STERNENSTILL for string quartet (premiere)
Quatuor Diotima
Shizuoka Concert Hall, Shizuoka, Japan
due to covid restrictions premiere is in 2023
10/08/2020

at: 7:00 pm

FORUM WALLIS

ASCHE for clarinet and violoncello
clarinet: Shizuyo Oka
violoncello: Åsa Åkerberg
Schloss Leck, Wallis, Switzerland
05/08/2020

at: 8:30 pm

DAVOS FESTIVAL

TIEFSINN
MINERVA for baroque cello
cello: Alex Jellici
Kirche St. Johann, Davos Platz, Switzerland
11/07/2020

at: 3:00 pm

SPECIAL INSTRUMENTS

SAFRAN for violin and motorised piano
ensemble mosaik
KUNSTRAUM TOSTERGLOPE, Tosterglope, Germany
28/06/2020

at: 7:30 pm

MUNICH OPERA FESTIVAL 2020

DAS WUNDERTHEATER
PEONY’S SONG (final scene)
Bayerische Staatsoper
Reithalle, Munich, Germany
26/06/2020

at: 7:30 pm

MUNICH OPERA FESTIVAL 2020

DAS WUNDERTHEATER
PEONY’S SONG (final scene)
Bayerische Staatsoper
Reithalle, Munich, Germany
24/06/2020

at: 7:30 pm

MUNICH OPERA FESTIVAL 2020

DAS WUNDERTHEATER
PEONY’S SONG (final scene)
Bayerische Staatsoper
Reithalle, Munich, Germany
22/06/2020

at: 7:30 pm

Munich Opera Festival 2020

DAS WUNDERTHEATER
PEONY’S SONG (final scene) (Premiere)
Bayerische Staatsoper
Reithalle, Munich, Germany
26/05/2020

at: 8:00 pm

PLAY TIME / THRESH

PLAY TIME for bicycle, crotales and string trio
MONDRIAN ENSEMBLE
Atelier Klang und Raum, Uetikon am See, Switzerland
24/05/2020

at: 6:00 pm

PLAY TIME / THRESH

PLAY TIME for bicycle, crotales and string trio
MONDRIAN ENSEMBLE
Kunstmuseum Winterthur, Switzerland
19/05/2020

at: 8:00 pm

UNERHÖRTE MUSIK

SAFRAN for motorised piano and violin
violin: Sarah Saviet
motorised piano: Joe Houston
BKA-Theater, Berlin, Germany
19/05/2020

at: 8:00 pm

PLAY TIME / THRESH

PLAY TIME for bicycle, crotales and string trio
MONDRIAN ENSEMBLE
Gare du Nord Basel, Switzerland
18/05/2020

at: 8:00 pm

PLAY TIME / THRESH

PLAY TIME for bicycle, crotales and string trio
MONDRIAN ENSEMBLE
Walcheturm Zürich, Switzerland
31/03/2020

UNERHÖRTE MUSIK BERLIN

EXISTENSER for piano and piano loudspeakers
piano: Alfonso Gómez
BKA-Theater, Berlin, Germany
15/03/2020

at: 5:00 pm

Århus Sinfonietta+

AUGENLIDER for prepared guitar and orchestra
guitar: Frederik Munk Larsen
conductor: Rei Munakata
Århus Sinfonietta+
Symfonisk Sal, Musikhuset Århus, Danmark
11/03/2020 to 13/03/2020

MASTER CLASS

Det Jyske Musikkonservatorium
Århus, Danmark
08/03/2020

at: 9:00 pm

BROADCASTING

Actualité du CD de la création
SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
France Musique
05/03/2020

at: 10:05 pm

BROADCASTING

HORIZONTE
PIETÀ for motorised violoncello and ensemble
motorised violoncello: Niklas Seidl
ensemble: hand werk
BR-KLASSIK
25/02/2020

at: 8:00 pm

Abo 3: Inspirationen

FRANCESCA for ensemble
ensemble recherche
Ensemblehaus, Freiburg, Germany
16/02/2020

RECORDING

NEW PIECE for small orchestra
Carl F. Bucherer
Lucerne Festival Orchestra
cond. Wolfram Christ
Teldex Studios Berlin, Germany
10/02/2020

at: 8:00 pm

UNERHÖRTE MUSIK BERLIN

PRIMA for turning flutist and light
flute: Daniel Agi
staging: Lea Letzel
BKA-Theater, Berlin, Germany
10/02/2020

at: 8:00 pm

Mozart in München mit Julian Prégardien

HÄNDEKÜSSEN for baroque orchestra
Hofkapelle München
cond. Rüdiger Lotter
Rudolf-Oetker-Halle Bielefeld, Germany
09/02/2020

Non-Beethoven

HÄNDEKÜSSEN for baroque orchestra (premiere)
Hofkapelle München
cond. Rüdiger Lotter
Kölner Philharmonie, Cologne, Germany
08/02/2020

h(ö)rbarium fr( )burg

SAFRAN for violin and motorised piano
Kompass Ensemble
Depot.K. Freiburg, Freiburg
04/02/2020

at: 8:00 pm

UNERHÖRTE MUSIK

SAFRAN for violin and motorised piano
ensemble mosaik
piano: Ernst Surberg
violin: Chatschatur Kanajan
BKA-Theater, Berlin, Germany
30/01/2020

at: 9:30 pm

ARTE NO TEMPO

SAFRAN for motorised piano and violin
ensemble mosaik
piano: Ernst Surberg
violin: Chatschatur Kanajan
Teatro Aveirense, R. Belém do Pará, 3810-009 Aveiro, Portugal
30/01/2020

at: 8:00 pm

der/gelbe/klang Debütkonzert

ASCHE for violoncello and clarinet
de/gelbe/klang ensemble für aktuelle musik
Schwere Reiter Munich, Germany
20/01/2020

at: 7:30 pm

Transparent Sound New Music Festival

MOLE’S BREATH for ensemble
Ensemble LUX:NM
October Hall, CEU, Budapest, Hungary
13/01/2020

at: 7:03 pm

BROADCASTING

Nutida musik från Huddersfieldfestivalen
ZUCKER for motorised ensemble
The Riot Ensemble
conductor: Aaron Holloway-Nahum
Huddersfield, United Kingdom
P2 Live, Sweden
11/01/2020

at: 8:00 pm

FRAKZIONEN Festival 2020

FRANCESCA for ensemble
ensemble recherche
Zionskirche Bielefeld-Bethel, Germany
16/12/2019

at: 7:00 pm

Montagskonzert

NEBENSONNEN for violin, viola, violoncello and clarinet
Ensemble Musikfabrik
Studio Musikfabrik, Cologne, Germany
15/12/2019

Grenzgänge

NEBENSONNEN for violin, viola, violoncello and clarinet
Ensemble Musikfabrik
Essen, Germany
30/11/2019

WERFT Festival

PRIMA for turning flute (premiere)
flute: Daniel Agi
staging: Lea Letzel
Alte Feuerwache, Cologne, Germany
29/11/2019

at: 7:00 pm

WHAT IS THE WORD – AROUND SAMUEL BECKETT

FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Odeon, Lund, Sweden
17/11/2019

TAGE DER NEUEN MUSIK BAMBERG

ASCHE for violoncello and clarinet
Ensemble Zeitsprung
Altes E-Werk, Bamberg, Germany
16/11/2019

HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL UK

ZUCKER for motorised ensemble
The Riot Ensemble
conductor: Aaron Holloway-Nahum
Huddersfield, United Kingdom
15/11/2019

at: 7:00 pm

WHAT IS THE WORD – AROUND SAMUEL BECKETT

FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Liljevalchs, Stockholm, Sweden
13/11/2019

WIEN MODERN

SAI BALLARE? for violin, piano & motorised violoncello
Klangforum Wien
Wiener Konzerthaus, Vienna, Austria
13/11/2019

Altolivenza Festival

(ENGEL, …) NOCH TASTEND for string quartet
Quartet, Morello, Enríquez
Teatro Verdi di Pordenone, Italy
11/11/2019

at: 7:00 pm

WHAT IS THE WORD – AROUND SAMUEL BECKETT

FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
Wärenstams, Borås, Sweden
10/11/2019

at: 5:00 pm

What is the Word – around Samuel Beckett

FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
artisitc direction: Karl Dunér
3e våningen, Göteborg, Sweden
02/11/2019

at: 7:00 pm

AFEKT FESTIVAL / TALLINN

SAFRAN for violin and motorised piano
Ensemble Mosaik
Creative Hub, Tallinn, Estonia
31/10/2019

at: 7:30 pm

ORBIT SCHÖNBERG #3

(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
MAKK – Museum für Angewandte Kunst Köln, Cologne, Germany
23/10/2019

HAND WERK

PIETÀ for motorised violoncello & ensemble
ensemble hand werk
motorised violoncello: Niklas Seidl
Alte Feuerwache, Cologne, Germany
22/10/2019

BROADCASTING

composer recommends
LASTER for motorised piano and orchestra
piano: Claudia Chan
conductor: Michael Wendeberg
WDR Symphonieorchester
https://areena.yle.fi/1-50266043
AREENA, Finland
20/10/2019

at: 5:00 pm

ARENA FESTIVAL

SAFRAN for violin and motorised piano
Ensemble Mosaik
Reformed Church
Riga, Lithuania
11/10/2019

at: 7:30 pm

KLANGNETZ THÜRINGEN

FLEISCH for violoncello
violoncello: Christina Meissner
Künstlerische Abendschule, Jena, Germany
08/10/2019

VIETNAM

ASCHE for violoncello and clarinet
violoncello: Lucas Fels
clarinet: Nina Janßen-Deinzer
Hanoi, Vietnam
23/09/2019

at: 11:03 pm

BROADCASTING

Zeit-Ton
FRANCESCA for ensemble
ensemble recherche
editor: Patrizia Jilg
ORF Austria, ORF.at
14/09/2019

WAVE DASH

CHOUPETTE for turning flute & timpani
flute: Camilla Hoitenga
timpani: Magdalena Meitzner
Dunkers, Helsingborg, Sweden
14/09/2019

OdeGand festival

PIETÀ for motorised violoncello and installation
motorised violoncello: Pieter Matthynssens
NADAR ensemble
Sint-Jacobskerk, Ghent, Belgium
13/09/2019

at: 8:00 pm

KLANGSPUREN SCHWAZ

Ins offene
FRANCESCA for ensemble (premiere)
ensemble recherche
Haus der Musik, Innsbruck, Austria
07/09/2019

at: 9:50 pm

GAUDEAMUS

Rauschen
PIETÀ for motorised violoncello and installation
motorised violoncello: Pieter Matthynssens
NADAR ensemble
Tivoli Vredenburg, Utrecht, Netherlands
06/09/2019

Nordiska Kammarorkestern

MANTEL for string orchestra & 2 percussion
Nordiska Kammarorkestern
conductor: Eva Ollikainen
Folkets Hus, Ånge, Sweden
05/09/2019

Nordiska Kammarorkestern

MANTEL for string orchestra & 2 percussion
Nordiska Kammarorkestern
conductor: Eva Ollikainen
Tonhallen, Sundsvall, Sweden
31/08/2019

WAVE DASH

CHOUPETTE for turning flute & timpani (premiere)
flute: Camilla Hoitenga
timpani: Magdalena Meitzner
Musikens Hus, Katrinehol, Sweden
27/08/2019

at: 7:00 pm

PORTRAIT EVENING

SAFRAN for motorised piano & violin
ensemble Musikfabrik
piano: Ulrich Löffler
violin: Hannah Weirich
Villa Concordia, Bamberg, Germany
24/07/2019

BROADCASTING

FLEISCH for solo violoncello
violoncello: Aki Kitajima 北嶋愛季
NHK-Chiba, Japan
12/07/2019 to 14/07/2019

HEROINES OF SOUND

MOLE’S BREATH for ensemble
ensemble lux:nm
Radialsystem Berlin, Germany
06/07/2019

Gdynia

EXISTENSER for piano and piano speakers
piano: Małgorzata Walentynowicz
Konsulat Kultury, Gdynia, Poland
30/06/2019

at: 12:00 am

BROADCASTING

Radio Monalisa
ÄLV ALV ALVA for ensemble
Ensemble Musikfabrik
conductor: Elena Schwarz
concertzender, Netherlands
29/06/2019

at: 1:00 pm

Kunststation St. Peter

Lunch Concert
SAFRAN for motorised piano & violin
ELECTRONIC ID
piano: Felix Knoblauch
violin: Anna Neubert
Kunststation St. Peter, Cologne, Germany
18/06/2019

XV Encontro Galego do Saxofón

MADONNA DEL PRATO for saxophone quartet
Fukio Saxophonequartet
Santiago de compostela, Spain
16/06/2019

RECORDING

FLEISCH for violoncello
violoncello: Christina Meissner
Løgumkloster, Danmark
07/06/2019

CMMAS Mexico

Disobediences in Sound
SAFRAN for violin and motorised violin
Duo Hellqvist/Amaral
CMMAS Mexico
06/06/2019

at: 12:06 am

BBC Broadcasting

Through the night
Eric Ericson 100 years
CIVIL SONG for 32 voices
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
BBC Radio 3, Great Britain
30/05/2019

at: 7:15 pm

Mozartfest Würzburg

MANTEL for string orchestra and 2 percussion
Münchener Kammerorchester
conductor: Clemens Schuldt
Residenz, Kaisersaal, Würzburg, Germany
29/05/2019

at: 9:00 pm

BROADCASTING

Wittener Edelsteine
LASTER for motorised piano and orchestra
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
Radio SRF 2 Kultur, Switzerland
27/05/2019

at: 9:05 pm

BROADCASTING

Musik-Panorama
Festival Provinzlärm
FIKONTRÄDET for counter tenor & baroque ensemble
Ensemble Lipparella
Deutschlandfunk Kultur, Germany
22/05/2019

at: 8:00 pm

AUGMENTED INTRUMENTS I

ZUCKER for motorised ensemble
ensemble Mosaik,
Kesselhaus in der Kulturbrauerei, Berlin, Germany
12/05/2019

WITTENER TAGE FÜR NEUE KAMMERMUSIK

LASTER for motorised piano and orchestra (premiere)
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
Witten Theatersaal, Witten, Germany
12/05/2019

at: 9:00 pm

BROADCASTING

LASTER for motorised piano and orchestra
WDR Sinfonieorchester
conductor: Michael Wendeberg
motorised piano: Claudia Chan
WDR 3, Germany
10/05/2019

at: 5:00 pm

WITTENER TAGE FÜR NEUE MUSIK

LASTER für alle
interactive installation for motorised piano
Foyer Sallbau, Witten, Germany
30/04/2019

at: 8:00 pm

Music on Main

MINERVA for baroque cello
baroque cello: Elinor Frey
Fox Cabaret, Vancouver, Canada
28/04/2019

at: 7:00 pm

GUIDED BY VOICES

MINERVA for baroque cello
baroque cello: Elinor Frey
Center for New Music, San Francisco, USA
20/04/2019

at: 8:00 pm

MASTER RECITAL

ASCHE for violoncello & clarinet
clarinet: Shannon Leigh
Boston Conservatory at Berklee
19/04/2019

RECORDING

SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
Cologne, Germany
13/04/2019

at: 6:00 pm

Weiße Stadt Tel Aviv

RUE CUVIER ou LES YEUX AU CIEL
for violoncello & accordion
violoncello: Christina Meissner
accordion: Claudia Buder
Sparkassen-Kunden Center, Gera, Germany
11/04/2019

at: 7:00 pm

MIMITABU PÅ CINNOBER

SOLO/DUO/TRIO
ASCHE for violoncello & clarinet
violoncello: My Hellgren
clarinet: Heather Roche
Cinnober, Gothenburg, Sweden
08/04/2019

at: 8:00 pm

Montagskonzert

SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
Studio Musikfabrik, Köln, Germany
07/04/2019

at: 5:00 pm

PACT Zollverein

SAFRAN for violin and motorised piano
Ensemble Musikfabrik
violin: Hannah Weirich
motorised piano: Ulrich Löffler
PACT Zollverein, Essen, Germany
06/04/2019

at: 8:30 pm

BREAKING THE WALL

MOLE’S BREATH for ensemble
LUX:NM ensemble
Kammermusiksaal Deutschlandfunk, Cologne, Germany
17/03/2019

Walburga

FLEISCH for solo violoncello
violoncello: Christina Meissner
St. Walburga Werl, Germany
17/03/2019

at: 7:00 pm

SVENSK MUSIKVÅR

NEBENSONNEN for violin, viola, violoncello and clarinet
NEW EUROPEAN ENSEMBLE
Musikaliska, Stockholm, Sweden
16/03/2019

Wermlandsoperan

ÄLV ALV ALVA for ensemble
Wermlandsoperans Orkester
conductor: Johannes Gustavsson
Wermlandsoperan, Karlstad, Sweden
16/03/2019

at: 5:00 pm

Orsoy

FLEISCH for solo violoncello
violoncello: Christina Meissner
Orsoy Chruch, Rheinberg, Germany
15/03/2019

at: 6:15 pm

Antoniter

FLEISCH for solo violoncello
violoncello: Christina Meissner
Antoniter Church, Cologne, Germany
14/03/2019

at: 7:00 pm

FLEISCH

FLEISCH for solo violoncello
violoncello: Christina Meissner
Kulturkirche Heilig Kreuz, Bottrop, Germany
13/03/2019

at: 8:00 pm

Guided by Voices Lancement d’album

MINERVA for baroque cello
baroque cello: Elinor Frey
Cabaret Lion d’Or, 1676 Ontario Est, Montréal H2L 1S7, Canada
10/03/2019

at: 4:30 pm

Barock

FLEISCH for solo violoncello
violoncello: Christina Meissner
Barockkirche Zwillbrock, Germany
09/03/2019

at: 6:30 pm

Kapellener Abendkonzerte

FLEISCH for solo violoncello
violoncello: Christina Meissner
Kapellen Dorfkirche, Moers, Germany
08/03/2019

GUIDED BY VOICES CD RELEASE

MINERVA for baroque cello
other works by Godin, Ueno, McKinley, Ceccarelli, Smith
baroque cello: Elinor Frey
Label: Analekta, Canada
07/03/2019

SAMPLER SÈRIES

ZUCKER for motorised ensemble
ensemble mosaik
Barcelona, Spain
27/02/2019

at: 7:30 pm

UNBESOCKT / INS FREIE

EXISTENSER for piano and piano loudspeakers
piano: Hector Docx
HfMT Multifunktionsstudio, Hamburg, Germany
16/02/2019

at: 5:00 pm

FESTIVAL PROVINZLÄRM

Focus Sweden
FIKONTRÄDET for counter tenor and baroque ensemble
Ensemble Lipparella
Eckernförde, Germany
15/02/2019

at: 8:00 pm

FESTIVAL PROVINZLÄRM

Opening Concert
ÄLV ALV ALVA for ensemble
Ensemble Reflexion, Norddeutsche Sinfonietta
Eckernförde, Germany
10/02/2019

at: 3:00 pm

MUSICA NOVA HELSINKI

Feed Forward
ASCHE for violoncello and clarinet
Zagros Ensemble
Olaus Petri Church, Helsinki, Finland
09/02/2019

at: 3:30 pm

ECLAT FESTIVAL

Impossible Situations
SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Theaterhaus, T3, Stuttgart, Germany
29/01/2019

at: 10:00 am

The Hermit Crab Breakfast

SAI BALLARE? for violin, piano & motorised violoncello
violin: Jacobo Hernández Enríquez
piano: Tsugumi Shirakura
motorised violoncello: Leo Morello
Mumuth, Graz, Austria
25/01/2019

at: 6:00 pm

3. VÅNINGEN

FIKONTRÄDET for counter tenor and baroque ensemble
ensemble Lipparella
3. Våningen, Göteborg, Sweden
16/01/2019

at: 7:05 pm

ERIC ERICSON 100

CIVIL SONG for 32 voices
Swedish Radio Choir
Eric Ericson Kammarkör
conductor: Fredrik Malmberg
Klassikaraadio, Estonia
11/01/2019

at: 9:00 pm

FRAKZIONEN

FLEISCH for solo cello
violoncello: Christina Meissner
Kantorei Bethel, Bielefeld, Germany
28/12/2018

at: 10:00 pm

BROADCASTING

Musikfabrik im WDR
SAI BALLARE? for violin, piano and motorised violoncello
ensemble Musikfabrik
violin: Hannah Weirich
piano: Ulrich Löffler
motorised violoncello: Axel Porath
WDR Germany
20/12/2018

at: 8:05 pm

BROADCASTING

MANTEL for string orchestra and 2 percussion
Münchener Kammerorchester
conductor: Clemens Schuldt
br-klassik.de Germany
15/12/2018

at: 7:30 pm

Münchener Kammerorchester

Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
Stadthalle Aschaffenburg, Germany
14/12/2018

at: 8:30 pm

Münchener Kammerorchester

Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
La Maison de la Culture, Grenoble, France
14/12/2018

at: 10:00 am

DEUTSCHER MUSIKRAT

ABENTEUR NEUE MUSIK
PIETÀ for motorised violoncello
motorised violoncello: Niklas Seidl
GGS, Manderscheider Platz, Köln, Germany
14/12/2018

SWEDEN JAPAN

MINERVA for baroque cello
Curious Chamberplayers
violoncello: Karolina Öhman
Aichi University of Fine Arts, Nagakute, Japan
13/12/2018

at: 8:00 pm

Münchener Kammerorchester

Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion (premiere)
Conductor: Clemens Schuldt
Prinzregententheater, München, Germany
13/12/2018

at: 7:00 pm

HELLQVIST/AMARAL

SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Kulturhuset Gimle, Bergen, Norway
13/12/2018

SWEDEN JAPAN

MINERVA for baroque cello
Curious Chamberplayers
violoncello: Karolina Öhman
Nagoya College of Music, Nagoya, Japan
12/12/2018

at: 7:00 pm

PERIFERIEN #8

SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Bruket, Oslo, Norway
06/12/2018

at: 7:00 pm

Laura Snowden

AUGENLIDER for prepared guitar and orchestra (premiere)
guitar: Laura Snowden
conductor: Christian Kluxen
Norrköping Symphony Orchestra
De Geerhallen Norrköping, Sweden
06/12/2018

OLD TOWN HALL

EXISTENSER for piano and piano loudspeaker
piano: Małgorzata Walentynowicz
Gdansk, Poland
29/11/2018

at: 8:00 pm

Rauschen

PIETÀ for motorised violoncello and motorised installation
ensemble Nadar
violoncello: Pieter Matthynssens
Concertgebouw, Brugge, Belgium
26/11/2018 to 28/11/2018

COMPOSITION RESIDENCY

with Ensemble Recherche
FRANCESCA for motorised piano, cembalo and ensemble
Ensemblehaus, Freiburg, Germany
26/11/2018

at: 8:00 pm

ART & SCHOCK I

SEGEL, ASCHE & SAFRAN
Portrait Lisa Streich
Kompass Ensemble, ensemble recherche
Humboldtsaal im Freiburger Hof, Humboldstr.2, Freiburg, Germany
24/11/2018

LUCERNE FESTIVAL

CHRISTOPH DELZ FOUNDATION
Jury work
with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
for the 7th competition for composers 2018
Lucerne, Switzerland
19/11/2018

at: 11:00 am

DEUTSCHER MUSIKRAT

ABENTEUR NEUE MUSIK
PIETÀ for motorised violoncello
motorised violoncello: Niklas Seidl
GGS, Manderscheider Platz, Köln, Germany
18/11/2018

at: 12:00 am

RAINY DAYS LUXEMBOURG

YOUR PLACE OR MINE I
PIETÀ for motorized violoncello and installation
motorised violoncello: Pieter Matthynssens
Toute la Ville de Luxembourg, Luxembourg
02/11/2018

ST JOSEF

FLEISCH for violoncello
violoncello: Christina Meissner
St. Josefs Kapelle, Krefeld, Germany
28/10/2018

MOMENTS MUSICAUX

MINERVA for baroque cello
baroque cello: Elinor Frey
l’église de la Visitation, Montréal, QC, Canada
27/10/2018

at: 3:00 pm

Eric Ericson 100 years!

CIVIL SONG for 32 voices
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
Konserthuset Stockholm, Sweden
26/10/2018

at: 7:00 pm

ERIC ERICSON 100 YEARS!

CIVIL SONG for 32 voices (Premiere)
Eric Ericson Kammarkör
Sveriges Radiokör
conductor: Fredrik Malmberg
Västerås Domkyrka, Västerås, Sweden
26/10/2018

at: 7:00 pm

Levande Musik

SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Hagakyrkan, Göteborg, Sweden
25/10/2018

at: 5:00 pm

Torsdag Konstmuseet

SAFRAN for violin and motorised piano
Duo Hellqvist/Amaral
Konstmuseet Skövde, Sweden
15/10/2018 to 16/10/2018

Recording (ENGEL, …) NOCH TASTEND

(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartett
Deutschlandfunk Köln, Germany
13/10/2018

at: 8:00 pm

Transit Festival

PIETÀ for motorised violoncello and motorised installation (Premiere)
ensemble Nadar
violoncello: Pieter Matthynssens
Leuven, Belgium
11/10/2018

LECTURE

Master Class in Composition
Royal Conservatory of Ghent, Belgium
09/10/2018

Recording MINERVA

MINERVA for baroque cello
baroque cello: Elinor Frey
Domaine Forget, Québec, Canada
03/10/2018

at: 8:00 pm

Musikfabrik im WDR 67

SAI BALLARE? for piano, violin and motorised violoncello
piano: Ulrich Löffler
violin: Hannah Weireich
motorised violoncello: Axel Porath
WDR Funkhaus, Köln, Germany
03/10/2018

Canadian Music Centre Toronto

GUIDED BY VOICES
MINERVA for baroque cello
baroque cello: Elinor Frey
Toronto, ON, Canada
02/10/2018

Guided by Voices

MINERVA for baroque cello
baroque cello: Elinor Frey
University of Toronto, Canada
15/09/2018

at: 8:00 pm

Sacrum Profanum

SAI BALLARE? for piano, violin and motorised violoncello
Ensemble Musikfabrik
ICE Krakow Congress Centre, Poland
14/09/2018

at: 8:30 pm

Münchener Kammerorchester

Münchener Kammerorchester
MANTEL for string orchestra and 2 Percussion
Conductor: Clemens Schuldt
La Maison de la Culture, Grenoble, France
09/09/2018

at: 7:00 pm

Sweden-Japan

FLEISCH for violoncello
violoncello: Aki Kitajima
Tokyo, Japan
08/09/2018

MAKESOMENEUES/10 JAHRE ON

EXISTENSER for piano and piano speakers
piano: Malgorzata Walentynowicz
Kunst-Station Sankt Peter, Cologne, Germany
30/08/2018

LECTURE

Master Class in Composition
Visby International Center for Composers, Gotland, Sweden
12/08/2018

KALV Festivalen

LAUB for violin, guitar and choir (premiere)
violin: Karin Hellqvist
guitar: Frederik Munk Larsen
conductor: Gunno Palmquist
Kalv kyrka, Kalv, Sweden
11/08/2018

KALV Festivalen

SAFRAN for violin and motorised piano
Duo Hellqvist / Amaral
Kalv, Sweden
02/08/2018

at: 12:00 am

BROADCASTING

musica nova
STABAT for 32 voices in four choirs
UT insieme vocale-consonate
conductor: Lorenzo Donati
editor: Günther Bajtl
Freies Radio für Stuttgart, Germany
29/07/2018

Les concerts de la chapelle

LA VOCE DEL VIOLONCELLO
MINERVA for baroque cello
baroque cello: Elinor Frey
Ste-Camille, QC, Canada
28/07/2018

ST VINCENT

FLEISCH for violoncello
violoncello: Christina Meissner
Eglise Saint-Vincent, Carcassone, France
24/07/2018

at: 7:00 pm

MONTRÉAL

MINERVA for baroque cello
baroque cello: Elinor Frey
Gallery P. Lambert, Vieux-Port Montréal, Canada
12/07/2018

at: 12:05 pm

BROADCASTING

THE COMPOSER LISA STREICH
PIETÀ for motorised violoncello and ensemble
motorised violoncello: Niklas Seidl
ensemble hand werk
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
ASCHE for violoncello and clarinet
ensemble recherche
SEGEL for orchestra
Lucerne Festival Orchestra Academy Orchestra
conductor: Gregor Mayrhofer
Deutschlandfunk Kultur, Germany
08/07/2018

Harbour front Center Toronto

MINERVA for baroque cello (premiere)
baroque cello: Elinor Frey
Toronto Music Garden, Toronto, Canada
08/07/2018

at: 9:00 pm

BROADCASTING

SOUND OUT with Ian McGlynn
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
RTÉ lyric fm, Ireland
05/07/2018

AUTONOME MUSIK (4) – SCHALTUNGEN

ZUCKER for motorized ensemble
Ensemble Mosaik
Kesselhaus in der Kulturbrauerei, Berlin, Germany
28/06/2018

at: 8:04 pm

BROADCASTING WDR3

(ENGEL, …) NOCH TASTEND
for string quartet
Asassello Quartet
WDR3 Klassik Forum
07/06/2018

at: 7:30 pm

Echos aus Montepulciano VII

SAI BALLARE?
for violin, piano and motorised violoncello
students from Prof. Dr. Florence Millet and Prof. Johannes Schöllhorn
Konzertsaal Musikhochschule Wuppertal, Germany
06/06/2018

PERIFERIEN

ZUCKER for motorised ensemble
Ensemble Aksiom
conductor: Kai Grinde Myrann
Oslo, Norway
06/06/2018

at: 6:00 pm

Romanischer Sommer

(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
St. Georg, Cologne, Germany
06/06/2018

at: 10:00 pm

musica nova

Broadcasting: Czernowin, Nemtsov, Streich
SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
PIETÀ for motorised violoncello and ensemble
Niklas Seidl, hand werk
ASCHE for violoncello and clarinet
ensemble recherche
editor: Günther Bajtl
Freies Radio für Stuttgart, Germany
04/06/2018

TISCHE

ASCHE for violoncello and clarinet
ensemble HAND WERK
violoncello: Niklas Seidl
clarinet: Heather Roche
Frankfurt, Germany
02/06/2018

at: 8:00 pm

Blurred Edges Festival

ASCHE for violoncello and clarinet
ensemble HAND WERK
violoncello: Niklas Seidl
clarinet: Heather Roche
Künstlerhaus Faktor, Hamburg, Germany
30/05/2018

Klang Festival

ZUCKER for motorised ensemble
Ensemble Aksiom
conductor: Kai Grinde Myrann
Copenhagen, Danmark
25/05/2018

at: 8:00 pm

Concert in the Cologne Cathedral

PREDELLA for 4 choirs and ensemble (premiere)
Vokalensemble Kölner Dom
Gürzenich Orchester Köln
conductor: Eberhard Metternich,
François-Xavier Roth
Cologne Cathedral, Germany
24/05/2018

at: 10:05 pm

BROADCASTING

Horizonte: Studio für Musik
ASCHE for violoncello and clarinet
ensemble recherche
BR-Klassik, Germany
20/05/2018

Hombroich Inselfestival

NEBENSONNEN for clarinet and string trio
Ensemble Recherche
Insel Hombroich, Germany
16/05/2018

at: 7:30 pm

Arnold Schönberg Center

(ENGEL, …) NOCH TASTEND for string quartet
Asasello Quartet
Arnold Schönberg Center, Wien, Austria
12/05/2018

at: 10:05 pm

BROADCASTING

ATELIER NEUER MUSIK
Lisa Streich in fünf Kompositionen
Portrait Lisa Streich
WERGO CD
by Egbert Hiller
Deutschlandfunk, Germany
06/05/2018

at: 3:00 pm

SPOR Festival

Impossible Situation: A Collective Nordic Experiment
SAFRAN for violin and motorised piano
Duo Hellqvist / Amaral
Teater Refleksion, Aarhus, Denmark
30/04/2018

at: 11:03 pm

Fremdmaterial

Radio Broadcast
music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
Autor: Rainer Nonnenmann
SWR2 JetztMusik
20/04/2018

Festival Mixtur Barcelona

SAFRAN for violin and motorised piano (premiere)
Duo Hellqvist / Amaral
Barcelona, Spain
07/04/2018

at: 3:30 pm

BERND ALOIS ZIMMERMANN SYMPOSIUM

Zwischen gestern und morgen:
Bernd Alois Zimmermann als medialer Komponist
final discussion with Schöllhorn, Bogacz, Streich
Moderation: Nonnenmann,
04/04/2018

at: 9:04 pm

Musik der Gegenwart

PIETÀ for motorised violoncello and ensemble
motorised violoncello: Niklas Seidl
ensemble: Hand Werk
editor: Andreas Göbel
Kulturradio rbb
24/03/2018

Ruse March Music Days

NEBENSONNEN for clarinet and string trio
Ensemble Recherche
Ruse, Bulgaria
21/03/2018

at: 8:00 pm

SVENSK MUSIKVÅR

ZUCKER for motorized ensemble
Curious Chamberplayers
conductor: Rei Munakata
Grünewaldsalen Konserthuset
Stockholm, Sweden
21/03/2018

Innsbruck Osterfestival

FLEISCH for violoncello
violoncello: Åsa Åkerberg

NEBENSONNEN for violin, viola, violoncello and clarinet
ensemble recherche
Innsbruck, Austria
20/03/2018

Karfreitag

FLEISCH for violoncello
violoncello: Christina Meissner
Stuttgart, Germany
18/03/2018

at: 11:04 pm

Fremdmaterial

Radio Broadcast
music by Schöllhorn, Seidl, Inamori, Omelchuk, Krüger, Streich
Autor: Rainer Nonnenmann
WDR3 Studio Neue Musik
08/03/2018

at: 8:00 pm

Domeniche Italiane

ASCHE for violoncello and clarinet
Ensemble Platypus
violoncello: Stefanie Prenn
clarinet: Theresia Schmidinger
Echoraum, Wien, Austria
26/02/2018

Recording

SAI BALLARE? for piano trio
Ensemble Musikfabrik
Cologne, Germany
31/01/2018

Periferien #1

(ENGEL, … NOCH TASTEND) for string quartet
Cikada string quartet
Sentralen, Oslo, Norway
31/01/2018

at: 7:00 pm

ECLAT-Festival

ZUCKER for motorized ensemble
Ensemble Mosaik
conductor: Enno Poppe
Theaterhaus Stuttgart, Germany
30/01/2018

Recording

ZUCKER for motorized ensemble
Ensemble Mosaik
conductor: Enno Poppe
SWR Studio Stuttgart, Germany
15/01/2018

at: 2:00 pm

Lucerne Festival 2017 on BBC Radio 3

SEGEL for orchestra
Lucerne Festival Academy Orchestra
conductor: Gregor Mayrhofer
http://www.bbc.co.uk/programmes/b09m15s1
03/01/2018 to 06/01/2018

Recording

>>DER ZARTE FADEN DEN DIE SCHÖNHEIT SPINNT<<
performance installation for percussion quartet
Ensemble Links
Césaré Reims, France
17/12/2017 to 18/12/2017

Recording

ÄLV ALV ALVA for ensemble
Ensemble Musikfabrik
Conductor: Elena Schwarz
Cologne, Germany
13/12/2017

at: 10:00 am

Master Class

University of Gothenburg
Academy of Music and Drama, Sweden
07/12/2017

at: 7:00 pm

Villa Massimo Gropius Bau Berlin

ZUCKER for motorized ensemble
Ensemble Interface
Gropius Bau Berlin, Germany
05/12/2017

Baroque

FIKONTRÄDET for countertenor and baroque ensemble
countertenor: Mikael Bellini
Ensemble Lipparella
Härnösand, Sweden
22/11/2017 to 24/11/2017

Christoph Delz Foundation

Jury work
with Nicolas Hodges, Marco Stroppa, Michel Roth, Mark Sattler
for the 7th competition for composers 2018
04/11/2017

Multi-chorality in Rome

STABAT for 32 voices in 4 choirs (premiere)
Ensemble UT
conductor: Lorenzo Donati
Santa Maria in Campitelli, Roma, Italy
02/11/2017

Recording STABAT

STABAT for 32 voices in 4 choirs
Ensemble UT
conductor: Lorenzo Donati
St. Maria in Campitelli, Roma, Italy
13/10/2017

at: 9:36 am

klassisk morgon P2

MARIA CALLAS for ensemble
ensemble recherche
swedish radio p2
11/09/2017

Recording AGNEL

Cologne Cathedral
AGNEL for 12-voiced choir, objects, choirboy und electronics
Vokalensemble Kölner Dom
conductor: Eberhard Metternich
Köln, Germany
07/09/2017

at: 10:00 am

Master Class

center for composers, Visby, Sweden
02/09/2017

at: 2:30 am

Lucerne Festival

SEGEL for orchestra (premiere)
conductor: Gregor Mayrhofer
KKL, Luzern, Switzerland
27/07/2017

Soundspace

ASCHE
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
Soundspace, Rochester NY, USA
25/07/2017

Null Point

ASCHE
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
Null Point, Silo City in Buffalo NY, US
12/07/2017

at: 8:00 pm

Sommerkonzert

FLEISCH solo for violoncello
violoncello: Christina Meissner
Klosterkirke Løgumkloster, Danmark
08/07/2017

at: 8:00 pm

Heroines of Sound

ZUCKER for motorized ensemble
Ensemble Mosaik
Conductor: Christoph Breidler
Radialsystem, Berlin, Germany
06/07/2017

solo

FLEISCH solo for violoncello
violoncello: Christina Meissner
St. Petri, Wolgast, Germany
22/06/2017

at: 7:00 pm

Sommerfest Villa Massimo

FLEISCH for solo cello for 1 – 3 cellists (premiere)
violoncello: Christina Meissner
Villa Massimo, Roma, Italy
02/06/2017

at: 8:00 pm

Ernst von Siemens Music Prize

AUGENLIDER for guitar and orchestra (excerpt)
guitar: Laura Snowden
conductor: Jonathan Stockhammer
Prinzregententheater Munich, Germany
31/05/2017

Periferien #5

ASCHE for violoncello and clarinet
Ensemble neoN
Sentralen Oslo, Norway
28/05/2017

at: 6:00 pm

Sound of Found Things

SAI BALLARE? for piano trio
Ensemble Mimitabu
Cinnober Göteborg, Sweden
22/05/2017

at: 7:00 pm

Sala Santa Cecilia Roma

Villa Massimo
ÄLV ALV ALVA for ensemble
Ensemble Modern
conductor: Tito Ceccherini
Auditorium Parco della Musica, Sala Santa Cecilia Rome, Italy
08/05/2017

at: 7:03 pm

Svensk musik från tre sekel

ARK for wind orchestra, 5 percussionists and double bass
Arméns Musikkår
conductor: Petter Sundkvist
Berwaldhallen, Sveriges Radio, P2, Sweden
06/05/2017

at: 10:00 pm

Die besondere Aufnahme

AUGENLIDER for prepared guitar and orchestra
DSO Berlin
conductor: Manuel Nawri
Deutschlandfunk Kultur, Germany
03/05/2017 to 05/05/2017

COMPOSITION RESIDENCY

ensemble recherche
Ensemblehaus, Freiburg, Germany
19/04/2017

at: 8:00 pm

Le concert du soir “Ouvrir la vision”

ÄLV ALV ALVA for ensemble
Ensemble 2e2m
conductor: Pierre Roullier
Radio France
31/03/2017 to 01/04/2017

Recording ASCHE & PIETÀ

Deutschlandfunk Köln
ASCHE for violoncello and clarinet
ensemble recherche
PIETÀ for motorized violoncello and ensemble
ensemble Hand Werk
Köln, Germany
25/03/2017

at: 1:00 am

SVENSK MUSIKVÅR

SAI BALLARE? for piano trio with motorized violoncello
Ensemble Mimitabu
Grünewaldsalen Konserthuset, Göteborg, Sweden
14/03/2017

at: 8:00 pm

Südseite Nachts

ASCHE for violoncello and clarinet
ensemble recherche
violoncello: Åsa Åkerberg
clarinet: Shizuyo Oka
Theaterhaus / P1, Stuttgart, Germany
13/02/2017 to 14/02/2017

DSO Berlin

Recording
AUGENLIDER for prepared guitar and orchestra
guitar: Laura Snowden
conductor: Manuel Nawri
Berlin, Germany
24/01/2017

Ensemble 2e2m

ÄLV ALV ALVA for ensemble
conductor: Pierre Roullier
Auditorium Marcel Landowski
Conservatoire à Rayonnement Régional Paris, Paris, France
23/01/2017

L’ATELIER CONTEMPORAIN

presentation of work
CRR de Paris, Paris, France
17/01/2017

at: 8:00 pm

Cello music, etc. Feat. Madison Greenstone

ASCHE for violoncello and clarinet
violoncello: Tyler J. Borden
clarinet: Madison Greenstone
US San Diego Conrad Prebys Music Center, San Diego, USA

A U G E N L I D E R

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20'

S T A B A T

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27'

R E M E M O R Y

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14'

J U B E L H E M D

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20'

S E G E L

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13′

Work list

LIST OF WORKS

Biography

Commissions

Commissions Upcoming

Commissions Written

Records

AUGENLIDER

PIETÀ

INSIGHTS TO-MORROW

GUIDED BY VOICES

ISPARIZ. EINE VISION

WITTENER TAGE FÜR NEUE KAMMERMUSIK 2019

BACK TO THE FUTURE

AKSIOM

SERAPH

Press

Susanne Benda, Kurs auf das Jenseits, Stuttgarter Zeitung, June 27th 2022

Christoph Flamm, Zwingende Dramaturgie, unerbittliche Spannung, nmz 5/2022

Ettore Garcia, Lisa Streich: Augenlider, Percorsi Musicali, May 17 2019

Max Nyffeler, François Leleux und Clemens Schuldt im Prinzregententheater, Abendzeitung München, December 14, 2018

Johnson, E. (2019). Lisa Streich - Lisa Streich: Pietà. Wergo WER64252. Tempo, 73(287), 116-117. doi:10.1017/S0040298218000840, Cambridge University Press

Patrick Klingenschmitt, Lisa Streich Pietà, Neue Zeitschrift für Musik #4 2018, S. 70

Gianluigi Mattietti, Nuovi volti della musica contemporanea: Lisa Streich, Amadeus May 5, 2018

Johann Jahn, Bayerischer Rundfunk, Der CD-Tipp zum anhören, April 12, 2018

Reinhard Kager, Von fremden Menschen und Ländern, FAZ April 4, 2018

Alex Ross: The Rest is Noise: A Nightafternight playlist, March 27, 2018

Auf der Suche nach Stille und Zeit, Kronen Zeitung, March 23, 2018

Susanne Benda, “Geschüttelt, nicht gerührt”, Auftakt des Stuttgarter ECLAT-Festivals, Stuttgarter Nachrichten February 01, 2018

Michèle Tosi, ResMusica, January 28, 2017

Gerhard R. Koch, “Wer lärmt, ist einverstanden mit dem großen Sohn”, FAZ, November 19, 2015

Susan Scheid, “Of Circles and Motions of the Others”, The Brooklyn Rail, June 5, 2014

Tim Södergren, “Här är vinnarna i Mutter-fonden”, Folkbladet, Mai 23, 2014

Michael Bruze, “Klangfrossa med SON”, Norrköpings Tidningar, April 29, 2014

Isabel Mundry, excerpt from “Laudatio” Busoni Förderpreis, Berlin, November 30, 2013

Tobias Lund, “Tystnadens gränsland”, Sydsvenskan, October 26, 2013

Alex Ross, “ten memorable classical performances of 2012”, The New Yorker, December 20, 2012

Alex Ross, The Rest is Noise, Books, articles, and a blog by the music critic of The New Yorker "Parisian footnotes", April 25, 2012

Alex Ross, "Opera on the Barricades", The New Yorker, 30 April 2012, p. 75.

Egbert Hiller, Forum neuer Musik, Deutschlandfunk, April 2012

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